Leofwine_draca More misogynistic filth from Poland, a sequel to a film which didn't require one in the first place - and get this, more sequels were to follow! Everything about this is exactly the same as the first one, from the dodgy eyeball closeups to the shaky camera angles and music. Even the sets are the same! The sequel isn't as shocking but it's still pretty unpleasant, unless the sight of naked women getting electrocuted and knifed to death sounds like your kind of thing (and if it does, you seriously need psychiatric help).Once again, every female in the cast is reduced to a mere sex object, simply yet another victim for the villain (same villain as the first, no further substantial clues to his identity - this is more vague than the conspiracy arc from THE X-FILES!). The gore effects are tacky and the direction exploitative and cheap. Furthermore, it drags terribly and doesn't have a beginning, middle or an end. What more can I say? What a way for Poland to go into the new millennium...

BA_Harrison I quite enjoyed the first Fantom Kiler film for what it was—an unapologetically misogynistic giallo-inspired slasher laced with twisted humour and nary a plot to get in the way of all of the sex and violence; from the surgically enhanced breasts to the unconvincing killings, everything about the film was patently fake, and the women were as devoid of talent as they were of pubic hair, but it passed the time well enough.For Fantom Kiler 2, which delves into the origins of its eponymous maniac, director Roman Nowicki (AKA Trevor Barley) once again assembles the cream of Poland's stripping industry for more wanton sleaze and deviancy, only this time around proceedings prove far less interesting thanks to a distinct lack of humour and Nowicki's irritating tendency to linger far too long on each and every scene (when even the most lurid of acts prove tedious, then there's something seriously wrong!).

douglasjarry Film fans have struggled long and hard to try and make a case for Jess Franco Dario Argento Jose Laraz et al as misunderstood genii, struggling in the lower depths of cinema crafting unrecognized and unsung masterpieces . Trevor Barley has blown the gaff with his 'Fantom Kiler' series showing that the only important quality that any of these giallos-euro shockers have for their fans is the visceral thrill of seeing attractive and generally naked women sliced and diced . TB has opted for the graphic approach eschewing the atmosphere plot suspense and other attempts at providing entertainment employed by his role models. Given the apparent budget I'm sure he has made some money from his efforts, hopefully enough to pay his legal fees if the worthies from the Office of Trading Standards or the Police notice him and enquire why he has not submitted his films to the British Film and Video Classification procedures required by all films distributed in the UK.

mayflower I just got Fantom Kiler 2 for christmas. I've read that it should be rather extreme and very sick. "YES, that's just what I need", I thought to myself. Well, first of all this "movie" is about the worst piece of crap, I have ever seen and I've seen a lot of it (crap, that is). It's not EXTREME in any way, it's just extremely boring and badly made. Somewhere in the movie i think there's a plot of some kind, but when it all comes down to it, it's just breasts and killing hookers. There are a lot of breasts and shots of masturbation, but when it comes to the murder scenes, it just gets too dumb. I won't even get into the murder scenes, because they are so laughable badly made, that i can't find the words to describe it. Most of the movie is shot on indoor sets, that would have made Ed Wood laugh his ass off. And on top of it all, the acting must be the worst I've seen in years and I don't know what the directors job has been on this no-budget-flick, because he certainly haven't been directing.A few good nude scenes, but the rest is so z-grade that I got a headache watching it. If this is the future of no-budget filmmaking, then count me out. I'll wait for the next from Timo Rose, Olaf Ittenbach and Andreas Schnass instead. They do offer some kind of quality, this s*** absolutely doesn't-In short: Stay away! Go watch paint dry instead.