edwagreen Just when I thought that my tastes had changed with age regarding westerns, I caught this one and was I ever surprised.It's just not the shoot them up type of western; there is a good story here with sentimental value. A younger brother catches a fatal bullet while trying to get his brother to escape from the law which is trying to get him to jail. The older brother, played wisely by Fred MacMurray, describes to his dying brother what led him down the wrong path.Upon coming to town MacMurray gets involved with a lawman who is trying to prevent a guy and his gang from erecting a fence up that will keep the people out. The guy has a widowed sister with a young child so you know that romance will bloom.The story takes place basically in one day as the town waits for the picture of MacMurray to be sent to them. The lawman-brother, goes strictly by the book as he reads his law books in preparation to become an attorney.This is a story of redemption and human kindness. The true hallmark of the film is that it ends too soon. You always want good pictures to continue, but the film ended at an appropriate point.

Spikeopath Jim Larson (soon to be Ray Kincaid) is a thief, during his train transfer to prison his younger brother enacts an escape plan. The US Marshall who was holding him is killed in the commotion, while Jim's brother is fatally wounded. Making his way into a nearby town, Larson acquires a gun and a horse but is unable to leave the town as the sheriff has quarantined it till a delivery of wanted posters arrive, these of course will show the face of the wanted man, that man is of course Jim Larson. Whilst marking his time, Larson gets embroiled in a war between the sheriff and a tough rancher, Reed Williams, finding himself strangely on the good side of the law.Fred MacMurray is not a name that instantly springs to mind when the talk turns to the Western genre, which is surprising, because although he hardly dominates in the genre pieces he did, he was more than capable of carrying a role in a few of the Westerns he starred in. Such is the case here as Jim Larson, thankfully putting a bit of gritty honesty into the picture and steering it safely to its intriguing conclusion. Face of a Fugitive is a very accomplished piece, not a film to linger long in the memory, but it's thematic redemptive heart is most assuredly of major interest, with the finale excellently fulfilling the shoot out fan's needs. James Coburn turns up in one of his first major roles and hints at what was to come later in his career, and a thumbs up for Alan Baxter who revels in bad guy duties as Reed Williams.Tight and hugely enjoyable, Face of a Fugitive is one to catch if you are a Western genre fan. 6.5/10

classicsoncall Fred MacMurray doesn't really have the face for an outlaw, nor the voice, which makes it difficult to picture him in a Western. However in "Face Of A Fugitive", he fares much better than he did in "The Oregon Trail" from the same year. The unshaven look and casting as a loner adds to the appeal of his character Jim Larsen, who takes on the masquerade of a mine inspector looking for a change. Trouble finds him after escaping arrest from a territorial marshal, but the brother who helped him winds up dead, and things get even more complicated when circumstances find him siding with a lawman against Reed Williams (Alan Baxter), a rancher who intends to fence his range land in violation of a government order. Wouldn't you know it, sheriff Mark Riley (Lin McCarthy) has a widowed sister (Dorothy Green) who falls for Larsen/Kincaid, and the feeling is mutual. It's the typical recipe for trouble.You know, I had to stop and think about the value of merchandise as presented in the story. Larsen paid eighteen dollars for a gun belt and firearm, but only five dollars for a pair of pants and a jacket. Perhaps it was meant to indicate that protection had it's price in the old West, but I wonder if the numbers were accurate; I'll have to dig up an 1880's Sears catalog.The action takes place in a Wyoming town called Tangle Blue, which is one of the coolest sounding place names I've come across in a Western, and there are plenty. I wonder if that might have been the inspiration for Bob Dylan's song "Tangled Up In Blue"? Nah, I doubt it.You'll probably have to look long and hard for another story where the outlaw on the run needs to get as creative in dispatching a dead body. With no alternative, Larsen bundles up brother Jim in a canvas mail sack and heaves him off a train as it heads over a river crossing. Somehow you just knew that it wasn't the last you'd see of the young outlaw, he washes up ashore some time later, and for Larsen/Kincaid, it arrived with postage due. By the time it's all over, the Williams gang is no match for reluctant outlaw Larsen in a creative shoot out, leaving sheriff Riley a tough time matching up the face with the wanted poster.

hoodcsa Fred MacMurray really stands out in this largely unknown western. MacMurray's character is on the run, but gets tangled up in the deadly affairs of a small town. The love story, which could have been nothing more than a routine plot device, actually works on a very fundamental level. MacMurray is top notch as the film's anti-hero. The rest of the cast is not as good, particularly a wooden Lin McCarthy as the embattled sheriff. Director Paul Wendkos delivers a crisply directed film. A lot of little things which could have been done routinely or sloppily are filmed with gusto and precision. The end-of-the-movie shootout is particularly energetic. Face of a Fugitive is not a great western, but it's very entertaining and should be seen by genre fans.