malin_n_w This film is a true gem. For followers of sleazy cinema, this is a must- see that will never lose its entertainment value.A rich neurotic housewife kills her husband in a fit, with the help of her maid. Now the duo have to escape and take up a new life in Mortville, a slum-like trash community made up of filthy criminals, perverts and other oddballs. The inhabitants are harassed daily by the gruesome Queen Carlotta, and have to make the best out of their desperate, feeble lives.What is striking about this film is that it has a self-ironic feel, I don't know whether it is intentional or not. Every part of the story is over-the-top for a reason, and John Waters certainly makes use of "more is more".Most of the acting is mediocre at best, but it all comes together perfectly for that trashy feel. Mink Stole is hilarious as Peggy Gravel, she plays her neurotic character without flaw.Even though the acting, the story, the budget and everything else is as bad as you'd expect, the film is extremely humorous and the actors have enough comical timing to make you laugh again and again. This in combination with the irony of it all made me appreciate the film on a whole other level than similar sleaze-productions.The most interesting aspect of this film however, is its gender perspective. All the important characters are -without exceptions- women, the men are nothing but objects or servants in this film. Apart from regular Hollywood productions, there is lots of diversity among the female characters, and everyone is equally filthy. There are lots of elements in the movie to strengthen the image that Mortville is ruled by females; the Queen and her male servants/sex slaves, the beating up of males by females, and extensive lesbianism. John Waters paints a picture that is, again, far from today's supermodel standards, where females rule and are free to be as disgusting or beautiful as they want.I highly recommend this film to anyone who would like to watch something different, because it's way underrated.

johnstonjames i did't rate this. as a Christian who likes John Water's 'Crybaby' and 'Hairspray', i have to draw the line somewhere. i can't endorse this. it's too unclean. but as a fan of Water's, i find a lot of this painfully funny. so i can't skewer it either. i'm caught in the middle on this one, so i'll just leave it up to the other Water's fans to handle this.they used real roadkill animals in this. also cockroaches and...barf! you name it. so BEWARE! and be wary.i will say to those repeat offenders who delight in watching this over and over, "THIS IS'NT SOME COMMUNIST DAYCARE CENTER! WHERE ARE YOUR PARENTS?!". and i refuse to hold your hands through this one, because sometimes the hand you hold is the hand that holds you down. you're on your own with this one. good luck but...SEE YA SEE YA WOULD'NT WANNA BE YA!!!

fertilecelluloid "Desperate Living" and "Female Trouble" are Waters' best films, fully realized trash epics with great characters, gorgeous production design and an unapologetic affection for trailer trash values.The story is simple. Peggy Gravel (Mink Stole), a neurotic suburban snob, flees to Mortville, the town where criminals live scot-free, after her obese maid, Grizelda Brown (Jean Hill), sits on and squashes her sermonizing husband, Bosley Gravel (the great George Stover). The women share a bed in Mortville under the roof of a disgusting hovel run by Mole McHenry (Susan Lowe), a snot-dispensing, pre-op transsexual with impeccable table manners and a luscious lesbian lover Muffy St. Jacques (Liz Renay). But the living arrangements prove less than harmonious and the entire place is trashed when the women offer refuge to Princess Coo-Coo (Mary Vivian Pearce), the downtrodden offspring of the domineering, boy-crazy Queen of Mortville (Edith Massey), who objects to her daughter's hippy-fied lifestyle. Complications ensue once the sycophantic Peggy worms her way into the Queen's chamber (and confidence) and a groundswell of support for a revolution intensifies.The set-up of "Desperate Living" is pure magic. The idea of there being a town where miscreants can live scot-free is brilliant, as is Waters' enthusiastic take on the entire thing. The tone is that of a fairytale painted with snot and mucus and every detail is consistent in its intention to make you want to puke. The sight of Mary Vivean Pearce doing the town with rabies is a green, grotesque delight, as is the scene in which Mole's new penis is severed, then roughly sewn back on.This is an unforgettable freak show from the puke-loving pope of popular culture.You'd be a misfit to miss it.

Vancity_Film_Fanatic Possibly more depraved than "Pink Flamingos", if that's possible, "Desperate Living" is a paradox for the senses. Although tasteless and shocking, it is ultimately warm hearted and uproariously hilarious. Those familiar with John's style know that these contradictions work splendidly within the context that he intended them to. Never mean spirited, the outrageousness lends itself to an overall statement on the callousness of society itself. Mink Stole is simply incredible as Peggy Gravel. Her ranting and raving throughout the film is side splitting. Special mention to Jean Hill as Grizelda, Liz Renay as Muffy, and of course the ever demure (ha!) Edith Massey as Queen Carlotta. Leave all inhibitions at the door and enjoy this twisted fairy tale roller coaster ride of a good time! A definite 9/10!!