Erin Brockovich

2000 "She brought a small town to its feet and a huge company to its knees."
7.4| 2h11m| R| en| More Info
Released: 01 December 2000 Released
Producted By: Jersey Films
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A twice-divorced mother of three who sees an injustice, takes on the bad guy and wins -- with a little help from her push-up bra. Erin goes to work for an attorney and comes across medical records describing illnesses clustered in one nearby town. She starts investigating and soon exposes a monumental cover-up.

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tbills2 I love Julia Roberts. She's more than beautiful, Julia is godlike. Erin Brockovich is more than just a great movie. Roberts' perfectly ideal as Erin. Julia's performance rivals any performance or whatever you wanna call it by any actor or actress or whatever you wanna call them or anybody or anyone or anything done onscreen ever in the history of the infinity of humankind or womankind or mankind of all-time. I love Julia. Julia as Erin is absolutely awesome and extremely sexy. I'm arriving at the very cusp of realization that I love Julia more than any other woman, any other man, or any other person in the history of our time or anyone else's time. She looks nice. I appreciate this movie and the real Erin Brockovich so much. Julia's fun! I want to be with her way more than Aaron Eckhart's character. Older-aged Finney is the best and most memorable Finney. Julia's got a great smile man, or woman, with the most deeply beautiful bright brown eyes and fiery orange red hair and beautiful so big pink lips and a great body. I feel like this film's subject matter is entirely relevant and significant in today's times, or yesterday's times, or tomorrow's times or anyone's time for that matter. Julia, I've neglected you in my life for awhile now just a bit but I ain't doing it any further and I promise you as a young buck I used to love you more than anyone else and for some reason I lost that but it doesn't matter because I've rediscovered it now, my passionate true love for you, in my life. I love you Julia Gulia. Erin Brockovich rules!
saletehnolog This is the role of life for Julie Roberts. The film is great, and especially important when it is known that it was made on a true event. The role played perfectly. The focus is on the story from the first to the last second. I have the impression that this role is written for Julia, rather than as it is often the case that the actor adjusts to the role.8,5/10
bazantovaa Erin Brockovich is a movie based on real life affair that takes time in the 90' s, but the occurrence of the movie can still happen today.. After watching first few minutes of the movie, you don't really know how can this character, Erin, be one of the biggest icons in civil rights. Erin is a struggling single mother of three little kids, one of them is only a few months old. She tries to get a job, but she's declined after the doctor who needs an assistant finds out about. her background. On the way back home from the interview, she is involved in a car accident where she gets hurt and both her and the other car are seriously damaged. She tries to sue the other person involved, because they made the mistake, but she loses the case. She starts working for a lawyer who lost the case and this job is what changes her life forever. She's not a lawyer, she doesn't have a college degree, but she's naturally intelligent which makes her very popular with the clients.. While cleaning the storage room in the office, Erin finds an odd combination of documents and that's where the whole main part of the movie starts. She discovers that a huge American company is selling people dangerous water that seriously affects health and can lead to deadly illnesses. By physical contact, honesty, and forwardness, Erin gets the whole neighborhood to fight against the company. Her boss, an old average lawyer is doing the case with her, because Erin isn't real lawyer, she doesn't know the whole trial process and all the legal necessities. Later on, when the issue gets bigger and the amount of money they could get gets significantly higher, he gives the case to a much more skilled lawyer, who has more finances and is from bigger company. The new lawyer and his partner don't really give the people in the damaged neighborhood much chance and they don't have as much commitment as Erin, who's deeply hurt by losing the case to the better lawyer. The whole case almost falls apart, the affected people don't like the treatment they are getting from the new lawyers nor from the water company that's trying to get them quiet by buying their properties. At the last minute, Erin and her boss are able to get the people back on their side by being honest and fair to them and in the end, they make the impossible possible and win. The case was settled for US$333 million, the largest settlement ever paid in a direct-action lawsuit in US history. The main reason why Erin and all the neighbors won was because the water company couldn't refute the evidence of knowing about the issue. The company knew for years and made their old employees burn and hide all the incriminating documents. Erin got her hands on them because of a retired employee, whose brother died of cancer after living in the contaminated neighborhood for several years. The water company went bankrupt shortly after their lost because more issues from different areas came to the surface. The company's violation against civil right was so severe that there wasn't any way out for them. Personally, I think that this movie amazingly shows how normal Erin is. Erin's nobody special, low class single mother and twice divorced. The movie is really great at combining her personal life, work and showing her character. One thing that I liked the most is that she did not change. She never liked lawyers before she worked in a law firm, she didn't like them when she was working there as a normal secretary and she still did not like them after winning the case and being a partner. She stays herself even after winning a huge civil rights case. The neighborhood that had dangerous water was not informed about the chromium in it because the water company was manipulating them. They wanted to buy their houses, but for very low price, and their lectures on chromium were a huge propaganda. If anybody in the area got an analysis of the water and found chromium, they would think it's the good kind they were told about, not the extremely dangerous one and wouldn't try to get more into the topic. The doctors the company provided were bribed to say that the chromium does not have an affect on the illnesses the neighbors kept getting. They knew how dangerous this type of chromium was and they kept it a secret, violating a civil right of public awareness and basically a censorship. This movie definitely proves its point and they did a great job at remaking a real story about legal issue, while still being funny and very interesting. What started as every other romantic comedy changed into a movie where you have to think so you don't get lost in the information. It also touches several civil rights topics, from public information to gender equality. The second one is mainly presented by Erin and her personal life, in which she has to go through many struggles to prove that she matters and has a voice.
Bill Slocum There are a lot of money lines in this smart drama about a woman directing a lawsuit against a big corporation that poisoned a community. One of my favorites is when the title character, played by Julia Roberts, complains she isn't taken seriously because she didn't go to law school."Law school!" moans her boss, Ed Masry (Albert Finney). "At this point, I'd settle for charm school."Never mind Masry: "Erin Brockovich," at least the movie, has charm coming out of its ears. From Erin's many abrasive wisecracks to her more sensitive dealings with the good people of Hinkley, California, this is a high-impact touchy-feely drama that works familiar territory in unusual ways, making for engaging entertainment.Girl-power enthusiasts will enjoy how Roberts inhabits her role with surprising gusto and some jaw-dropping language, coming off a bit like George C. Scott did in "Patton," albeit with a much different wardrobe.The contributions of two women behind the scenes are equally worthy of note: Screenwriter Susannah Grant and editor Anne V. Coates. Grant capably juggles her two key themes, of corporate malfeasance and personal self-discovery by binding them with a common thread of motherhood. There are cute moments and heartbreaking moments; the strength of Grant's writing is they all feel like authentic moments on screen.Coates, who edited "Lawrence Of Arabia," keeps the story moving with sharp cuts that invest you in drama without bogging you down in details. Right after Erin first meets Masry, to tell him about her hit-and-run case, we cut to her telling her story in a courtroom (only one of two courtroom scenes in the whole film, both brief.) The whole film moves like that, not rat-a-tat, but alert to keeping scenes tight where they can be, without shortchanging the emotional arc.As far as guys go, Finney is enjoyably easy-going, quite a departure from his Angry Young Man persona of the 1960s sporting a doughy Texas accent. He's consistently likable as Erin's constructive- minded foil. Aaron Eckhart is also effective playing a character far removed from his usual sinister-smoothy roles. And "Erin Brockovich" contains probably the most clever use of character actor Tracey Walter you'll ever see, a tribute to both his acting skill and Coates' cuts.Steven Soderbergh may be the most consequential director of the 21st century so far, for the way his films manage to both engage and challenge audiences. Here, the emphasis is more on the former. Still, his use of hand-held cameras for small, intimate scenes, and his refusal to overplay the heavy drama represent significant departures from the usual Hollywood treatments."Brockovich" doesn't make for much of a final statement. It shortchanges the emotional issues it raises, content instead to tout a historic cash settlement that can't help but land a bit flat. The real Brockovich, like Patton, may not live up to the great build-up she gets here. But for at least two hours, Roberts, Soderbergh, and company are too good for you to care about that.