arthurehb In the 50's there were two common kind of war movies in Japan about WW2: the truly anti-war, humanist films and the "anti-war" flicks that would still hold a bit of patriotic spice, focusing more in military aspects and in the spectacle. This movie is neither of them.Desperado Outpost, written and directed by famed director Kihachi Okamoto - who would go to make many other memorable war films during his career - is basically the result of mixing a western with a detective story and with WW2 set as backdrop. The very first scene of the movie shows it: our protagonist is resting in the grass, with his saddle as pillow. Suddenly, he gets up and jumps to the back of his horse, riding it into the wild Chinese steppes.Sergeant Okubo - masterly played by a cheeky Makoto Satô - is our Lone Ranger. After hearing about his older brother apparent suicide in a remote Japanese frontline outpost, he rides his horse across the vastness of Northern China to uncover the true of it. He first stops at the frontier town of Shogunbyo, which is like any frontier town on a cowboy movie, with brothel and jail, and which serves as frontline headquarters. There, Okubo meets many colorful characters, as you might expect. The responsible for the place, a sadist lieutenant who took over command after the former commander gone mad, tells Okubo about the so called "Desperado Outpost". The outpost is the most dangerous sector, isolated in the middle of enemy territory, and is guarded by Company 90, a unit made up with the army's troublemakers and other problematic types. Okubo proceeds to the infamous outpost to continue his investigation, and there he meets even more colorful characters. Aside from that, we will also have a drama with an old love, Chinese bandits roaming around, the Chinese communist army to play the part of the indians and even a gun duel. So, again, basically your classic western film package.Don't come expecting criticism about Japan's role in the War or what they did or didn't done in Chinese territory, or even the drama of people catch by the war. This is an adventure movie, packed with black humor and cynicism. And it's pretty good and entertaining exactly because of that.

Drago_Head_Tilt Makoto Sato stars as a deserter posing as a journalist towards the end of the (second) Sino-Japanese war (that's WWII, kids) in Manchuria (i guess). He travels to the notorious titular military camp, made-up of all the scum from other postings (it's built-up a bit much, doesn't seem that bad, apart from the guy who shoots Chinese for target pratice). Once there he playfully investigates a supicious apparent double suicide and (spoiler ahead) uncovers a supply embezzling scam. Considered the first feature with which Okamoto truly found his voice (the first he scripted himself), the farcical stupidity-of-war elements would later be expanded on in classics like THE HUMAN BULLET. But it's also a commercial action movie, and manages to balance it all out pretty well (although someone more knowledgeable than myself may have issues with it's politics). The self-serving, reluctantly heroic leads put me in mind of a nicer WILD BUNCH. Two major cameos come from Kiji Tsurata as the leader of Chinese bandits caught between warring factions, and Toshiro Mifune (barely in it) as a comic-relief Commander with a screw loose. With Izumi Yukimura, Tadao Nakamura, Ichiro Nakatani, Yosuke Natsuki, Tatsuyoshi Ehara, Chieko Nakakita, Toki Shiozawa, Ikio Sawamura, Ren Yamamoto, Akira Tani, Sachio Sakai, Yutaka Nakayama, Nadao Kirino, Michiro Yokoyama and home-grown rockabilly legend Mickey Curtis. Sato (memorable in THE H-MAN) makes for a pretty cool rubber-faced anti-hero (a little like Bunta Sugawara's gleeful younger brother), and as this was a hit, he returned in five sequels (two of which were by Okamoto).