toddg-473-289818 As an audience member, I always enjoy movies that describe strangers being brought together, and the gradual unraveling of what binds seemingly random characters. This was well done in ENTER NOWHERE, where 3 strangers find themselves in a desolate cabin in the woods, trying to find a way out of being lost and cold. It is slowly revealed that none of the three characters believe they are in the same city or state, and then that none of them believe that they are in the same time period. They deduce that they are generationally related, and that the presence of a German soldier and what happens as a result of his actions will either cement their fates, or alter their futures.All 3 main characters are children of famous actors, and they take a well written story and keep the audience interested and engaged until the very end.

jlthornb51 Instinctively directed by Jack Heller with skill and flair, this is an absorbing science fiction film that you can't put down. The script is smart and large, the production values are nothing less than good at all times. A beautifully presented tale of people lost in the woods and striving to make sense of a mystery situation of unbearable tenseness. The young actors are superb and obvious is the fact they are up and coming in the truest sense of the description. Challenge anyone to stop watching this fabulous film after they have started and you will be confronted with kudos. For this is cinema as it is meant to be photographed and drama of the highest form.

jbenante-388-963917 I watched this movie by accident on the Chiller cable channel. Yeah, with the awful, LONG commercials every 10 or so minutes. With a lesser movie, those commercials would have driven me away from watching more than just a couple minutes. But I braved those commercials because I was really intrigued with the plot and the characters.Funny that at least one other reviewer mentioned The Twilight Zone and Outer Limits, because that is EXACTLY what I thought while watching. There was no gore to speak of, and no frights in the conventional sense. It just drew me in and made me want to watch it until the end.The one complaint I have that prevented me from rating this movie higher is all the gratuitous and rather tedious chase scenes through the woods. That was a whole LOT of filler, in my opinion. 15 minutes, at least, could easily have been trimmed from this movie and it would have made for a tighter, more interesting experience for the viewer. But then, maybe the result would not have been long enough for a "feature film." Still, I would recommend this movie for anyone who wants something fun, intriguing, and thought-provoking.

Johnny Angel May contain some spoilers :)I'm not much for perfect analytical reviews, and truth be told I still don't understand every single anomaly of this movie. It was good, kept you wondering throughout (in fact I had to rewind a few cool parts just to hear the dialog again, or see certain parts again to reiterate some stuff in my head).Three strangers all in their mid to late 20's appear to be lost or stranded and happen mysteriously onto a cabin seemingly in the middle of nowhere. From the get go, things don't make a lot of sense - but that being said, something about the film makes you not want to change the channel and see just exactly what is happening next.First off - Samantha (Katherine Waterston) will just have you crushing on her as the film goes on. I don't know what it is - maybe it is her soft, laid back, emotionally friendly demeanor - not to mention her conservative but very cute looks, hair, and face. She is a new wife who claims to be pregnant and her husband went off to look for help after their car ran out of gas. She wanders into the cabin after it is apparent her husband never comes back. Later in the film (spoilers), we find out she is from 1962 and was headed to New Hampshire to visit her parents-in-law.Sarah Paxton annoys me at first but her character grows on you throughout the film, and she comes around to be concerned and passionate. Sarah was a junkie who her and her boyfriend robbed stores and have even killed people. Sarah then wanders onto the cabin after her boyfriend drops her off in the middle of nowhere. We later find out Sarah was from 1985, and she thought she was heading thru the Wisconsin-area while en route to another state.Scott Eastwood is the late 20's guy who keeps everything together with the teamwork and eventually figures out what is going on and how they all can change their own futures. His acting is very good, solid. We later find out Scott is from the current times (2011), but he is steadfast that he thought he was in South Dakota.3 different people, all from seemingly different time eras, all believing they are in a specific area different from the other. Later it becomes apparent they were all (in some science fiction or "time travel" realm) brought together to find out they are three generations of family who meet tragic or early endings, and it becomes up to them to become the product of the future, or try to create new endings for themselves. Much of it has to do with HANS (we find out he is Samantha's father, who she presumed died in a bombing strike), the German patriarch of all three of them - who depending on whether he dies or survives the German bombing strike (we then assume this Cabin is somewhere in either in Germany or Poland in the late 30s or early 40's), can change all of their courses of history.At the very end, its kinda confusing - it seems to take place in the mid to late 80s. We don't really know what happens to Scott (or if he is eventually born in the mid 80's. Assuming both Samantha and Sarah survive, perhaps Scott is indeed born but may turn out slightly different), and it seems Sarah in this dimension has her life turned around (she originally was supposed to die by execution for all of the murders), and both her and Samantha (her mother, who originally was supposed to die giving birth to Sarah in late 1962) assumably survive and do not die young like their original fate was.The movie concludes with "some other girl" robbing the gas station with Sara's boyfriend, so we assume she then becomes part of the paradox and will be transported to the 'cabin scenario" to perhaps put her thru that hell to eventually turn her life around. This mysterious gas station (based on what the clerk says at the beginning, and also the very last lines of the film) is a big key to the movie - almost like a 'portal' to some other dimension and this is how these three main people came to all be together - from different eras and areas of the country - for one main purpose. One thing that is never explained (unless I missed it) is how Samantha and Scott are brought into the 'paradox.' We only see the parable of the movie from how Sara Paxton is brought into the paradox. Maybe it just doesn't matter.The movie can be a bit confusing, but is enjoyable, and will probably make more sense than this review (again though, the movie is rooted in science fiction or fictitious drama). Give it a try. Samantha's character is so beautiful, too.