Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

1964 "The hot-line suspense comedy."
8.3| 1h35m| PG| en| More Info
Released: 29 January 1964 Released
Producted By: Hawk Films
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike.

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Scott Summers I never really bought into the Kubrick hype. I mean: don't get me wrong; I like all of his films very much - but to me, they all feel somewhat "over-constructed" and lack a natural flow. And then I finally got to see 'Dr. Strangelove'. Wow. What a terrific, pitch black satire. This film is so wild and mean and funny - and Peter Sellers gives THE performance of his career. Unlike in any of Kubrick's later works, there's a sense of playfulness here that gives the whole movie a crazy kind of energy; I'm guessing that Seller's love for improvisation forced Kubrick to ditch his usual perfectionism to a certain degree (and the film is all the better for it). Sharp, outrageously entertaining comedy/satire by one of the most revered directors of the past century.
Movie_Muse_Reviews No film has so brilliantly combined broad comedy and sharp satire to the degree of "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" — before or since. Stanley Kubrick made many incredible films in his lifetime, but none of them have the unique, distinctive edge of "Strangelove." The prodigious auteur made plenty of anti-war films both prior to and following this film, but it's "Strangelove's" manifold comedic gifts that elevate it to the level of classic.Anchoring the entire film is comedic genius Peter Sellers playing three vastly different characters with impeccable prowess, a feat that still has no equivalent. He loses himself complete into the roles of Captain Lionel Mandrake, President Merkin Muffley and Dr. Strangelove — it would be no surprise that if shown to large number of people without any previous knowledge of the film or Sellers, that a large percentage of that group would not realize all three characters were the same actor. He's brilliant, on a whole other level."Dr. Strangelove" imagines a ludicrous doomsday scenario in which a rogue Air Force general, Brig. Gen. Jack D. Ripper (Sterling Hayden) sends codes to initiate a massive nuclear offensive on the U.S.S.R., enacting a plan/loophole that would allow him and only him to send the codes that could abort the mission. Ripper holes himself up in his base with Mandrake, who is subjected to his wild conspiracy theories and warped world view. Meanwhile, in the Pentagon War Room, Gen. Buck Turgidson (George C. Scott) briefs the president and they weigh their options.The script, written by Kubrick, Terry Southern and Peter George (based on George's non- satirical book "Red Alert") expertly skewer the Cold War mindset at a time when nuclear war was still a paralyzing concern in the world, especially America. The strength of the writing lies in the way the characters behave and say things that are exaggerate but don't feel implausible. Turgidson talking about the benefits of killing 20 million people as opposed to 150 million has both validity and absurdity to it and proves that such drastic matters are better off out of the hands of men. And how deep the trenches of distrust and machismo go in regards to the arms race and other "races" against the Soviets is both insane and reflective of how some people probably felt.The action of "Dr. Strangelove" is largely contained to the deck of a B-52 bomber, the War Room and the military base where Ripper and Mandrake are hunkered down, so Kubrick has to flex the more subtle filmmaking muscles to tell this story in a compelling way. He balances both long takes from a single, wide angle and meticulously strung together, more suspenseful sequences with lots of close-ups. He manufactures a good amount of tension considering the humor of the entire film prevents it from being a thriller like its equally excellent (but for different reasons) cinematic peer, Sidney Lumet's "Fail- Safe." Nevertheless, "riveting" isn't among the words that best describe "Strangelove."Instead, "hilarious" and "sad" are more apt. The film's biggest action sequence takes place at the base in a battle between American forces — the ones ordered by Ripper to protect the base at all costs and the ones ordered by the president to stop Ripper. Kubrick doesn't shy from filming an all-out war scene and the result is comedy at its absolute blackest. The "Peace is Our Profession" billboard is delightful (and sadly non- contrived) irony."Dr. Strangelove" can be interpreted in the more academic sense countless ways, but it really comes down to the comedic achievement. Most films that insist on big performances and other over-the-top elements don't have the intelligence in the writing and storytelling to buoy that kind of swing for the fences. "Strangelove" does thanks to Kubrick's meticulous direction, Sellers' other-worldliness and a comedic conceit that's dead on for its time and place.~Steven CThanks for reading! Visit Movie Muse Reviews for more
rebeccalucy Hyperbolic fun, with strange characters to highlight the point. Has a unique story that is executed very well and tries to show what could possibly happen if nuclear weapons were used.I enjoyed the characters of Buck and Mandrake, both are unlike any other characters I have seen before. Buck has a great delivery of lines with his booming voice whereas Mandrake has a likable charm. The president was very interesting too, his conversations on the phone are so absurd they become funny. However, sometimes I found it a little hard to follow the plot.The editing and cinematography are very good too, with a large long shot that is contrasted with an extreme close up later. This highlights the tension between the characters and is key to the understanding of the film. Overall, a great satire with great cinematography.
jlaird-00396 Originally this film was supposed to be marketed to college Audiences. I think that was a complete mistake by people who do not understand the film. First, General Rippers paranoia stems from his conviction that floridation of the US water supply is a communist plot to destroy his ability to have sexual intercourse with a woman. The proof is in the pudding, because he tells his exec RAF Group Captain Mandrake (Peter Sellers) that he tried and failed. The rest of the movie steamrolls from here. Suffice to say it is fantastic. It is so realistic that when the movie debuted in theaters the USAF showed a disclaimer on the screen to terrified audiences assuring them that nothing like this could ever happen. Just see the film.