nikyangelg It was movie that touched a string and left my mind empty of thoughts. Those views of the Algerien desert were magnificent. They pointed out something that we seem to forget again again: we are so small in the background of nature. I've often read in books about how the immensity of the desert humbles human beings but I never understood what it meant. Living in a place like that seems to have made the school teacher realize how precious is life and how small is the importance of human squabbles. Quiet... That seems to be the predominant sound of the movie. Or more likely peace, a peace that Daru attempts to keep by turning a blind eye to the chaos that seems to start brewing around him. However, eventually he can not bring himself to sacrifice his values in order to keep his peaceful life. The movie also shows the incipient stages of what we today call terrorism. Daru's perspective is very interesting. As a child who is born by Spanish parents in an Arabic country and who is also a French citizen he belongs to three nations and to none in the same time. Thus he has insight on all three cultures from a rather impartial perspective. He is not touched by excessive nationalism and can see analyze their cultures from a wider point of view. We can see in this movie what could be called the calm before the storm. The inhabitants of the Arabic world are starting what they call a "revolution". From their point of view their actions represent their path to freedom, liberation from the oppression of foreign tyranny. We are used to see the terrorists as villains but perhaps they are victims just as match as we are.

Ian Perkins Daru (Viggo Mortensen)is a second-generation Spanish-Algerian, teaching Arab children in a remote school during Algeria's struggle for independence. He is viewed as a Frenchman by the Arabs, and as an Arab by the French. He gets saddled with the task of taking Mohamed (Reda Kateb), a common, that is non-political, criminal to the authorities in Tinguit. The pair encounter Algerian freedom fighters, French soldiers, Arab tribesmen, stunning landscapes and more along the way. At each turn, Daru's values, culture, position and assumptions are thrown into question, and his bond with Mohamed deepens. Yet at all points this remains a movie with a compelling storyline and beautiful cinematography. There is never a hint of heavy-handed social commentary or political soap-boxing. As a thriller/adventure, or character drama, it would be excellent. But through Daru and Mohamed's developing relationship, the social and political fabric of Algeria is explored at the same time, with exquisite but down-to-earth sensitivity, from the points of view of two ordinary, honest, and in their different ways fundamentally good men.

ms-04658 I have been to Algeria a few years ago, so I was compelled to watch this movie. The movie starts slow, which was not a problem. The mood of the film didn't capture me right away, so I postponed the viewing of the second half of it. But it didn't get better, it got worse. The more sentimental conversations between the two main characters I had to witness, the less I was able to feel interested about their lives or their history. The movie seems to try to use everything - desert, music, story - to make us feel sorry for Mohamed and emphasize with Daru, but it just didn't work for me. Most of the movie seems to be about the two companions staring into the wide landscape with a melancholic look on his face. The last Mortensen movie I watched was about a male character who had to lead his son, a young boy, through a post-apocalyptic scenario, into safety. It was hardly watchable due to it's sentimental onslaught. This movie is the same, just in the Algerian desert.

punishable-by-death A French production about the Algerian War of Independence. Viggo Mortensen. Nick Cave and Warren Ellis handling the OST. That was easily enough to hook me into this.Daru's (Viggo) history is hidden in smoke when the movie starts, as he calmly teaches young children… About France, and French geography. So we know that he is involved with the settlement of the French in Algeria in some way, but something has caused his retreat to the Atlas mountains to teach. We aren't told why, but it is made visually obvious by the extended, incredible panoramic shots of these mountains. His retreat to a peaceful life is shattered, as he is handed a prisoner, a dissident against the French settlement who is to be escorted to a trial and, ultimately, execution. This hand-off occurs early in the movie, and throughout the journey makes for some emotional scenes as the two extremely different men slowly understand each other. Despite Daru's protests, the prisoner Mohamed has accepted his fate. Much to Daru's angst then, they begin their journey.It seems like half the film is made up of distant, landscape shots; I was staring mouth agape, my eyes scanning over the big screen to take it all in. These shots are difficult not to stare at, but they aren't simply of the mountains – as the movie progresses we see similar shots, but in these we can just make out a track, and even smaller are the two journeymen who look like ants, even on a cinema screen. If that isn't a visual metaphor for the exhaustive journey the two have in front of them, I don't know what is. It also shows just how far away from home both men are – in completely different ways. They are in the same boat, trying to keep it from sinking, yet they on the surface they couldn't be more different.The film's concept certainly is nothing special: Two people making a long trek across dangerous territory, facing their own mortality, their values and beliefs. The film's exploration of character gives it depth and humanity, while conversely the pair's journey is filmed like a Western, with the raging war for independence providing a violent background to their struggles. Both men have stakes in this war, though again these are very different, and at first unclear. While very different men in many different ways, the one thing they do share, and the one motif that consistently rears its head is honour, and the different ways this value can be interpreted, both during war and otherwise. Themes like this dominate the film (and not in a bad way!) as the journey of the two men is an intimate study of selflessness, doing the right thing, respect, and loyalty.For the most part, this film could easily be transferred to one of many Middle-Eastern countries. Which is in many ways very unfortunate, as many people and countries are still fighting for individuality and freedom from oppression and war. There is no doubt that this notion was considered when writing this film.Unsurprisingly, Viggo is stellar in his role, speaking a slightly accented French to match his Algerian born character. If it were anyone but Viggo you could accuse him of showing off! But he does it so naturally and fits into the film's world so well that you just can't help but admire the guy. Reda Kateb, as the dissident/prisoner, plays an apt and very somber role, fitting his character. Both are essentially in every scene, but the film is far from boring, as not only do we gradually find out more about these two and their respective pasts, what they endure in the final act will have you on your toes.One last thing that was very noticeable to me was the sound-editing and mixing. The use of silence, sounds of harsh winds when appropriate and an ambient OST all combine to create an incredible atmosphere. This combination also creates a unique feeling of tension throughout, especially when the music slowly creeps up on you, letting you wonder where the long trek will lead both men.This effect of tension is heightened drastically when the story takes a sudden, sharp turn. I know I jumped out of my seat a couple of times, not due to anything surprising, but due to the incredible use of music to accompany the images on-screen. This is Cave and Ellis' fifth effort at a soundtrack (I could be wrong on that number) and their second with Mortensen. Somehow I think they have a knack for this! With the most slight of alterations from the source short story by Albert Camus, combined with other texts he wrote about Algeria in the 30's, director David Oefhoffen has created a seamless adaptation.The film certainly doesn't go down the track one would expect from this type of film, which it must be praised for. It is a pity, then, that the last 20 minutes of this film feel so tacked on and separate from the tone set by the first 80 minutes. It almost felt as if they wanted to get past the 90-minute mark, where in reality this film would have been a lot better if it had ended at the 80 minute mark. This is the only major flaw that I could see, that and perhaps the unoriginal narrative.This is obviously a film for those who are fans of foreign films, art films, or Viggo Mortensen. I happen to be a fan of all three so I was very satisfied!www.epilepticmoondancer.net