Fantômas: Fantômas Against Fantômas

1914
Fantômas: Fantômas Against Fantômas
6.8| 1h0m| en| More Info
Released: 13 March 1914 Released
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Synopsis

After his failed attempts to capture the ruthless crook and murderer Fantômas, Inspector Juve becomes the victim of a virulent press campaign which accuses him of being Fantômas himself. Whilst Juve languishes in a prison cell, his friend, the journalist Fandor, attempts to clear his name by tracking the real Fantômas.

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framptonhollis While this entry of the "Fantomas" film serial isn't as intriguing as the previous two installments (which would be "Juve Against Fantomas", which I rated a 10, and "The Dead Man Who Killed", which I rated a 9), "Fantomas Against Fantomas" certainly has its moments.Full of suspense and mystery, this entry definitely isn't bland. There's some really memorable stuff here, like the party that Lady Beltham has in which a man is found dead outside of, or the ending which I will not spoil.The film is also follows the footsteps of "The Dead Man Who Killed" by being slightly bleaker than the first and second installments. While it doesn't get as dark as "The Dead Man Who Killed", the overall plot itself has plenty of things simply going all wrong!
gavin6942 As inspector Juve seems to be unable to put Fantômas (Rene Navarre) behind bars the Press comes up with the idea Juve must be Fantômas himself...Here we get a nice twist in the second half of the series... the idea that Juve is so inept that he must actually be Fantomas (or at the very least in league with him). This creates the odd triangle of good guys, bad guys and the media -- and public opinion is a powerful thing.While part three is probably the highlight of the series, part four is also rather strong and a great continuation. Definitely worth a viewing or three.
dbdumonteil It's actually the third episode ("Le Mort Qui Tue") which walks away with the honors.In "Le Policier Apache" ,the writers ' talent began to dry up and Fantomas with his gang of "Apaches" (=ruffians)began to lose its mystery.A fragment of the film was lost and replaced by a short scene taken from another movie (an asterisk signals the editing ,at least on my copy).Juve ,whose part was smaller and smaller,as the movies went by,is arrested at the beginning of the movie,the authorities (how dumb they were!)mistaking him for Fantomas !His good buddy,journalist Fandor ,makes off as he knows it 'll be his turn next time.So,like in "Le Mort Qui Tue" it's Fandor going solo ,except for the final where he is joined by Juve who could finally prove his innocence.The best scene is Lady Beltham' s(now married again and known as Princess Alexandra)fancy dress ball where three Fantomas are among the guests .
vostf ...just above the previous episode: Le Mort qui tue (1913). Louis Feuillade's narrative mastery greatly improved after the first adventure of the "Emperor of Crime."Fantômas vs. Fantômas is a perfect balance between mystery, action and surreal/visual poetry. Just think of the bleeding wall and the fancy dress ball.The ultimate episode, Le Faux Magistrat (1914), is more of a classical crime story. Fantômas' P.O.V. is widely over-used and action takes place in a little town instead of Paris.By 1914 Fritz Lang was a painter in Montmartre. He obviously learned a lot from the serial. Especially how cinema could bring together art and entertainment. He then gave us Mabuse, the "Crime Genius", a more serious and tragic character than Fantômas and, above all, a major step-stone in cinema history.