ctomvelu1 Those looking for a whimsical British comedy will not find it here. Instead, "Faintheart" takes the kitchen-sink approach to a tale about a middle-aged man who can't get over his obsession with childish things. These include his bedraggled early 1970s appearance, his ancient decal-covered VW bus and his passion for playing a Viking in a series of battle reenactments with his similarly socially retarded buddies. Along the way, he loses his wife and child over his childish behavior. The plot has him slowly deciding to grow up and win back his love and young son, who is greatly embarrassed by his Peter Pan-like dad. Nothing all that special here, but worth a look. The ending is clumsily handled, but in truth it fits with this neo-realist fantasy. Oddly enough, the son is the spitting image of a young Jodie Foster. He's also the best actor in what was his very first movie.

armythegn OK, so the plot is on the predictable side, and doesn't really go anywhere that you wouldn't expect. Nor does this film have any profound message. In fact, it's a piece of lighthearted fluff.But the acting is very good (particularly the debutants), and the re-enactment characters are so well drawn that I found myself squirming for large parts of the film. For I actually do swing a sword around for a hobby, and I even know one or two of the folks in the background. My hat comes off to the writers - their characterisations of some of the people one meets in the "scene" is terrifyingly accurate. Yes, these people are really out there...SPOILER. One part of the film departs from any "reality" (reality whilst playing 'cowboys and indians with swords... hmmm). At the end of this film the antagonist (a non re-enactor) is handed a sword and encouraged to duel for the affections of the leading lady. I would just like to re-assure everyone out there that... no damn chance. No way is anyone handed a sword and allowed to fight for real. We have a little too much respect for our skins than that. It's a small quibble, but it does make the "scene" appear a touch more lunatic than it actually is (although the fact that the antagonist, holding a sword for the first time, outfights the 'trained' hero did make me smile). Of course, I do understand the sequence for dramatic purposes (although I'd have found it better if Jessica Hynes had fought for herself).As for the comedy... well, the owl wins hands down, both whilst alive and during it's ship burial.

lovecraftfan Faintheart is very believable the characters are almost to close for comfort. The life of Richard is boring underpaid and full of self important idiots like his boss, his other life is fulfilling and full of friends unfortunately his wife was being squeezed out by rush to do both. Richards son Martin is being bullied at school because of his fathers hobby changing his loyalty to shame until a girl at school shows interest in him and the hobby. The fight to save his family shakes Richard and causes him to reassess what is most important to him, Cath and his son are worth the fight although the battle is not as straightforward as he'd hoped. The re-enactors are seemingly a collection of what some would call "social misfits" perhaps looking from another angle- individualists not afraid of being separate from the herd, they share common traits in that their jobs are like Richard's dull and low paid their hobby escapism- better than crime. Features Richard Ridings from Eric the Viking as a bin man/wild axe wilding Viking perhaps the last avatar of Thor- shrunken to human form thoughtful yet full of fun. A great film worthy of watching in turns sad and funny.

cricketnut2008 I saw Faintheart on a flight from Hong Kong to Sydney and loved it so much, I watched it three times and wanted the flight to go on longer (and I loathe flying!). It was beautifully scripted, guffaw-out-loud funny and very touching at the same time. There wasn't a weak performance or an extraneous line in the entire screenplay, the hero's character development was believable and the baddies were satisfyingly vanquished. The sub-plot involving male, female (and juvenile) Trekkies was absolutely hysterical. If you liked Brassed Off, you'll love this. (Note to female EastEnders fans - you won't believe how Joe, the schizophrenic teenager whose barmaid mum had an affair with Phil Mitchell, has grown up (Paul Nicholls)!)