Face of the Screaming Werewolf

1964
Face of the Screaming Werewolf
2.7| 1h0m| en| More Info
Released: 01 January 1964 Released
Producted By: Jerry Warren Productions Inc.
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Experimenting in hypnotic regression to past lives, Dr. Edmund Redding of the Cowan Institute in Pasadena has discovered that Ann Taylor is a reincarnated Aztec woman. Via her recovered memories, she is able to lead Redding and his associates to a hidden chamber in the Great Pyramid of Yucatan, where they hope to find the lost treasure of the Aztecs. Instead, they find two mummified bodies - one of a modern man, quite dead, and the other of an ancient Aztec, quite alive. They are able to return safely to Pasadena with both finds, but a rival professor, Janney, kills Redding and steals the body of the modern man-mummy. This he subjects to a resurrection experiment, which works - only the mummy proves to be a werewolf. Two supernatural menaces roam the city that night. This film is composed of footage from two unrelated Mexican horror movies, LA CASA DEL TERROR and LA MOMIA AZTECA, plus new footage shot in the U.S. by Jerry Warren.

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rmeador Well, this was a fabulous as might be expected. A true mess featuring footage stitched together from two other movies, an Aztec Mummy movie and a werewolf movie. It starts with footage from the Aztec Mummy- loooooog, sloooooow footage. As the hardy band of adventurers eventually dodge all the flashbacks and enter the tomb, they cut in a shot of Lon Chaney in bad mummy makeup (his face is just done in white makeup). Then la momia azteca blunders in and is quickly overcome by a flashlight and a plywood sigil-thingy (the flashlight in the eyes caused him to scream and stagger back. Then a scientist throws the plywood sigil-thingy which knocks him over.) Fast cut to a press conference where they announce that two mummies were actually found (not shown). Here's where the werewolf movie footage kicks in. The scientists take the Mummy-Werewolf-Thing to a lab where they proceed to put him into what looks like a large pants press and then some sort of mummyfuge twirly tube thing. The result is the white makeup all falls off and behold—Lawrence Talbot! Then late that night he wakes up and goes to the window where he faces the moon and turns into the werewolf. His first victim is one of the scientists. The Mummy-Werewolf-Thing grabs the scientist from behind, and (from the evidence of a close-up of the victim's face after), apparently yanks his nose until it bleeds. Then just when you wonder how in the world anyone's nose will be safe from this unstoppable horror, the Mummy-Werewolf-Thing clutches his chest like he has bad heartburn and topples over. Later he wakes up and kills another scientist, this time while the scientist's colleague looks on without lifting a finger to help his friend. Once the victim is dead, the peeper overcomes the Mummy-Werewolf-Thing with the time-honored, all-purpose flashlight-in-the-eyes gambit. He locks the Mummy-Werewolf-Thing up and the plot sort of shambles back into the Aztec Mummy movie. Ole Popica hisself is now seen entering the house of the pretty broad from the Aztec Mummy movie. Apparently she has a cute little girl and apparently they gave the little girl a 3,000 year old solid gold Aztec breastplate to use as a teddy bear. Ole Popica carefully extracts the breastplate from the little girl without waking her, then stomps in to carry off the mother (no further sign of the breastplate). They walk right down the middle of a highway and get run over (not shown). Thus endeth the momia azteca portion of the show. Now back to the Mummy-Werewolf-Thing who is stalking around the city at night looking for noses to yank. Eventually, after climbing things and slinking around awhile, there is the big showdown scene. Once more, just when you thought no nose can escape the yanking horror of the Mummy-Werewolf-Thing, he clutches his chest and falls down, turning back into human form. At this point his clothes catch fire, and two policemen show up. The police stand around watching the guy burn up while making "ironic" comments like "All this fuss about a werewolf and turns out he's just a man." Just a man on fire and burning horribly right in front of your unyanked noses. One of the cops then looks at his watch and starts writing in a notepad. End of movie. Joy.
adoshna I gave a copy of FACE OF THE SCREAMING WEREWOLF to the very busy Ewing "Lucky" Brown, whom Grey quoted as being present at the Wood/Chaney shoot. However, the last time I checked he still hadn't viewed it. Will be contacting him in the near future, so if there is any update, I will post it.I have viewed the sequences a number of times. Although I would love it to be that it is the Wood footage, it doesn't look like it from my perspective. It seems to match the surrounding footage, and appears to have a higher budget than mere test footage. In fact, the werewolf looks more like a stunt double.
Noel (Teknofobe70) Seriously, I know the B-movie world is a strange place ... but have you honestly ever heard anything quite so preposterous and pointless? Here, filmmaker Jerry Warren (who later made Frankenstein Island) threw together two Mexican horror movies, "La Casa Del Terror" and "La Momia Azteca". No, really. He took two movies, and edited them together into one. He recorded his own scenes in order to combine them in some plot about a woman leading a team of archaeologists to find two ancient and evil mummies, one of whom is a mummified werewolf ... and it all makes absolutely no sense.A bunch of scientists using mental regression hypnotise a woman and she describes a pyramid. When they take her to visit the pyramid, she has a flashback to a song-and-dance tribal ritual. And the ritual scene goes on. And it goes on. And it goes on. Just when you're beginning to wonder if Warren can't get more than THIS out of two whole movies, they finally venture inside the pyramid. And they venture. And they venture. Oh sweet Jesus, when is this movie going to start? Then they're attacked by stock footage of a mummy. Eek! And from here on, it only becomes even more of a big, stinking mess.What is there to say about this movie? The script is unbearable. The acting is amateur (don't be surprised if you see them glancing right at the camera). The soundtrack is ludicrous and intrusive. While the production values of the original Mexican movies hold up, Warren's sets are far from convincing. The way the various scenes are edited together is often hilariously bad. There is no narrative flow whatsoever. Scenes drag on and on, while the viewer has no idea what's supposed to be happening. They say if something's worth doing it's worth doing well, but this movie was never worth doing. It's a bad idea, badly executed, and I feel sorry for the innocent cinema-goers back in 1964 who must have wondered what the hell they were being subjected to."Face of the Screaming Werewolf" stands among the worst movies ever made. If you want to see Lon Chaney's final big-screen performance as a werewolf, try and find the original "La Casa del Terror". And if you're looking for anything resembling quality, ignore this piece of trash. If you like bad movies, however, by all means check it out ... but keep your finger on the 'fast forward' button.
psychocosmic Can a movie, that actually consists scenes from two mexican monsterthrillers plus additional scenes from US for commersial interests, be successful? - Yes! This is a dreamlike and incoherently edited oddity that tells a story of a centralamerican mummy found at the excur- sions of a pyramid. Also there is a mad scientist who in his experiments with revivification, succeeds in waking the mummy. And there´s a thunderstorm! The mummy is transformed into a werewolf played by Lon Chaney jnr! Its wild, suspenseful, trancendental, poetic in its "silents" looks and pace and there is a musical number of exotica style too, with an Yma Sumaclike vocalist in a "flashback" Aztec ritual scene! I was overwhelmed of the total impact of this movie as seen through the eyes of someone who value uniqueness and improvised quality in lowbudgetfantasy that really works as avantgarde poetry. The images and atmosphere of Ancient Civilisation, Pyramids, detectiveworks, a scary rotten walking mummy, a terrifying werewolf,terrified womens faces and all these mysterios cuts between scenes from one film to another creates a nightmare with no other logic than the dream´s own. I recommend this for all who has a vivid imagination and for all of you who believe that insanity can be genial!