michellelocke007
caught this movie on my late night cable network and settled in to watch one of the great erotic masterpieces of the early seventies by erotic auteur just juecken of Gwendoline and the histoire of o fame. i did enjoy the lovely and lush scenery, theme song and exotic locales but found the pace rather slow moving for my taste. i though that Sylvia Kristel who plays the iconic role was just perfect and certainly didn't shy away from the nudity. the only part of the movie that intrigued and piqued my interest was when Kristel character met up with and began an affair with Marika green's character. immediately Kristel is fascinated by green and invites herself to tag along for the trip. you see the the two as they travel along and work side by side doing their daily chores. the way that Kristel absolutely adores and fawns over green. its' a shame that the writers didn't continue this storyline as it would have been interesting to see how it would have all played out. this one role catapulted a than un-known Kristel into super-stardom and se would go on to star in several sequels in the emmanuelle series much of it forgettable. she could not launch her career in America and what roles she did receive were usually stereotyped sexpot ones such as private lessons, Mata hair and lady chatterly's lover. it must have proved frustrating for Kristel who clearly wanted to move on from her one role. a decent flick if you're looking for something to watch on a Friday evening with a lot of skin.
Nazi_Fighter_David
"Emmanuelle" is an elegant, excellently photographed movie, but too often rolls in a syrupy pretension
It is about a young, French woman who joins her husband in Bangkok
There much of Emmanuelle's allure is that she isn't shy about her body, or even afraid to engage in sexual activity in semipublic places
There are a number of rousing, lesbian meetings very typical of French cinema, coupled with encounters with handsome, sensitive men who enjoy superficial lovemaking
The film really deals in sensual images and an over-blown, continuous repeating of its erotic philosophy
There is sensual intimacy between Emmanuelle and the other women that is rare in the cinema
My favorite moment when teen-ager Christine Boisson comes upon the nude Sylvia Kristel asleep
Without embarrassment, she leans forward and unusually caresses gently and affectionately Emmanuelle's breast with her finger
loza-1
This film is loosely based on the erotic art novel by Emmanuelle Arsan.The fact that it was directed by Just Jaeckin means that it is the best of the Emmanuelle series, and makes the others look like mere skin flicks, which I think they probably are anyway.Sadly, in Britain, the censors, in an effort to save the British public from themselves, have hacked a few scenes out of it, including a "smoking" scene in a nightclub and a rape scene towards the end of the film.Sylvia Kristel seems ideally cast as the protagoniste. Others have called her innocent, but this is not the case: she is not so innocent, but becomes even less so, as her adventures increase her learning and experience.Compared with the novel, the sam-lo scenes are not so well done, and the Mario character is a bit tacky, otherwise the film is well done. Emmanuelle's encounter with Bee is better than the book. Not so good are one or two of the simulated sex scenes; they look pretty phony.This film was exceedingly popular at the time it was released, and has lasted the test of time, even if some of the clothes have not.
Albert
Emmanuelle, a "girl" in her 20s, played by Sylvia Kristel, is an authentic and plausible character, who gives you the impression that she could in fact be experiencing the many erotic adventures - amongst them many lesbian encounters which she embarks upon in Thailand. Maybe it helps to point out that Sylvia Kristel, born in 1952 in a small town in the Netherlands, was brought up in a very strict Calvinist family and went on to study English, in hopes of becoming a teacher, before she ran away from home, giving up all she had had, defying all of her relatives and friends, and started working as a model from the 1970s on in Amsterdam. In her first Emmanuelle film (a French erotic film), she acts the role of her life, becoming famous immediately in France, and soon thereafter in the world. She plays a young married lady, the wife of an ambassador, living in Thailand with her husband. There, she experiences many erotic adventures with and without him. The intriguing fact is that her husband encourages her to do so; he would like her to "improve" her sexuality and gain experience, ultimately learning to differentiate between love and sex. Sylvia Kristel plays Emmanuelle with such authenticity, and with the vulnerability and timidness, only a young woman of her age, lacking sexual experience, could have. In summary, she doesn't give you the impression that she is doing yet another boring porno- flick, where she is forced to do "some acting", in order for the movie to HAVE a plot, other than gynecological nudity scenes, or 3-minute "sex-adventures". The countless sequels to this first Emmanuelle film certainly don't measure up to the artistic standard - or even to the erotic standard - of this one. If you are willing to forget that it seems unrealistic that a young lady sleeps with other women and men, while her husband encourages her to do so, you are in for a really sensual and - for guys, a very realistic - account of what an unreserved, 20 year old, bi-curious girl might really experience in Thailand; the country of erotic massages and exotic climate.