bkoganbing
Five Finger Exercise ran on Broadway for the 1959-60 season for 337 performances and starred Roland Culver and Jessica Tandy. As it was produced by Fredrick Brisson on Broadway you knew that it would be for Rosalind Russell his wife if she wanted to do it. And apparently she did.Of course having a British story with one of the leads American you had to make even more adjustments than normally to transfer a one set play to the screen. Instead of a nice English country estate the setting is the Pacific coast. Hawkins is an orphan immigrant who from the United Kingdom and became a millionaire. Part of the problem though is that he's not only British but a total Philistine who sneers at all the culture is wife tries to provide son Richard Beymer and daughter Annette Gorman. A Harvard education for Beymer and a tutor for Gorman so she can go to a nice finishing school. They've taken on a tutor in Maximilian Schell.Russell came from a family where the father was a learned professor who was also a compulsive gambler and the family was on the edge of poverty.Essentially Russell and Hawkins come from two different places with entirely different sets of values. There is an permanent conflict in their relationship and Schell boarding with the family with his issues about having an unreconstructed Nazi for a father and a totally submissive mother just brings everything to a boil.I think the work should have been either all British or all American. The worst scene in the film was Hawkins listening to an American baseball game between Cincinnati and San Francisco. I listened and heard no familiar names in the commentary of the game. You'd think the authors would have used real Reds and Giants player names of the time. Hawkins looked like he didn't know what was happening. He probably would have been right at home listening to an English cricket or soccer match.Imagine if Jessica Tandy had done the film. That would have had her co-starring with her former husband. Well it worked for Robert Taylor and Barbara Stanwyck in Night Walker.This study of a dysfunctional family and its dysfunctional tutor would have worked better in its original British setting.
jonathan_lippman
A girl named Annette Gorman plays the daughter. Miss Wood has a tiny role of one of the two girls on the beach in a few insignificant scenes. Sadly most of the punch of the original play about an English family is left at as some of the other reviews imply. It is a strange mishmash to have a British father and an American mother as they keep trying to explain to us the audience. Shoulda stuck with the original British family but it was produced by the husband of Miss Russell and so she being very American they changed it to a great disadvantage to suit her. Still Miss Russell is a formidable talent and does everything she can to make it an Oscar winning performance in my opinion, that elusive statute that she never did win though two or three nominations. This was not one of them though.
edwagreen
Very good film with Rosalind Russell and Jack Hawkins giving outstanding performances as a miss-matched couple. She is a status climber who married Hawkins for financial security.She is looking for culture. He is looking for his successful furniture business to do even better.The action takes place at a summer resort in California. Son Philip, a Harvard student, comes home to the turbulence and frustrations besetting the house.Russell has hired a German to tutor their young daughter, played by Lana Wood. Max Schell, who had won the Oscar the year before in "Judgment at Nuremberg," is quite effective in a supporting role. Yearning for freedom and to be an American, Schell later admits the involvement of his tyrannical father during the Nazi rule and his submissive mother.Russell's attempted fling with Schell and his telling her that she could be his replacement mother nearly leads to tragedy.A film dealing with inner conflict, status seeking, and desire, it was handled quite well by all concerned.
kallahan
What a terrible shame that this film of Peter Shaffer's amazing play was turned into an uneventful melodrama. The amazing dynamics of the five character's interaction on-stage, has been reduced in the film to a domestic, "kitchen sink" drama. Perhaps the close of the Second World War was too close at hand for the film maker and the studio to really trust the power of the play and the horrors of the Nazi Germany. The English family is American in the film, which takes most of the punch from the drama, and the erotic undercurrents of the mother /son relationship pitched against the German tutor, Walter have been set aside. With the raw emotional core of the drama removed, what sadly remains is a stereotypical, Hollywood drama with little true emotion and a film that sadly serves the startling brilliance of the play.