Tom Dooley Len is top dog at his surf club; he is the winner of everything and an alpha male with attitude. His 'mates' are al macho grand standing rugger bugger types who tick all the relevant cliché boxes and expect him to do likewise. He is also a top life saver and has a penchant for Budgie smugglers. His best mate is called 'Meat' in reference to him being overly endowed in the trouser department and is a simple soul who does what Len tells him.Then new kid turns up and saves a life on his first day and then starts to steal Len's thunder. This is Phil – Jack Mathews of 'Neighbours' fame. Phil is also gay and on a drunken night out things come to a head – no pun intended. Len is jealous of and apparently both attracted and repelled by this new man. The problem is the old adage of 'in vino veritas' hangs true – but not everyone can accept their truths.Now this is just excellent; Matt Levett as Len is exceptional as the troubled sports star and brings a menace to the screen that is tempered by the fear and loathing that make up his complex character. As Quentin Crisp said 'some roughs are pretty queer and some queers are pretty rough' this can certainly be applied to Len. The use of editing is brilliant and adds to the immediacy of the whole piece. There is a constant throb of homo eroticism that intermingles with the ordinariness of what is actually happening and juxtaposes all the emotions that the players are going through.The cinematography is truly brilliant too and that is by Dean Francis who co-edited; so I hope to see more good stuff from him. Please don't get me wrong, this is a hard watch in places and is painfully visceral when it needs to be; but I really appreciate cinema that pushes the boundaries – can illicit emotion and leaves you feeling that you have seen something special – absolutely recommended.

paul_3-960-896774 Drown may be set in a world/community that I'm not very familiar with but it's almost impossible not to relate to the tight knit brotherhood based on sports and drinking that is showcased in this film. It captured so seamlessly the dynamic between young men bonded over a common passion or a sport. A dynamic in which your bros and your masculinity is all that counts, no place for weakness, tenderness or affection. Len is the typical and yet quite the unconventional bully, his obsession with Phil is unnerving, and the same could be said for his relationship to his best friend/lackey "Meat." But what makes Drown interesting is the feeling that regardless of Phil's sexual orientation, there is no doubt that Len would have bullied and harass Phil. Yes Phil's sexual orientation enraged Len but the insight into Len's upbringing only cemented his reaction to Phil's addition to the team. Meat is not just the unsuspecting guy who can't stand up to his friend and finds himself at the wrong place and time. He shines a new light on Len, while giving a few layers to Meat. Phil (Jack Matthews) is also very interesting, he may not exactly be in the forefronts of this story but his willingness to put up with everything just so he could belong to the group is sad and impressive at the same time. The cast did a marvelous job Matt Levett's Len was captivating and intriguing, his inner turmoils is palpable and great to watch. Harry Cook's performance as Meat was quite and powerful, and Jack Matthews' Phil is relatable and very real.Much like Len is confronted with his inner demons, Drown confronts the audience to what we've all seen happened at some point in our lives, bullying. The film is honest, intense, brutal and raw, a clash of worlds that make for an amazing emotionally charged climax. @wornoutspines

avsw This is a very important film as it puts the the ugliness of homophobia firmly under the microscope. Fantastic performances by Matt Levett (in particular), Jack Matthews and Harry Cook keep this piece moving along, aided by razor sharp direction by Dean Francis (who also DoP'd the film). It's hard to define this film - it's original. Shot on a mini budget around the beaches of Sydney and the seedy night spots of Kings Cross, the film is edited (also by Francis) is a montage style which works well, and suits the subject matter and feel of the film. The best way to describe it is as 'a ride'. As an audience, one is challenged, terrified, ashamed, enlightened and enthralled - but best of all, one comes out of the screening changed, and thinking deeply about what you have just seen. Seek it out. Highly recommended.

Lisa Hutchinson let me start by saying i went to the premiere in sydney this week and expected another run of the mill Australian film with a gay theme that interested me. i had no idea that i would be leaving with my heart in pieces and mascara running down my face. this is one of the most raw, honest and brilliant films that has graced the Australian cinema scene in years. the three standouts in this film were len (played by matt levett), meat (played by harry cook) and the beautiful cinematography (by dean francis). matts performance as the brutal repressed len does a great job and you can really sense his inner turmoil. harrys performance is stunning as well as he plays a three dimensional character that really makes you feel for him and his struggle to confront his best friend in a situation that he knows is wrong. i don't want to give too much away but just wanted to say how great it was to see such strong talent in an Australian film both in front and behind the camera. i think it will go on to do very well overseas and here in Australia. the three i mentioned above deserve some kind of award for their work. are logies for films too or is it just TV? who knows. but either way it was a great film.