Double Dynamite

1951 "Double Fun! Double Joy! Double Everything!"
5.9| 1h20m| NR| en| More Info
Released: 25 December 1951 Released
Producted By: RKO Radio Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

An innocent bank teller, suspected of embezzlement, is aided by an eccentric, wisecracking waiter.

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RKO Radio Pictures

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Reviews

dalehoustman I watched this film with a close friend who is also very interested in the history and art of film, and even given the usually beneficial aspect of a shared viewing, this is a film which one forgets even as they are watching it. Basically nothing of interest happens, Jane Russell is wasted, Frank Sinatra is no help, and only Groucho manages to get off a meager handful of scenes worth noting, even though the writing is sub-par at best. Jane is a particularly interesting case: a woman whose best roles are sexy and tough as nails is here reduced to a rather prim and mundane character. And even the expectation of a few good songs is not met, even though both Frank and Jane (and even Groucho) are known to deliver in this area. A film only worth watching if you're a completionist of some sort. Very lackluster
bensonmum2 Johnny (Frank Sinatra) and Mibs (Jane Russell) are bank tellers who would like to marry, but money gets in the way. Quite by chance, Johnny saves a mysterious big-time gambler and is rewarded with $60,000. As luck would have it, at the exact same moment, a large bank outage is discovered. How can Johnny prove the money is really his and stay out of jail when he doesn't even know the name of the mane who gave it to him? I'd call Double Dynamite harmless enough with a couple of moments of comedy that rise to a level that makes the whole thing slightly above average. The comedy bits come from Groucho Marx. I've never really cared much for the post-Marx Bros' Grouch (and I'm including You Bet Your Life). Most of Groucho's later work is a shadow of what he did early in his career. But here, he has a few moments that are very nearly laugh-out-loud funny. The scenes where he poses as a millionaire and entertains the bank president are nicely written and staged. Other than Groucho, the rest of the movie is pretty routine. Sinatra is too milk-toast and Russell can't act. The musical numbers aren't overly memorable and are so infrequent they don't really fit with the rest of the film. Double Dynamite does feature a strong supporting cast including a favorite of mine, Nestor Paiva. The ending is reasonably entertaining. The discovery of the missing bank money is actually clever. Overall, a 6/10 from me.
Lawson Groucho Marx and Jane Russell (and Frank Sinatra)... ah what a movie this could've been. But it wasn't. I'm a huge Groucho fan and I thought Jane Russell sassed as good as Barbara Stanwyck could in Gentlemen Prefer Blondes, so I had high hopes for a comedy with the two, but no, it wasn't to be. Instead, the two are featured tag-alongs in what appears to be a Frank Sinatra B-vehicle that he was probably contracted to do while still at the nadir of his career (right before his reinvigoration with his Oscar win for From Here to Eternity).So, harpooned by a poor script, the stars never really got a chance to shine, though Groucho managed a couple of good one-liners and as always, it's a joy to watch him on screen.
wes-connors The three stars - Frank Sinatra, Jane Russell, and Groucho Marx - make the film interesting and enjoyable (if you like them). Everything else is routine. At one point, when Mr. Marx is discovered smoking a cigar in Mr. Sinatra's bathtub, the movie threatens to become surreal. This scene could not have happened in this movie; it violates the structure of the film up to that point... but, if the film had stayed with that "possible-only-in-a-Marx-Brothers" situation, it might have become something other than routine. And, of course, I can't pass up a "Merry XMas, Groucho!" (...which I didn't catch Ms. Russell or Mr. Sinatra wishing!) Hey, it would have made me laugh. ***** Double Dynamite (12/25/51) Irving Cummings ~ Frank Sinatra, Jane Russell, Groucho Marx