Edward, My Son

1949 "Broadway Stage Hit . . . Now on the Screen !"
Edward, My Son
6.5| 1h52m| NR| en| More Info
Released: 01 June 1949 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Following the death of his only son, a ruthless businessman reflects on his life, his unhappy marriage and his questionable parenting skills.

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evanston_dad Good grief, Robert Morley and Noel Langley must have been in a bad mood indeed when they wrote the nihilistic play upon which this film was based."Edward, My Son" is a bitter pill of a movie about an absolutely detestable jackass played by Spencer Tracy and the mess he makes of his life and the lives of those he loves in his campaign to spoil his son rotten. Tracy deserves kudos for playing this character at all, one who finds not a hint of redemption by the movie's end. The real reason to watch the film, though, is for Deborah Kerr's tragic performance as Tracy's wife, who begins the film as a vivacious if overly-dependent young mother and ends it as a shattered alcoholic. Her part is fairly small in relation to Tracy's, but she makes the most of every moment on screen and earned her first Best Actress Academy Award nomination for her efforts.In a conceit that clearly comes from the stage, we never see Edward, the son who serves as the catalyst for this married couple's disastrous end. Director George Cukor never succeeds in opening this film up and making it feel like anything more than a filmed version of the play. There's a monotony to its rhythms and it feels longer than it is. Grade: B-
jarrodmcdonald-1 The production code mars the end of Edward, My Son. In the final moments, Spencer Tracy's character is punished for a crime that occurred at the very beginning of the film. He committed much worse acts throughout the rest of the story. Is he punished for any of those?I suppose if you read into this film deeply enough, you will walk away with the realization that Mr. Tracy's character is his own judge, jury and executioner. That he gets away with many of his crimes but creates his own misery could be some sort of strange consolation. An otherwise excellent film, it contains solid performances by Tracy and his costar Deborah Kerr (in the first of her many Oscar nominated roles).Refilmed in 1955 for an episode of 'The United States Steel Hour,' which starred Robert Morley and Ann Todd. Mr. Morley was a co-author of the play and appeared in the original stage production.
vincentlynch-moonoi In a number of respects, this is a remarkable film. There's a mostly remarkable performance by Deborah Kerr -- mostly since she was brilliant up until playing and old drunk, and I do think she didn't do that particularly well. There's the clever plot technique -- you never actually see Edward, the son...but that emphasizes the whole point of the film -- it's not about Edward, the son, it's about the monster that his father becomes and how that father destroys so many people in order to spoil his son. And that brings to mention the superb portrayal by Spencer Tracy...one of my two favorite actors. Over the years we certainly saw Tracy play many types of roles -- he could play drama or comedy with equal ease. But it was rare to see him as the "bad guy", and in this film he is rather despicable. Yet, somehow...perhaps just because he is Spencer Tracy...the viewer doesn't hate him too much, because mixed in with our contempt is pity. But of course, the bigger they are (and in this film Tracy becomes a millionaire Lord), the harder they fall, and his lifelong plans for his son come to naught by...well, if you haven't seen the film, you should find out for yourself. Ian Hunter, the doctor/friend, is played to perfection. There's some wonderful acting in this film, particularly by Tracy, and some of the dialog is simply scintillating. But remember that this film is straight drama, not a soap opera. It is not as slick as some Hollywood fare, probably because it was a British film. If you like a serious drama, you'll find this film riveting.
edwagreen Outstanding 1949 film with Spencer Tracy giving one of the best of his many performances ever. This time, Tracy is conniving as a father who supposedly will break all the rules for his son, but it must be remembered that at the same time Tracy benefits as he spoils his son to ultimate tragedy, and literally loses his wife, admirably played by Deborah Kerr.Amazing that despite 10 Oscar nominations, Tracy wasn't nominated here. Kerr received her first of 6 losing bids as she is perfect as the wife, who was so much better off as a struggling partner. Wealth, a title and success, certainly did not help her.It is very effective that you never see this spoiled, pampered son Edward throughout the picture. Yet, you are able to convey a full imagine of him just like you did with 1940's "Rebecca."The film poses many ethical, moral problems such as starting a fire to gut his business but at the same time pay for his son's much needed operation.The person who made up Kerr up deserved an Oscar for that job. Kerr goes from a young housewife to an elderly souse, looking like a tragic Norma Desmond, depicted by Carol Burnett.Tracy's preaching to the audience is well effective. You know that he shall come up as the devil. Ian Hunter is just fine in the supporting role as the doctor who loved Evelyn, (Kerr) but could not bring himself to lead her away from an emotionally abusive Tracy.