bjarias ..a woman playing the mind of a male... we're not totally sure till the very end.. then the look and the smiles..... it's a film cannot be watched just once.. especially since you're reading subtitles and jumping back to watch..... the flow being chopped up every few seconds, so more gets filled in once knowing the dialogue, then being able to more easily watch....the actors and performances keep it together.. yet don't go beyond.. ..how many times you watch it, and the rating you give it, are probably both to change..

Andres Rangel A whole new version of a french romance. I loved the translation from romantic European balconies to salty freighter balconies. I also appreciate a lot the 'woman empowerment' factor. I find it really important that cinema worries about representing other types of femininity. Romance has been idealized for so many years and I think this one explains very well a type of love that has always existed but not everybody likes to admit. It kind of helped me understand it without freaking out about my own experiences. Photography was gorgeous! The casting was amazing, it's so inclusive and diverse. The music caught me.

Sindre Kaspersen French actress, screenwriter and director Lucie Borleteau's feature film debut which she wrote with screenwriter Clara Bourreau, is inspired by her best friend who was a sailor. It premiered in France, was screened in the Concorso internazionale section at the 67th Locarno international Film Festival in 2014, was shot on locations in France, Poland and Senegal and is a French production which was produced by producers Pascal Caucheteux and Marine Arrighi de Casanova. It tells the story about a thirty-year-old daughter, sister and mechanic at a cargo ship called Fidelio.Distinctly and subtly directed by French filmmaker Lucie Borleteau, this quietly paced fictional tale which is narrated mostly from the protagonist's point of view, draws a reflectively multifaceted and literary portrayal of a Norwegian citizen named Felix whom has left his country of origin to become an author and his relationship with his girlfriend. While notable for its atmospheric milieu depictions, distinct cinematography by cinematographer Simon Beauflis and real locations, this character-driven and narrative-driven story about parallel lives, a human being who moves like the character which carries the boat where she temporarily lives, the others whom she is accompanied by and a word starting with l and ending with e, depicts a cinematographically poetic study of character and contains a great and timely score by composer Thomas de Pourquery.This mindfully interrelated journey which is set in France in the 21st century and where a captain named Gaël is reunited with a former friend, is impelled and reinforced by its cogent narrative structure,substantial character development, rhythmic continuity, comment by Alice: "I'll never be an ordinary girl." and the reverent acting performances by Greek actress Ariane Labed and French actor, musician and director Melvil Poupaud. A presently open-minded and mysterious narrative feature which gained, among other awards, the Best Actress Award at the 67th Locarno Film Festival in 2014.

guy-bellinger Lucie Borleteau's first feature-length movie is a strange one. It has an interesting premise (few are the movies that revolve around a woman... working as an engineer on a freighter) but its development is - to say the least - surprising. You might expect a documentary on the theme : 'the everyday life and working conditions of a female worker on a merchant ship' or a sociological study dealing with the point 'how does an insert element manage to fit into an a priori unfriendly universe?' And - to be fair - there are elements of the response to both questions. On the documentary side, the cargo ship Fidélio on which most scenes take place is a real one and it shows. As a consequence everything rings true, from the sorry state of the antiquated freighter to the engine room operations to the superstitious Filipino crew members, to the wild sprees ashore. As for the study of what it is like to be a woman in a male-dominated environment, the result is only fairly convincing : this is probably due to the fact that Alice is seen in too many scenes in which she thinks of love, yearns for sex or actually makes love and in not enough where she carries out her engineer's job. And when she IS doing so, she appears too beautiful, too well-groomed and her hands are just about greasy enough. Of course it is Lucie Borleteau's choice to show that a woman, whether working in an engine room or not, will be a woman (which I perfectly understand), but it seems to me her film would have been better if she had found a more adapted balance between the intimate and the documentary sequences. On the whole, though, "Fidelio, l'odyssée d'Alice" remains quite a watchable film. First of all because it may be the first (or if is not, one of the first) fiction movies on its theme - and this is no small thing. In addition, even if more could have been shown about Alice's trade, the relationships between the various member of the crew are well observed and well captured in this aptly-made drama. Another asset of 'Fidélio' is its fine cast consisting either of professionals (in particular the classy Ariane Labed as Alice the free woman and the sensitive Anders Danielsen Lie as Felix, the young lover she has left behind) or of real-life seamen who play themselves in a very realistic way. All in all, a voyage you can embark on provided you don't mind a significant part of its running time being devoted to its main character's sentimental pangs or graphic lovemaking.