Mark Burden Another reviewer states that this film has only been shown once on television in UK - I disagree with this as my archives hold a DVD copy of a VHS tape made of a broadcast on 01/09/2002 by C5, and I am confident in stating that this film was also broadcast on 02 or 03/10/1998 also by C5.Most of the characters in this film conform to stereotypes, and the dilemma is deciding which gender comes off worse: we see pretty Jean (Ingrid Hafner), who plans to leave doting husband Harry (Peter Halliday) on their wedding anniversary and flee the country with the proceeds of her heroin trafficking; Harry's harridan mother (Joan Heath); the omnipresent nosy next-door-neighbour Edna Jones (Patricia Burke); the inconvenient local church restoration fund collector (Barbara Lott) and her spooky acolyte; and, best of all, the casualty sister who tears Jean's Elastoplast off with barely concealed glee.The men don't fare any better: there's Harry himself, who decides that the best course of action when finding a corpse in his bathroom is to pull up the living room floorboards to create an impromptu grave; a comedy lower middle manager husband of aforementioned nosy neighbour; a comedy dodgy builders' merchant complete with dodgy dozy Steven Berkoff lookalike sidekick; a blind piano tuner (Arthur Hewlett); a young piano student who seems to be mute (but is probably only voiceless here to save actor's fees) and, finally, Patrick Jordan as a plain clothes detective suffering from virtual brain death.All comes right in the end though, with sexy Jean probably going to the gallows for murder - all's well that ends well - Result! 10/10 MJB

John Kemp Coming to this film only eleven years (!) after Chris Gaskins' review, his comment "The piano tuner being blind is a little far fetched though" stirred a memory,so I looked online and saw that there is indeed an Association of Blind Piano Tuners. It may be an edition of QI that I am remembering, and I believe that Stephen Fry said that there is no authoritative figure of the number of UK piano tuners. My education is not solely derived from TV, I hasten to add.

trimmerb1234 This is a rather better than average B feature, set in a modest respectable middle-class '30s-'50s suburb of houses with tidy front gardens, net curtain and a nosy neighbour.A bored middle-aged housewife notices some odd occurrences at her neighbours house - a scream, the sudden departure of the wife, the return of the husband, his curious activities throughout the day - carrying bags of cement indoors, carrying a large tin bath also indoors. All very suspicious. She consults her husband who knows her habits and reassuringly dismisses her concerns.So far precisely an episode of One Foot in the Grave - the type of neighbourhood, bizarre happenings with very dark interpretations.Only the dark events are not imagined but completely real - as the audience to this crime-mystery know in the first few minutes. The happenings are completely beyond the imaginings of the suspicious neighbour.I didn't guess the final revelation. Although it is fairly engrossing, a better production would have ramped up the tension and made the wife's manner less even as the conclusion approached.My lasting impression is that One Foot in the Grave, now an established comedy classic was a genius comic twist on this fairly ordinary original. Or perhaps I am just imagining it?

d_nazarian The film is enjoyable to watch.The reactions of the 60's characters to murder is fascinating, including the strange actions of the man.A classic performance of a nosy neighbour too.