lilu-dront
I have to start with the fact , that I am an ADDICT. Ever since I saw the first film with Xavier Dolan "Tom à la ferme" I was hooked. His talent doesn't have a specific term, I call it 'a unicorn' though.. because he is so unique. I am addicted to all the work he did, to his views and ideas. People like him are rarely born..so he is an exceptional figure.This film is for those who DO value the true art of cinema. I was a bit skeptical before watching the film because it's an English. And I love the atmosphere of Québecois culture that was created by Dolan previously and the French language ,of course.But as soon as Dolan's character appeared in this film I couldn't stop watching.. couldn't even pause.. Yes, the film is slow. BUT it's not boring.. it smoothly flows while keeping you on edge..! True art! And absolutely BRILLIANT Dolan!
inessavalueva
If you haven't watched the trailer yet, don't. The trailer gives too much away and robs the viewer of the sense of constant discovery, and there is a trove of things to discover.This is a story of an unloved soul looking for a way out of the somber world of his own feelings and thoughts, while carrying the burden of a beautiful mind. Being a theater piece at its inception, the movie ravishes with its dialogues and beautiful scenes. The lack of color is abundantly compensated by the vivid close-ups, the overall suspense and poignant flashbacks.Michael (the mental patient being the centerpiece of the story) is lovable from the first seconds as a character and as an actor playing the character. Xavier Dolan has a way of wooing people, so it's very hard not to fall in love with his performance and his character by the end of the movie. He's brisk, accurate, hits the target with every line, and when he opens up in the end, the beauty of it is so tremendous it pierces your heart like a golden needle. The performances of the other actors are no less impressive, but Dolan is an inevitable scene-stealer.Tragedy here is more of a liberation of sorts. The witty and at times funny story takes a sharp turn into the abyss of emotional pain. All the elements fall into place perfectly, creating a feeling that you've just watched a short.Elephant Song is a masterpiece worthy of watching and rewatching, listening and relistening. It will leave no string untouched.
SnoopyStyle
It's 1966. Psychiatrist Toby Green (Bruce Greenwood) talks to patient Michael Aleen (Xavier Dolan) who is supposed to have information on missing colleague Dr. Lawrence. Michael claims to be white elephant and keeps talking about elephants. He plays a cat-and-mouse game with Dr. Green and head nurse Susan Peterson (Catherine Keener). Green and Peterson used to be married until the lost of their daughter Rachel. Green faces a strained home life with Olivia (Carrie-Anne Moss) and autistic niece Amy. The head doctor interviews both Green and Peterson about Michael.Xavier Dolan does an interesting job and Greenwood is good. The story needs a bit more meat. Toby's home life needs a little more clarification especially with Olivia and Amy. The mystery with Lawrence gets defused too early. After the security guard and police claim to have seen Lawrence, the tension to find him almost disappears completely. The story needs to pace out and create more twists and reveals.
Bob An
The movie is interesting. The story keeps you guessing and the 'mystery' of missing doctor is good since the crazy man / boy is giving out the details, so you can never be sure whether it is true or not, or is he playing game.I think that Xavier Dolan was really good at the role of mentally deranged Michael. The role suits him really good. Don't know why, but in some scenes I pictured him in some movies/series based on Marcel Proust's book. He would be perfect for one of the roles of Proust.I did not really like the ending. It was ...hmmm ... too ordinary. And you see in the end that there was no mystery at all about the disappearance of the doctor. Also, the final scenes were kinda ...weak. But, all in all, quite good, except the last 3,4 minutes.Eight from me.