simeon_flake I guess I shouldn't be taken aback by all the references to "Hammer," or how this film is reminiscent of their style. I guess any horror from Britain made during this period might conjure those thoughts, as I was having them myself. The style, the atmosphere, the hot women running around throughout the proceedings.Of course, I've heard "Roger Corman" too, but I haven't seen much of his work. At any rate, this is good stuff. Not quite Hammer "Dracula," but pleasing to the eyes and the finale is noteworthy. Good B-Movie fun...

ferbs54 Despite being a longtime fan of the British horror film, it was only recently that I learned of the existence of 1965's "Devils of Darkness," and now that I have seen it, I know why. This product of Pinewood Studios is a fairly undistinguished effort that just barely manages to entertain and is never even remotely chilling. In it, William Sylvester (who psychotronic-film fans will recall from such genre favorites as "Gorgo," "The Devil Doll" and "2001") runs afoul of a French vampire called Count Sinistre (born in 1588) and his immortal gypsy bride, Tania, while on holiday in Brittany. The filmmakers apparently felt that a vampire wasn't enough for this picture, so threw in a pack of devil worshippers as well, plus some voodoo trimming. Unfortunately, the resultant stew never quite comes together, and the fact that Hubert Noel as the Count is hardly a threatening presence only compounds the problem. A subplot that has him endeavoring to recover a missing talisman simply peters out by the film's end, and the picture's resolution is waaay too rushed and abrupt, I feel. On the plus side, Sylvester is as sturdy and dependable as ever, and the film's production values are fairly high. The picture contains a couple of strange British beatnik party sequences showcasing some subtly suggested marijuana consumption and lesbianism, and an energetic and atmospheric gypsy camp intro opens the film promisingly. Ultimately, however, "Devils of Darkness" turns out to be a rather tame, blah picture; not bad, but certainly nothing great. If you've seen all the horror films put out by Hammer and Amicus Studios, do by all means give it a try. This picture really is for British horror film completists only.

MartinHafer In Brittany, France, there are a couple strange murders, though the local police rule the deaths accidental. One is a cave explorer and the other a young lady who is found drowned--both were British tourists. Apart from harming the tourist industry, this was also bad because in reality this was the work of a Satanic vampire cult! When their friend vows to investigate further, the bodies disappear and it looks like his investigation is at an end...or is it? This is yet another British vampire film from the 1960s, though instead of being a Hammer Studios production, it was made at Pinewood Studios. In many ways it is reminiscent of a Hammer film, though the acting and plot are a bit less sophisticated. Still, it's not bad and is watchable--just don't expect a lot of magic or suspense. In particular, the evil Count Sinistre seems a tad wussy and too pretty to be all that threatening.

Coventry Devils of Darkness has a promising sounding title, it's British and it has the typical 60's gothic theme. Yet, it quickly got ignored over the years and it's rarely ever mentioned. Probably because it wasn't made by either of the 3 biggest production companies in that time. The Brit horror industry was ruled by Hammer, Amicus or Tigon and (almost) all their production received cult followings and critics attention. Of course, that can't be the only reason because a good film would be remembered no matter who produced it. Devils of Darkness is anonymous in all fields… Not one aspect in the entire film is worth remembering. It mixes vampirism with other occult elements. A satanic cult, led by Count Sinistre, kidnaps innocent people in order to sacrifice them. An author tries to reveal the secrets and comes into contact with the leader. Devils of Darkness has an extremely promising opening sequence (even before the credits are presented) and the hope you'll see a intriguing occult horror film is falsely raised. After the atmospheric opening, the film quickly falls into boredom with endless speeches and tedious characters. The tension is pretty much non-existent and the few promising horror sequences are too succinct. The beautifully shot cult rites seem to be inspired by Roger Corman's the Masque of the Red Death, but still they're the only sequences worth mentioning. The cast isn't very spectacular, neither. Carol Gray is worth a mention since her beauty reminded me about the typical Hammer sirens. Hubert Noël, the bad guy with a dreadful French accent, is too untalented to make the film memorable and so is director Lance Comfort.