Stefan Kahrs The British genre press received this film with hostility when it came out on video in the mid 1990s. Why? This is undoubtedly an exploitation film, more precisely: soft pornography, but it does not fit easily into the usual subgenre classification Eurotrash fans come to expect. Although it is a sex comedy, it isn't one of those silly dim-witted sex comedies so frequently made in Italy, England and Germany in the 1970s. In particular, the film takes the eroticism more seriously than comedies normally do and shows even signs of pretentiousness [you can tell it is a French production], and it is particularly the latter aspect British genre critics seem to find hard to accept. Similarly, there are themes of revenge, humiliation, voyeurism, bondage - but these are treated in a semi-comical way, and the distinctly misogynist appetites harboured by the unpleasanter fans of sexploitation cinema remain unsatisfied.Overall, this movie is a generally well-made soft porn flick (cinematography, acting, production values - all of good quality) that is less offensive, violent or silly than so many other products of the genre. Therefore, it should be watchable for a mainstream audience when in adventurous mood.