alexanderdavies-99382 The reputation of John Garfield has suffered somewhat on account of his being accused of Communism by that bigoted lunatic Joseph McCarthy. It changes nothing in that John Garfield was a fine actor, one of the best of his generation. He was an actor who could modify his style of that from the theatre, so that he could be natural and convincing on screen. "Warner Bros" didn't really appreciate the value of such a talent and the films Garfield was forced to do, were not worthy of him at all. However, "Dust Be My Destiny" is a very watchable movie. Even though Garfield is playing the kind of character he was stuck with for a while, he is nevertheless very good. For years, he was always cast as those people who found themselves on the wrong side of the law, usually down to bad luck rather than being criminally inclined. In this film, Garfield is a man on the run with a young lady by his side. Her drunken stepfather is dead due to an accident and Garfield has been innocently implicated. He and his girlfriend take to the countryside, barely staying one step ahead of the authorities. They hop onto freight trains, hitchhike along the highway. It is a tense yarn where you don't know what is going to happen next and I found the experience exciting. Frank McHugh is totally wasted in a cameo appearance as a rather insistent wedding photographer but Alan Hale does well as a newspaper editor who takes the wanted youngsters under his wing. Two of the Dead End Kids make an appearance but they are written out quite early on. Very enjoyable.

dougdoepke The first 15-minutes is good gritty Depression era drama, as Joe (Garfield) and other footloose unemployed try to hitch a train ride to nowhere. Caught by county cops, they're sent to a harsh work camp where there's at least work, a bed, and something to eat, but nothing else. Garfield and company make this segment tough and realistic, a real taste of life at Depression's bottom.But then the romantic side takes over as Joe and Mabel (Lane) get into an off-and-on again relationship, complicated by Joe's accidental killing of Mabel's cruel stepfather. Thus the storyline swings over to the familiar young-lovers-on-the-run narrative. That might be okay, except Lane plays her part like she's swallowed a load of sweet-faced sugar, while making soft and nice is not Garfield's special appeal. There's also a ton of likable common folk that demonstrate America's fundamental decency; while, writer Rossen makes a timely populist appeal in the courtroom for the value of every person. Given the nastiness of the times, the idea, at least, was a good one. I just wish Warner's had assigned one of their top directors to the project. A Walsh or Curtiz might have blended the disparate elements more effectively than the workman-like Seiler. As things stand, it's a second-rate Garfield flick.

LeonLouisRicci Optimism and hope versus cynicism and despair. Depression era tale of a wrongly accused ex-con taking on a society that never seems to give a guy an even break. Although he is given quite a few, fate intervenes and knocks him off his feet.Broke and running (once again) from a crime he did not commit, this time he has a companion (guardian angel) that understands him and guides, then forces, the troubled soul on a path of belonging to a world that can offer peace and a place to hang their hats.A very good, if typical, movie that during the depression was a fitting try at uplifting the downtrodden. An idealistic, progressive endeavor from a studio that could deliver a message and a Star that epitomized method acting before there was method acting.Although at times a bit over written and assuming it is a time capsule that stands the test.

wes-connors After serving time for a crime he didn't commit, rowdy and rebellious John Garfield (as Joe Bell) is released from prison early. But, it wasn't for good behavior; the real burglar was caught in a hold-up. With no resources, Mr. Garfield hooks up with "Dead End" kid Billy Halop (as Hank Glenn) and his fifteen-year-old brother Bobby Jordan (as Jimmy). On the east coast, the three ride the rails as tramps, but get in trouble with the law; they receive brief sentences on the county work farm.Assigned to milk cows, Garfield meets pretty Priscilla Lane from "Four Daughters" (1938) in the barn. She is the step-child of drunken foreman Stanley Ridges (as Charlie Garreth). Due to a bad heart, Mr. Ridges kicks the bucket during a fight with Garfield, after the former finds the latter lounging by the hay with Ms. Lane. Naturally, the authorities mistakenly believe Garfield committed murder. He and Lane go on the run. Good Samaritans help the hungry couple, but the law closes in...This social consciousness drama is episodic to a fault, with some confusing transitions. The first occurs when Garfield is suddenly seen with two of the "Dead End Kids" from "They Made Me a Criminal" (1939). Obviously, the studio meant to evoke earlier films. Helpful Alan Hale (as Mike Leonard) and the Warner Bros. cast and crew go through the familiar motions. Everyone does their job well enough, but it just doesn't rise to the level of the studio's better work in the genre.***** Dust Be My Destiny (9/16/39) Lewis Seiler ~ John Garfield, Priscilla Lane, Alan Hale, Billy Halop