tmayer-91-141863
Druid Peak is what great indie films should aspire towards-a great and meaningful script, cinematography that is elegant, yet restrained and performances from Spencer Treat Clark and Andrew Wilson that are believable and powerful. First time writer-director Marni Zelnick has incredible talent in both categories, but the writing , which weaves a coming of age story against the wolf reintroduction program in Yellowstone, is impressive in the extreme. Clark's character makes a journey from a completely unlikable bully to a person of substance as he discovers that wild places, and the creatures that inhabit them, can have a healing effect on those who are open to them. The transformation is both believable and more than a little inspiring.Rachel Morrison lenses this picture with the incredible talent for which she has become widely-recognized. Her mark is on every scene, sumptuous, yet incisive. Wyoming becomes one of the"characters" of the movie under her able hands. The chemistry between the 2 laconic leads, Spencer Treat Clark and Andrew Wilson, evolves inexorably and each actor shines in the way their relationship develops as they deliver the terse and excellent dialogue. While set against the timely background of the effect wolves and other apex predators have on the trophic cascade, this is much more than a conservation movie, despite its message. It shows how transformation can come in many forms, including the ability to discover the wild within us.
lorenramis
When Wildlife causes Evolution. Review of Druid Peak. In my Blog: http://librosyadolescentes.blogspot.com.es/... Sorry for my English.When in Gladiator (2000) by Ridley Scott, Maximus (Russell Crowe) returns to Rome for the first time, Lucio Vero (Spencer Treat Clark), the young nephew of Caesar, comes to visit him. Lucio, twelve or thirteen, is attracted to the cages where the fearsome gladiators are exposed to the Roman populace like a Zoo. Slowly, through the bars, he discovers the gaze of Gladiator observing him as an imprisoned animal; when their eyes meet, Lucio and Maximum enter into dialog without a word; when he discovers in the darkness to Russell Crowe, young Spencer Treat Clark do not see a man or a soldier humiliated; he discovers a lion. A caged lion full of hatred and thirst for revenge for the death of his family . That contact with the small Lucio begins to work the transformation of Gladiator, turning again in person.It seems that the New York actor who has participated to the orders of Clint Eastwood in Mystic River (2003) or M. Night Shyamalan in Unbreakable (2000) knows how to tame the beasts. In Druid Peaks, his latest film, still brand new in theaters, Spencer Treat Clark will have to face with wolves in Yellowstone. His character Owen, a troubled teen, silently watches the animals. He does not need the words to speak with them; He examines and listens them and, best of all, it is that wolves understand and respond to him... without words.Last November, I was in the Teatre Principal of Palma de Mallorca to the European premiere of Druid Peaks by the New York director, Marni Zelnick, thanks to EVOLUTION FILM FESTIVAL. The Evolution and Sandra Seeling, its director, deserve a separate article. The film debut Zelnick, surprising maturity of their approaches, is about Owen, a rebellious misfit teenager, who abruptly leaves his village to go live with his father (Andrew Wilson) biologist and head of packs of wolves within the Natural Park of Yellowstone. There his contact with wolves and, above all, the discovery of his father works a transformation in his perception of world around him and his person.Make no mistake: Druid Peaks is not the typical environmental film, with good wolves and dumb kids; The movie does not make explicit and Manichean discourse, where stuffed wolves saves the blonde girl with blue eyes. Not so. You have to read Jack London to understand it. Druid Peaks, is about deeper issues such as maturity, family, fear and forgiveness. We must thank Zelcnik that the film does not give recipes or prefabricated solutions, leaving the spectator to appreciate the work or not. It is precisely for this reason that the transformation of teenage protagonist is credible, real. I do not remember another current movie where such a positive and credible evolution of a troubled teen operated. I come to mind Captains Courageous (1937) by Victor Fleming with Spencer Tracy to find a similar atmosphere.Certainly, maybe some will accuse Zelcnick her story could be told in much less time than the nearly two-hour; they can also say that Druid Peaks is more like a documentary about the natural park of Yellowstone (celebrated in Spain by the Yogi Bear), and pack of wolves. However, it is difficult to understand the plot, the evolution of the protagonist, if not enjoy the landscapes, flowers and, above all, if we do not take enough time to see how the wolves act. At a time of the screening, the public of Evolution trembled and a sigh toured the stalls and the boxes in the Teatre Principal when one of the wolves appeared suffering. It is possible that ahead an audience flooded with images, who has lost sensitivity to human suffering, Zelnick get right with her vision and she teaches us to discover the sacrifice and redemption of man by animals and wildlife.As I said earlier, Spencer Clark performs a risky soliloquy looking wolves alone, for much of the film. This continuous loneliness that might have burdened the film, contrary, strengthens it. Spencer is alone in many scenes with only the company of wolves. Surely, it was not easy for someone who is used to roll with actors like Sean Penn, Kevin Bacon or the aforementioned Russell Crowe and Joaquin Phoenix. As he himself explained, "Wildlife is the best actor that exists." His look and his figure are sufficient to fill the screen ... and if you ask some collaborators girls who attended him in Evolution.I do not know what the future holds for an independent film as Druid Peaks, in a film industry that collects frivolous and blockbuster titles. But I think who ever have to deal with adolescence, as parents, educators, or as teenagers find in the work of Marni Zelcnik a light, a guide to the value of Wildlife to the transformation of man. Mandatory for teachers.Druid Peak, Evolution, Mallorca International Film Festival
