JohnHowardReid Producer: Hal B. Wallis. Executive producer: Jack L. Warner. Copyright 30 September 1939 by Warner Bros Pictures, Inc. A First National picture. New York opening at the Strand: 22 September 1939. U.S. release: 30 September 1939. Australian release: October-December 1939. 83 minutes. NOTES: Thanks to her co-starring roles with super-star Errol Flynn in The Sea Hawk and Footsteps in the Dark, Brenda Marshall was extremely popular with Australian audiences. This seems to be her film debut. COMMENT: Politically dated but it still has some interest. There's a bit of excitement, though the climactic action finishes just as it is warming up. What makes the film interesting is that it is given the full Warner Bros "A" treatment: brisk, slick direction by Lloyd Bacon, attention-getting montage routines, lavish sets and a spectacular support cast. Brenda Marshall, although not as stunningly beautiful as the scriptwriters specify, makes a good fist of the title role.One thing we like about the script is that it doesn't follow conventional melodramatic plot lines but has some unexpected, if politically motivated, twists. Joel McCrea fills the hero part with his usual likableness, while Jeffrey Lynn holds up a small and unimportant part as the hero's buddy. It's wonderful to see Martin Kosleck looking so neat and villainously smooth. Our old friends Robert O. Davis and Hans Schumm are also along to fill out the Nazi ranks. Sarah Edwards and Vera Lewis are disgruntled enquirers at the consulate and there is a large round of familiar cameo players on the State Department staff.Bacon's direction is brisk and assured, if inclined to use too many close-ups. Rosher's lighting photography treats his players kindly, even if it is a minor factor in the creation of atmosphere. But the sets are impressive and the music score has that familiar Warners' sound.

LCShackley In these days, when many are more concerned about the rights of terrorists than the security of our country, a simple old movie like ESPIONAGE AGENT reminds us that no country can afford to relax its vigilance against terrorists within its borders.Joel McCrea, on the verge of making one of the best WW2 spy pictures of all (Hitchcock's FOREIGN CORRESPONDENT, 1940), plays a likable US diplomat who makes the mistake of falling for a woman with a shady past. Orphaned in Europe, his wife Brenda was recruited by German spies, and now that she's married into the diplomatic corps, her handlers want her to use her connections for further infiltration. The two lovers decide to play their own double game to bring down the Germans. There's nothing extraordinary about the film. It's simply done, with solid acting and a taut script with no wasted scenes (and no money wasted on actual location shoots). What makes it seem so special is its timing: being released just as WW2 openly broke out in Europe, and the danger of spies became more of a real threat to free countries everywhere. There's also a nice balance between the spy plot, the romance plot, and some humorous bits involving annoying American tourists.Just like today's terrorists, the German saboteurs operate under a neutral-sounding front: the WORLD PEACE ORGANIZATION. Early in the picture, discussing the government's reluctance to do something about saboteurs, a high-ranking US official asks a question that rings true here in the post-9/11 world: "Will we as a nation ever learn the difference between tolerance and stupidity?" Trivia bit: keep your eyes open for Clark Kent AND Perry White from the old SUPERMAN TV series.And contrary to a previous poster, this film is not in the least confused about which war it's about. The opening scenes, with the father of McCrea's character, take place around WW1. Then there's a very clear narration bringing us up to the late 1930s, and there are several references later on to "20 years ago" (meaning the World War). Someone must have been dozing.

bkoganbing Warner Brothers really could have used a better script for this mishmash of a movie which managed to juxtapose the events of World War I into the days before World War II.The film opens with a description of the famous Black Tom explosion of a munition factory located on an island in the middle of the Hudson River. You can still see the remnants of it today. This occurred before World War I and was traced to German saboteurs then. The message is quite clear, America needs to have its own espionage agency and we got one with the formation of the Office of Strategic Services as World War II broke out. Until then such distasteful spying matters was handled within the State Department.Joel McCrea is a foreign service officer who marries refugee Brenda Marshall. Problem is that Marshall had gotten help from the Germans and they expect some help in return. Of course she's in love with her new husband and she refuses and exposes their contact man, Martin Kosleck. With McCrea's dismissal from the foreign service, the newlyweds decide to form there own plan to expose the German's secret espionage network with a little spying of their own. How they manage is the rest of the film.For a film that supposedly takes place before American entry into World War I, why is that everyone is dressed in the Nazi uniforms of the Thirties? Everything is there but the swastika. There's not even any kind of effort with music or sets to set the film in its proper time frame. The only reason this gets as much as three stars is a tribute to the players involved. Joel McCrea was simply in a dress rehearsal for the far better Foreign Correspondent he would do the following year.

dexter-10 There is little doubt in this film that World War II is about to begin. In fact, it was released just twenty-one days after the invasion of Poland by German forces and was in production long before. Scare tactics aside, the movie reveals real fears during the months preceding the war. Spies, counterspies, terror, suspicions, and other prologues to war gave ample warning of renewed global conflict. This movie reflects that warning.Viewing this film leads one to wonder, given the ample clues, how the war could surprise anyone.