Dirigible

1931 "GIANT EPIC OF THE AIR!"
6.3| 1h40m| en| More Info
Released: 03 April 1931 Released
Producted By: Columbia Pictures
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Budget: 0
Revenue: 0
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Synopsis

Dirigible commander Jack Braden and Navy pilot 'Frisky' Pierce fight over the glory associated with a successful expedition to the South Pole and the love of beautiful Helen, Frisky's wife. After Braden's dirigible expedition fails, Frisky tries an expedition by plane. Unfortunately he crashes and strands his party at the South Pole. Braden must decide between a risky rescue attempt by dirigible and remaining safely at home with Helen.

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CitizenCaine In addition to the films Submarine and Flight, Frank Capra directed a third film with both Jack Holt and Ralph Graves: Dirigible. Originally set to be a follow-up to Wings at Paramount, it was eventually sold to poverty row Columbia. It's a heroic adventure story about competing naval officers who attempt to be the first to reach the South Pole. Holt attempts to do it via dirigible and Graves tries the conventional way by ship and sea plane. In between them there's a girl of course: Fay Wray. In their films together, Holt is always the more experienced individual offering some gentlemanly levity to a given situation; where as, Graves is often the young hothead recruit or inexperienced pilot who needs his wings clipped.In Dirigible, Capra features the airship throughout the film, and it's probably one of the few films to do so. Lots of aerial footage of Holt commanding the dirigible and Graves as a pilot move the creaky plot forward. The film was actually based on a real life incident and adapted by Jo Swerling and Dorothy Howell based on Frank Wead's story. As in many films from this period, an obligatory romantic subplot is tacked on, which kind of detracts from the film. Fay Wray is Helen Pierce, Graves' wife. The script fails Wray as she acts discombobulated throughout the film. She lives Graves, but can't stand the danger he readily embraces. Meanwhile, good guy Holt, who plays second fiddle, offers a shoulder to cry on and rescues the big lug Graves on top of it, but he doesn't get the girl. OK as entertainment, but a notch below most of Capra's efforts. **1/2 of 4 stars.
appleimacdude This film shows via a entertaining story how different air travel may have been if the dirigible had not had the terrible Hindenburg disaster, which was about 4 years after this movie was shot, and when trying to land in the same area as the hanger shown in the movie. Only recently it was found that the real problem with the Hindenburg apparently was individual panels not been grounded, and a fabric covering that was extremely flammable - a dangerous mistake.It is fascinating to see the Navy equipment of 1931, the dirigible shown is real. These machines may have been much more fuel efficient than airplanes, and perhaps better suited for many trips - And or course, Fay Wray is a great actress as usual, as is the rest of the cast.
Scott_Mercer Okay, I know, they are not blimps. They are Zeppelins. "Airships" was the preferred term by the U.S. Navy.This is a very exciting action film for 1931. Apparently made with quite a high budget. I saw model shots, large sound stages filling in for Antartica, thousands of extras, real airships, and a gigantic ticker tape parade shot on location in New York City. All of these things cost much money. The U.S. Navy's use of airships was so brief that this film also marks one of the few stories about this chapter in our military history.This film proves that Capra was also adept at high intensity action directing (for 1931) as well his usual character-driven morality plays that he became so well-known for.The one thing that is the most striking to me about (some) early talking pictures, of which this is one, is that they have hardly any music score. This is true here, and only adds to the isolated feeling in the scenes of the doomed expedition struggling to escape from the frozen tundra. Plenty of sound effects in the scenes of the doomed Pensacola going down, but no music. In fact, the film even uses a few silent film style narration cards.Anyway, in spite of this film dating from 1931, it has aged really well and doesn't seem too dated at all. A nice action/adventure film. The print they showed on TCM on television was in very good shape, even the sound was strong in most places. Yes, the love story seemed tacked on, but there are thousands of films in the history of Hollywood that could have survived artistically with their romantic subplots (probably inserted at the insistence of cigar-chewing studio bosses to get "the female market") jettisoned. In any case, this movie is quite entertaining and Worth checking out.
1250man Aside from featuring Fay Wray BEFORE she became famous in King Kong, the movie has value as historical record, because of the scenes of the U.S. Navy's dirigible, LOS ANGELES. The LOS ANGELES served a dual role in the film, first as the fictional PENSACOLA, destroyed in a storm at sea, and then as her real self. The loss of the PENSACOLA is prescient in a way, because her successors, the very real AKRON and MACON, which had yet to enter service when the movie was made, were subsequently both lost at sea in storms, bringing an end to rigid airships in the U.S. Navy. A predecessor, the SHENANDOAH was lost in 1928 in a storm over Ohio.When this movie was made, only the LOS ANGELES was in service. The movie shows excellent closeup film of the ship mooring at Lakehurst N.J. as well as her experimental trapeze which allowed an aircraft to moor to the ship while in flight. This feature was incorporated in AKRON and MACON, along with a hanger to stow the planes aboard. These two, the biggest in USN service at 800 feet could each carry 3-4 planes. The planes could be "captured" on the trapeze, brought inside and then launched from their trapeze. An amazing sight to see!