Dragon Inn

1992 "In the desert, only the strong survive."
Dragon Inn
7.2| 1h44m| NR| en| More Info
Released: 22 August 1992 Released
Producted By: Seasonal Film Corporation
Country: Hong Kong
Budget: 0
Revenue: 0
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Synopsis

During the Ming Dynasty, Tsao Siu-yan, a power-crazed eunuch who rules his desert region of China as if he were the Emperor, ruthlessly thwarts plots against him and sets a trap for one of his enemies at the Dragon Gate Inn.

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Reviews

hengir This film is beautiful to look at with lots of furious sword fighting and spectacle and colour that sometimes takes the breath away. Mainly set in the Dragon Inn where plot and counterplot keep the story moving, a simple enough tale of two fleeing children and their protectors. There is humour as well as drama.The acting is first class. Maggie Cheung as the inn keeper is great, one of her best film performances surely. Spirited and sly and sympathetic she is the centre of the film. She is a survivor. Brigitte Lin and Tony Leung are good too as the children's main protectors who in contrast to Cheung play it quiet and steadfast. They have a mission. Mix these together with a gallery of interesting supporting characters and you have a fascinating film.As well as the action there are other great scenes. The scene between Lin and Cheung that starts off with one having no clothes on and the other fully dressed develops in a humorous but charming way. The last fight scene is shocking but gripping. There is also a lovely moment when Lin and Leung, by arrangement, meet up at the Inn. She looks at him and he looks at her, then he touches her cheek. In one brief moment of quietness volumes are spoken. You know their history. This subtlety is quite alien to Hollywood.If you like this kind of film it's a treat.
bob the moo Large swathes of China are falling under the despotic rule of Cao Shao-qin as he and his merciless Black Flag riders slaughter Government officials and anyone who threatens his rule. When Cao captures the children of a murdered Lord, Zhou Huai-an mounts a rescue mission led by Qiu Moy-an. With the children and her men, Qiu meets Zhou at the Dragon Inn, owed by the outlaw Jin Xiangyu – who is only out for what she can make for herself. With the pass shut, some of Cao's men arrive at the inn sparking a stand-off between the two groups with the money-grabbing Jin in the middle. As the days pass, bad weather keep the groups in the inn while Cao and the Black Riders close in.I borrowed this film from a friend with no prior knowledge of it, so I checked out the reviews on imdb to get a taste for what it would be like. I was immediately dubious when people, who had clearly only experienced this genre by seeing `Crouching Tiger' in their multiplex, were calling it the greatest HK film ever made and other such absurd claims. Also the way in which many users have compared this to `Crouching Tiger' also suggests that that is the only benchmark they have. However I settled to watch it.For the most part I enjoyed it. The plot worked quite well in miniature and only got weak in the final 10 minutes where it just seemed to collapse into an illogical confrontation. The story is laced with humour which mostly works and has some nice touches (the teasing striptease-come-fight between Jin and Qiu was fun) but I did have a nasty taste due to some of the strong language and crudity which seemed out of place.What didn't work as well for me were the selfsame scenes that other reviewers have been raving about – the fights. In some of the scenes there are touches of clever choreography but often it is a swirling mix of arms and legs that is lost in editing that is far too quick at times to allow us to fully appreciate the moves. The final fight (which again some users have called one of the greatest fights ever filmed!) is OK but not as acrobatic or inspiring as I'd have liked – also it's gore spoils the actual action to the point where it is laughable rather than exciting. This is not to say that the fights are without merits (most of them are pretty good) but they are quite ordinary at times and lack a real imagination. They are still exciting but don't be sucked in by the gushing praise from these pages.The cast are all pretty good with some exceptions. Leung is quite sturdy and delivers a character without too much flair but prevents him from being too wooden. Donnie Yen was a disappointment for me. His role consisted mostly of two cameos – one at the start where he sit passively and the other at the end in an overly-gory fight scene which was so lost in a sand storm that his skills were not fully displayed. The two women really made the film for me –they both had different characters but also mixed it up and delivered the comedy. Maggie Cheung probably shaded it as she had the most interesting character but Lin was also very good.Overall I enjoyed the film and am not suggesting that it is a bad film – only a bit too gory for my tastes. It is lightly funny and there is plenty of swordplay but it certainly never reaches the cinematic heights of ecstasy that are alluded to by some of the reviews here.
abentenjo Superb reworking on the 1966 King Hu classic that pays greater homage to the old-fashioned swashbuckling epics of Hong Kong's yesteryear rather than a cash-in on the new wave crop: this is meatier than its contemporaries and offers expert choreography and top-notch performances throughout. Tsui Hark produces this historical affair, a costume drama detailing the plight of resistance fighter Zhou Huaian (Leung) and partner Qiu Moyan (Lin), relentlessly headhunted by evil eunuch Cao Shao-qiu (Yen), a powerful so-and-so and hottest contender for supreme control of the Imperial court. Zhou is his latest obstacle that deserves elimination and so he lures his orphan children into a trap, which summarily backfires and the resistance take up refuge at the isolated Dragon Gate Inn, situated in the middle of the desert. Cheung plays the delightful innkeeper in a light hearted and flirtatious manner, and truly shines in the role, however there are few comedic touches: the movie is dark and sinister due to its restrictions to the Inn, yet the action is lavish and radical, culminating in that legendary Gobi desert finale that'll just blow your socks clean off.
Jonathan Horner When I saw this in my local video store, I new I had to have it for two reasons. 1, because my favirote martial artist Donnie Yen (Highlander Endgame, Iron Monkey) was in it and 2, because it involved swords.Seeing Donnie Yen's work in the likes of Highlander Endgame and Iron Monkey, I was curious to see this movie. I was slightly disappointed that Donnie Yen wasn't in this movie much, apart from start and the rather bizarre fight scene towards the end of the movie.Overall, New Dragon Gate Inn is a great movie, but there are better martial arts movies out there.8/10