Evildad Never saw the original theatrical release, but this DVD is only 55 minutes or so. There's no Bill Graham interview stuff, he just hops on stage and introduces a few of the bands. The opening credits seem to run forever, sucking up a lot of that minuscule hour of video. Possible the most egregious (to me) error is that during Jefferson Airplane's clip, they show a ton of footage of outdoor scenes (crowds, rallies, concerts) and occasionally closeups of Grace, Paul and Marty. I suspect this was in the original film this way, and probably because the stage footage sucked but they wanted to include the Airplane.All that's the bad news. The good news is that this DVD has two complete songs by Quicksilver (featuring plenty of guitar work by John Cipollina), most of a song by It's a Beautiful Day, two pieces by Hot Tuna, a rave-up tune by Cold Blood: all this is worth the price of the DVD. The video is extreme wide-screen, mostly split in two parts, sometimes three and sometimes overlapping montage. If you're looking for footage of old heroes, you could do worse than this.

sjohgart Yes, friends and IL' hippies, if ever there was a movie begging for an expanded edition wide-screen DVD release, this is the one. I haven't seen it since '72, granted, and my mental awareness at that time was probably a bit...different...but based on the soundtrack CD set I'd wager this is still a great look at the crazy IL' daze, with some wonderful music and a fun backstage look at the music culture of the time. Yes, it's true, I do have the added motivation that I had the astounding good fortune to attend a couple of these shows (the Dead/New Riders/Rowan Brothers show and the Hot Tuna/Quicksilver show), and would thus particularly get a kick out of seeing the film again. Let's hope "Festival Express" does really well; maybe that will punch somebody's button and wake 'em up to the potential market for this film.

lordguano This movie is a precious time-capsule that is, unfortunately, out of print on home video. The terrific performances from the likes of Boz Scaggs, Santana, Jefferson Airplane and particularly the Grateful Dead each at their respective peaks, would be reason enough to celebrate this film... But they almost pale in comparison to the portrait of the magnetic pioneering rock impresario Bill Graham and his immortal magical San Fransiscan rock palace, the Fillmore West.In 1971, Graham decided the time had come to close the doors to the fabled concert hall (and it's NYC counterpart, The Fillmore East) due to what he candidly describes as the egos of the performers having run amuck. This now-rarely seen documentary gives us a glimpse into the hassles and headaches (and joy) Graham experiences while trying to put together the lineup of acts for this final week of shows at the Fillmore. Footage of Graham doing dances to accommodate the needs of this performer or meet the demands of that agent illustrate his sense of disillusionment with the "business" in fascinating detail.While the split screen techniques applied here are derivative of the ground breaking work by Mike Wadleigh and company on the Woodstock film project, the subject matter in Fillmore is sufficient to set this movie apart from most other such films of the time. The only question remains is, who owns the rights to this film and why hasn't it been mastered in wide screen for DVD and home video yet?

Nozz The music of the Fillmore West closing concert is interspersed with a bit of documentary about Bill Graham. The music isn't reproduced too well (if I can judge by my cable-tv reception), and there is evidently a split screen that is lost (or more irritatingly, almost lost) in the video version. But Bill Graham is fascinating, there are some unjustly-forgotten musical groups such as Cold Blood, and we're reminded that once upon a time Jefferson Airplane did harmonies and Santana was a group, not a guru.