weezeralfalfa
In general style, this film much reminds me of the classic Gable/ Colbert romantic comedy "It Happened One Night", released 2 years earlier. It's not quite as good, but how many non-musicals in those days were? For one thing, Marlene Dietrich simply wasn't near as cute nor talented in comedy as was Claudette. I don't know how Madeleine(Marlene) previously got her money to buy fancy clothes and cars. Presumably by exploiting wealthy men, or by lesser heists than the 2,200,000 franc pearl necklace she just maneuvered from jeweler Duvalle, and slipped into the coat pocket of American Tom Bradley(Gary Cooper) when going through immigration at the French/Spanish border. Before and after the border, they have some adventures interacting with their respective autos. Eventually, Marlene steals Cooper's car, then wrecks it, without recovering the necklace. Somehow, she escaped from the wrecked car unscathed, and somehow got on a train to San Sebastian, where her partner Carlos is waiting. But, she's still no closer to getting the necklace back from Cooper, whom she hasn't told about the caper.Cooper tells the police about his stolen wrecked car. They lead him to Marlene, based on his description(unlikely). He's mad about his borrowed car, of course, but he's even madder over Marlene. So, he chooses to forget about the car. Carlos thinks up a clever way to get the necklace from Cooper. Later, Cooper thinks up a clever way to get the necklace back, so that Marlene can return it to the jeweler, and hopefully receive a minimal sentence. On the whole, the first half was more fun, including a nutty dialogue exchange between the necklace salesman: Duvalle, and the psychiatrist Pauquet, as relates to paying for the necklace(which never happens).As far as the prospect of Cooper's character marrying Marlene, as she said at one point, they came from two different worlds, with a high wall between. If I were Cooper, I'd run from this shady lady: a high maintenance gal, for sure.Available in B&W at YouTube. Some filming took place on location, in Spain and France.
edwagreen
Well written for the screen although there are flaws. Gary Cooper is mo re like a country bumpkin rather than a respected architect. Even in 1936, Marlene Dietrich looked far older than he did.Nonetheless, we have a great story here where the jewel thief Dietrich finds love with Cooper, who by accident becomes the patsy of the gang of thieves trying to flee Paris with valuable jewels that she has stolen.I really liked the brief role of Olga by Zeffie Tilsbury. She reminded me so of a Gladys George type in Flamingo Road. The old crone, a former prison inmate, and part of the jewelry-thief gang confesses her lost love to Dietrich in a poignant scene.What a great way to dupe the jeweler and psychiatrist in order to steal the very expensive pearls.Always great to see love win out once more in films.
claudiaeilcinema
A chemistry lesson by two masters at their craft. Dietrich and Cooper. What a delight! She looks stronger than him, not physically, but emotionally. A man eater. She could have done whatever she wanted with him but she can't go as far as she might have because she falls in love. What a delight! Cooper's simpleton is a perfect target for a swindler and yet nothing truly harmful comes to him because he's protected by his own decency. What a delight! Lubitch producing this time, manages to infuse his glorious magic in this remarkable equation. I enjoyed it so much that I had to see it again immediately. What a delight!
VicTheDaddy
My wife got me to watch this film the other day and i was expecting a really corny old film,but instead i found it really entertaining and i would have watched it just for the lovely vintage cars that you see so much of in this film.They don't make cars like that anymore.The plot of the film was very simple,although the robbery was very clever,in other words the film never becomes complicated,you never get lost,which is just right for a light comedy.Marlene is very seductive and very convincing as the shady lady who fools Gary Cooper,the pair are excellent together,the chemistry between them is electric.I don't know why this isn't a classic as it hasn't really dated,I think a modern audience would still enjoy this film, as i did.I think in future ill always give these 1930s romances the benefit of the doubt,as there may be others like this one that are total gems.