Kel This film got little coverage in horror books or magazines I collected growing up, and I only became aware of its availability in the internet age. The premise was intriguing, although I assumed it to be more of a comedy and probably cheaply made. As a fan of Crain's Blacula I was pleasantly surprised to discover his involvement-even more so when "Big Skillet" Ji-Tu Cumbuka shows up--playing a straight talking police detective who reminds one of Samuel Jackson. The film does appear cheaper than Blacula and has less dramatic tension--on the other hand it manages to give its central character a bit more depth than one would expect from the Jekyll and Hyde story having been done so many times previously. The scene where Casey tells the prostitute about his childhood and mother is poignant, and makes his request to her all the more chilling since we realize he has some sincere reason to do his research and wont take no for an answer. A mad scientist with a twist.The makeup by future fx star Stan Winston who had worked with Casey on the TV movie Gargoyles isn't a big deal by today's standards and despite the title he doesn't really look caucasian but more like a Haitian voodoo zombie. Whether Winston was hampered by budget or it was a conscious decision to make him more of a ghoul is an open question.There are some story lapses and the ending seems rather abrupt and too basic for a story that had established such a dramatic impetus for the main character--but it has a few amusing lines and is probably worth a look for people seeking an alternative drive-in horror film. 6 1/2 out of 10.

Woodyanders Sincere scientist Dr. Henry Pride (an earnest and likable performance by Bernie Casey) uses himself as a test subject for an experimental remedy on liver damage he's working on. Alas, said remedy causes Pride to occasionally transform into a murderous albino psychopath with a penchant for killing prostitutes. Director William Crain, working from a clever and engrossing script by Larry Le Bron and Harry Woolner, relates the entertaining story at a steady pace, makes fine use of the gritty urban locations, offers some interesting social commentary on the racial divide between whites and blacks (the successful and upwardly mobile Pride is accused by other African-Americans of being a sell out to "The Man" because he drives a silver Rolls Royce and resides in a huge white mansion in a fancy neighborhood), and stages the attack scenes with real flair, with the tense and rousing "King Kong"-style climax set at the Watts Towers rating as an exciting highlight. Moreover, the often hilarious profanity-ridden jive slang dialogue gives the picture an extra tangy punch, Stan Winston provides the nifty monster make-up, and there's a decent smattering of gratuitous female nudity. The cast have a ball with the outrageous material, with stand-out work by Rosalind Cash as Pride's concerned colleague Billie Worth, Marie O'Henry as sassy hooker Linda Monte, Ji-Tu Cumbuka as no-nonsense homicide detective Lt. Jackson, Milt Kogan as Jackson's equally hard-boiled partner Lt. Harry O'Connor, Stu Gilliam as slimy no-count pimp Silky, and Marc Alaimo as sleazy drug pusher Preston. Johnny Pate's funky'n'jazzy score does the groovy trick. Tak Fujimoto's crisp cinematography is likewise up to par. A fun fright flick.

faisal_khan I saw this film years ago on cable and enjoyed it for what it was. I suppose that's because I cam to it without any hype or expectations and enjoyed it all the more for it. The trouble with films like 'Dr. Black, Mr. Hyde' and the more famous 'The Thing With Two Heads' is that the gimmick often promises more than it delivers. Likewise when you get over the premise of 'Blacula', it's nothing more than an extended episode of 'Kolchak:The Night Stalker' held together by nothing more than the excellent William Marshall.But I digress. I think too many people expect these movies to have some meaningful insight into social issues of the day when many mainstream Hollywood films dealing with the same premise would be let off the hook. Dr. Black, Mr. Hyde is nothing more than the Jekyll and Hyde story told with a black actor and should be viewed on that basis alone.As a blaxploitation horror, this is competent stuff, though I'd recommend 'J.D's Revenge' over this as a better example. As a showcase for Bernie Casey this is far more enjoyable and one of the reasons I have remained a fan of this movie after many years.NOTE: DS9 fans will enjoy seeing Casey and Marc Alaimo together some 17 years before their appearance as Cal Hudson and Gul Dukat in the DS9 2-parter 'The Maquis'.

sol1218 ***SPOILERS*** Updated version of Robert Louis Stevenson's "Dr. Jekyell and Mr.Hyde" in the Watts ghetto of L.A. with the understanding and gentle Dr. Henry Pride, Bernie Casey. Henry through his experimenting with a serum would cure hepatitis and regenerate liver cells. It in fact turns him into the brutal and ruthless Mr.Hyde! A much better movie that one would guess with Casey and the supporting cast lifting the film well above the standards that one would expect from this black exploitation movie of 1976.Henry had a lifelong dream of curing damaged liver cells and related diseases, like hepatitis, since his dear mother died of liver disease right in front of him and his sister Dr. Billie Worth, Rosalind Cash, when he was a little boy. Henry also has over the years developed a deep hatred and resentment against prostitutes whom he holds responsible for his mothers death. Henry's mother worked as a maid in a local bordello, where she and her son and daughter were given a place to live by the owner, and the night that she fell ill and died none of the "ladies", as Henry called them, would come to her aid or call for medical help. Coming up with a serum that he thought would cure liver disease Dr. Pride needed someone to try it on but if it was ever found out that he did that, as his sister warned him, it would destroy everything that he and his sister worked for. Which is the free clinic that they founded and ran in the Watts ghetto for the poverty stricken people who lived there. Trying the serum on himself turned the sweet and kindly Henry into an albino-like monster where his hatred of prostitutes and those who employ and support them, pimps and johns, came to the surface with deadly and destructive results. Linda, Marie O'Henry, a local prostitute who Henry fell in love with, and was treating for hepatitis, once tried to use the serum on her to see if it would work but without success, Linda refused to be injected with it. Dr. Pride then tried the serum on himself where, to Linda's shock and horror, he turned into murderous Mr.Hyde! With the body count of his victims raising at an alarming pace Linda begged Henry, while he was still normal, to turn himself over to the police so that the killing would stop and that he could get help. Henry wouldn't listen and continued with his murderous rampage until the police finally tracked him down and cornered him in the Watts Towers. After holding the police off, with Linda as a hostage, Henry doing a King Kong imitation climbed to the top of the towers and is then killed by a barrage of police bullets. As Henry fell to his death the terror that he unleashed on the ghetto of Watts, and the people that live there, came to an end. Much better then one would expect with Bernie Casey and the supporting cast rising up the movie where it's entertaining as well as thought-provoking. You really feel for Dr. Henry Pride to the point where your both sympathetic as well as outraged at what he was and what he became. With an ending that makes you see that Henry's obsession with curing liver cells and hepatitis was indeed a noble and righteous effort, for the good of all humanity. It's the way that Henry went about it and with the consequences that resulted from it destroyed, like his sister warned him, everything that he ever worked for and in the end even himself.