zaknaud I find it both refreshing and horrifying that a director has chosen as the subject of his horrific discussion with the audience to be the American family. Few directors really play with three elements that are plainly displayed here in detail and used so effectively. One, he uses pauses and silence to emphasize tension. Very little music at all was played and it was soft and gentle, almost non existent, the director wanted us to pay attention more on the action and less on the score. Two, the characters he has written are drab and lonely, and we see their plight like we might see any neighbor who argues in the night, or wears makeup to cover a bruise, but here we see into their home and we see how they deal with their loneliness and anger. What was at first hidden from us is now plainly in front of our faces, and what at first seems perfectly logical then turns into a bloodbath of terrible fantasies turned real. Three, that with each successive film the emotional quotient goes up, and we are left more exhausted by what we have seen then horrified. This kind of horror is in my opinion is the greatest exercise in the genre. Horror is just that, horror. To be horrified by something is simply to have a natural reaction of fear or disgust, and most horror films today never want to push the limit, never want to look at what really scares people in their daily lives. We have settled for the man in the mask for so long we have forgotten that there are far more frightening things that lurk behind the doors of the neighborhoods we live in, and behind the eyes of the people we know.

ElijahCSkuggs Family Portaits shows us the horror of dysfunctional families......but in a oh-so skewed, unbelievable look. The flick contains three shorts which all revolve around family life and the super dark side that sometimes is apart of it.The first one Cutting Moments revolved around a insane wife who's been hardcore ignored by her hubby, and a secret side-plot of molestation. With some funny over-acting and some nice direction, plus some nice bloody scenes, it was easily my favorite of the three.The second, Home, is again close-knit in the same way Cutting Moments was with a messed up family, but it instead deals with how a past family life can affect future ones. This one was entertaining enough and again delivered some dark humor, but also made me realize how the rest of Family Portraits will play out. Slowly.The third one, I just didn't care for that much. Prologue, surrounds a sad-tale of a young girl who had some seriously bad luck, and ends up confronting her demons. It's a cool idea, but the short felt way too long, and probably was compared to the previous two. It was just very tedious in it's delivery and made this guy bored and ultimately not care for what would transpire later on.Overall though, Family Portraits was a very cool indie horror/serious drama flick that should appeal to many horror fans who dig low-budget, slow-burn flicks.

LovinMoviesMakinGames I rate a movie according to what it is trying to be, not what genre or theme I personally enjoy. This trilogy is not for mainstream audiences. It is extreme drama that borders on horror, but without feeling exploitative. Extreme, but true to itself. This film takes you on an "anything but subtle!" no holds barred emotional journey through some tragic families. I was amazed that looking through the credits here on IMDb the actor/actresses had so little previous credits. An incredible level of polish, in an indie film. The last piece "prologue" nicely rounds out the other two with a feeling not of redemption, but of hope for positive human traits, love and caring, to exist even after violent life changing tragedy. I am extremely impressed.

EVOL666 FAMILY PORTRAITS is a collection of three short films from director Douglas Buck that includes CUTTING MOMENTS, HOME, and PROLOGUE. Overall, the films make for a pretty dark and depressing viewing experience, but that's not necessarily a bad thing...CUTTING MOMENTS is the most "graphic" of the bunch and seems to be a favorite among gore-heads with it's strong depictions of self-mutilation. The story is about a wife whose husband pays her absolutely no attention, and is sexually molesting their son. After trying to make him "feel" something for her again to no avail, the wife takes drastic measures that are sure to open his eyes...HOME is similar to CUTTING MOMENTS theme-wise, minus the ultra-graphic violence. A man who grows up watching his father abuse his mother tries to keep from becoming like his father, but unfortunately the emotional scars are too deep...PROLOGUE is the longest and most in-depth of the bunch, and focuses around a girl who lost her hands in a car accident, and the story slowly unfolds as to the circumstances of what happened...FAMILY PORTRAITS is a pretty "heavy" viewing experience and is recommended to those that dig "dark" films. CUTTING MOMENTS, as stated before, will be of interest to the gore-lovers because it has a couple "rough" moments, but as short as it is, I was actually hoping for a little more - but it does do the trick. The other shorts are solid as well, and are more emotionally "strong" than graphically harsh - but all three are quite good. Recommended..8.5/10