JohnHowardReid Director: NATHAN JURAN. Screenplay: John K. Butler, Lawrence Roman. Story: John K. Butler. Photographed in Technicolor by Harold Lipstein. Film editor: Virgil Vogel. Art directors: Bernard Herzbrun and Richard H. Riedel. Set decorators: Russell A. Gausman and Julia Heron. Costumes: Jay Morley. Make-up: Bud Westmore. Hair styles: Joan St Oegger. Assistant director: Tom Shaw. Sound recording: Leslie I. Carey and Richard DeWeese. Producer: Melville Tucker. Copyright 11 May 1954 by Universal Pictures Co, inc. A Universal- International picture. No New York opening. U.S. release: 1 June 1954. U.K. release through G.F.D. on the lower half of a double bill: 2 October 1954. Australian release: 10 December 1954. 6,913 feet. 77 minutes. SYNOPSIS: A villainous white man tries to stir up an Indian war for his own commercial advantage.COMMENT: Very attractively photographed. The studio night scenes particularly appeal. The camera-work reveals a dramatic depth of creative composition not usually associated with the work of Nathan Juran (though the man is a former art director after all). A few other inventive touches like the track ahead to the tree stump and the constantly clever use of pans in establishing shots, lend Mr Juran's direction even added luster and style. The exteriors are equally impressive. In fact, production values generally — even though lumbered with one or two obvious stock shots — are of an unusually high order.Unfortunately, the script and most of the players are something else again. The story is almost an entry in the unusual alliances cycle, except that this device is not over-emphasized in the manner of many later movies. Lyle Bettger, as usual, shines as the smiling heavy. It's also great to find Bob Steele in a meaty role as a bad-favored henchman. But Lisa Gaye makes a ridiculous if well-proportioned heroine, whilst Mara Corday is only slightly more credible as Bettger's moll. Still, neither girl has much of a part."Drums Across the River" boasts enough action to satisfy the fans, even if the doubles do all the work.

LeonLouisRicci A Colorful, Winner Western with Audie Murphy in His Element and a Solid Back-Up Cast including Walter Brennan in an atypical Super Serious Role as Murph's Dad. Some Recognizable Bad-Guys including the always Grinning Lyle Bettger, Bob Steele, and Hugh O'Brian as a Psycho Gunslinger. Jay Silverheels and that always Recognizable Voice has a Small but Important Role as an Indian Chief.It is quite Striking just how much Plot was Woven into these 80 Minute Westerns, it's just a Treat to Watch it Unfold at a Blistering Pace. The Action Never Lets Up and the Story Layers are Simple and Significant.The Movie features that Glorious Technicolor that Drips from the Screen, a Look that has been Lost in Time. Overall, this Cowboys and Indians Movie is the Stuff that made Saturday Matinees the Favorite Spot for Kids of the Fifties. Downtown at the Movie Palace there were Western and Sci-/Horror Entertainment along with Color Cartoons, and Short Subjects and the Kids were there because that was where it was at, through the 1950's.

Tweekums As this film opens with Gary Brannon preparing to lead a group of men in to the San Juan Mountains; the mountains are the territory of the Ute Indians but with no other gold left near the mining town of Crown City people are prepared to take a chance and cross the river into the San Juans. Gary's father tries to persuade him not to go but he ignores him; shortly after the group leaves his father is attacked; that doesn't stop him heading after the group though. They don't get far into Ute territory before they get jumped and one of the group is captured. Gary captures an Indian and thanks to his father's negotiating they trade him for the captured man. This wasn't what Walker, the man who hired Gary wanted... he wanted to ferment a war with the Indians so that the army could be called in to force them off their land and into a reservation. To this end he and his men open fire on the departing Indians killing many of them. A war seems inevitable but Gary goes to the Indians alone and talks to the new chief; it looks like he has established a peace but Walker hasn't given up yet. He has a second plan that will frame the Brannon's for a robbery and make it look as though they were working with the Utes... Gary will have his work cut out if he is to save his father, avoid getting hanged and prevent a war!This is another solid western staring Audie Murphy; as usual he does a fine job as the hero. His character is given a bit of depth by the fact that he can't forgive the Utes because one of them killed his mother; we later learn that the killer was the chief's son and the chief had him killed for his crime... of course Gary comes to see that he can't judge a people by the actions of one man and comes to respect them. The bad guys are suitably villainous; Lyle Bettger does a decent job as the devious Walker and Hugh O'Brian is menacing as the hired gun Morgan. Director Nathan Juran kept the action going nicely with fistfights, shootouts and villains being dragged behind Indian horses. Filmed in California, as were so many B Westerns, rather than in Colorado the film still looks good with some spectacular scenery shot in vivid Technicolor. While this isn't a classic I'm sure fans of the genre will enjoy it.

NewEnglandPat This unheralded western is a solid yarn about a familiar plot of greedy whites scheming to mine rich gold deposits on Indian land. Audie Murphy's role as an Indian-hating cowboy is a bit out of character for him but he's okay in spite of his clean-cut, easygoing manner. Walter Brennan, a surprise member of the cast, is great in the role of Murphy's father and friend of the Indians. There are nice battles between the cowboys and Indians and the scenery is terrific. Lyle Bettger is the heavy and gives his usual fine performance. Jay Silverheels figures prominently in the picture and is stern but dignified as an Indian chief. Morris Ankrum and Mara Corday are also good in limited roles.