Faithful in My Fashion

1946 "They found a new way to "kiss and make up""
Faithful in My Fashion
5.9| 1h21m| NR| en| More Info
Released: 21 August 1946 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

A U.S. Army sergeant is home on leave to reconnect with his girlfriend he hopes to marry. However, in the years he's been away, she's gotten a huge promotion where they used to work together - and has become engaged to another man.

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MartinHafer Jeff (Tom Drake) has been away at war for years and has just returned home. The first place he goes is not home but to see his fiancee, Jean (Donna Reed), at her job at the department store. However, she's now engaged to another man...but doesn't tell him and her co-workers go along with this. So through most of the movie, she lies to him as they plan the wedding!"Faithful in My Fashion" has a LOT running against it. After all, WWII had just ended and the notion of a guy coming back from the war to find his fiancee engaged to another is a tough sell...particularly when it's supposed to be a romantic comedy. I bet a lot of theater goers (particularly those who'd been in the war) were ticked to see such a film. Additionally, IF she ends up marrying the nice soldier by the end, you'd wonder WHY he would take her back! And, most importantly, how could you string all this along for 81 minutes?! After all, he returns, you tell him, he goes on with his life....5-10 minutes tops! To make it worse they cast Tom Drake--the perfect 'nice guy' actor for such a role and the notion of a woman lying to him or cheating on him seems particularly evil!! Yet somehow someone at MGM thought this would make a great film...and parts of it are (ALL the portions with Harry Davenport are like gold)...but overall it's a dud....an ill-conceived one at that. Slickly made...but horrible.
gerdeen-1 This is kind of a lightweight comic version of "The Best Years of Our Lives." A soldier returns from World War II on a final two-week leave before getting out of the service. Visiting the New York department store where he used to work, he declares that he intends to go back to being a stock clerk and marry the girl he left behind in the stockroom. But things have changed: The girlfriend is now a store executive, and she's engaged to another man.Sympathetic workers at the store devise an elaborate plan to fool the young vet for two weeks, making him believe things are just as he left them. They even talk the old girlfriend into playing along, but obviously their real hope is that love will be rekindled.OK, give it credit for a cute premise. But as a comedy of mix-ups, this one doesn't work especially well. It's more likable than funny. (The most amusing character by far is the insecure new fiancé, but he's barely on screen.) Best enjoyed as a period piece.It's interesting to see Donna Reed and Barbara Billingsley in a movie together, although Billingsley's role is very small. Who could have guessed that in just a few years, these two would be America's most beloved TV mothers? Nobody.
xerses13 Yes, CHUNKY, this is the nick-name that Donna Reeds' romantic lead played by Tom Drake tags her with! So lets get this clear right away. From her first ingénue role in THE GET-AWAY (1941) too her last, DALLAS T.V. (1984-1985) Ms. Reed could NEVER be described as CHUNKY. Not this attractive and slim actress. Whose roles at M.G.M. seldom lived up to her talents.Ms. Reed is supported by a cast of competent character actors, who unfortunately must flounder through this alleged 'screw-ball' comedy. Clearly M.G.M. was out of their depth making this type of film. A type better produced over at COLUMBIA, PARAMOUNT, RKO and even UNIVERSAL. Neither the 'touch' of Ernst Lubitsch nor the wit of Preston Sturges could save this film. A rather conventional romantic comedy that had all the markings of a pre-war (WWII) effort.If Irving Thalberg had still been alive the screen-play would have either gone through a significant rewrite or never seen the light of day. It did fit into Louis B. Mayer's 'safe-zone' of none challenging family entertainment. A form that could not stand up to the post-war challenges of the 'DeHavilland Decision', loss of their theater chains, television and would contribute to M.G.M.s decline. Fortunetly for Donna Reed her best days are ahead of her culminating in FROM HERE TO ETERNITY (1953) and her Oscar win as Best Supporting Actress.
David (Handlinghandel) The arch title doesn't fit this gentle romantic comedy. Donna Reed and Tom Drake don't have much chemistry -- but their characters aren't supposed to. Both are extremely likable and attractive.The supporting cast is a dream -- with the exception of Sig Ruman's annoying faux Russian.