OllieSuave-007 This is the first cartoon that features Donald Duck's girlfriend, Daisy, though she is called Donna in this short and her voice is similar to Donald's. It is also the first cartoon starring Donald Duck as top billing. Here, he arrives in his burro and tries to court Donna in Mexico, but things don't go well at first, leaving the two ducks quarreling and fighting, with Donna getting the upper-hand. She proves to be an aggressive snob and, in my opinion, unlikable in this story.There are funny moments though, which includes Donald's classic temper and frustrated demeanor, and his car breaking down, throwing Donna around left and right. Donna's voice being similar to Donald's was also somewhat funny; it's like hearing two Donald Ducks bickering with each other. Donald's burro is a bit annoying though, not cooperating with Donald and causing him to get in trouble with Donna.Overall, not one of the better Donald/Daisy cartoons. Donald was OK in this one, but Daisy was unlikable.Grade D

TheLittleSongbird Don Donald was very interesting. The animation is very well done and colourful, and the music is stylish. The story is rather routine and the middle half of the short is rather slow. But it is funny, the two duck stars are very appealing, and one of the main reasons why I like this short is because Donald finds love. There are some good jokes like Donald's attempts to mend the broken down car, Donald laughing whenever Daisy does something funny much to her annoyance, and Donald's hat shrinking when it fills with water. And Clarence voices Donald to perfection. I have always thought this Donald Duck cartoon as an interesting one, it isn't the best, but it isn't the worst either. But it is one of the better ones. 8/10 Bethany Cox

Shawn Watson Donald plays some sort of traveling Banjo player who comes into (an apparently Mexican) town on a pitiful, lazy, dying Donkey and tries to serenade the lovely Daisy Duck (called Donna in this short). She's not too impressed with his wooing skills and quickly becomes bored with him.Desperate not to lose her attention Donald trades his worthless mule in for a car (these were new-ish creations back in the 30s). Daisy is interested once more and they go out for a ride. Well, Donald is no boy racer that's for sure. Following Daisy's orders, Donald pushes the car to its limit on the rough desert terrain and it's not belong before it falls apart and fights back against its enraged owner.Another perfect example of the highly irritable duck being pushed to the point of a nervous-breakdown. Which, when you think about it, is quite cruel entertainment.

Ron Oliver A Walt Disney DONALD DUCK Cartoon.In Old Mexico, DON DONALD learns what it takes to impress a temperamental señorita.Daisy Duck made her movie debut in this very enjoyable little film, which features good animation and funny performances from both Ducks. Strangely, it would be another three years before Daisy returned for her second appearance, in MR DUCK STEPS OUT (1940). At this point in her career, Daisy received her unique vocalization from the same source as Donald - talented voice artist Clarence Nash.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.