jainay My mother kept insisting that I watch this movie but I avoided it because of the subject matter. Even in the hospital, the week before she died, she asked, "Did you see DESERT FLOWER yet? You will like it." She died last week on the Eve of Easter and last night I decided to watch it before it deleted from my DVR. I was completely enthralled and every scene drew me in moving me to a deep compassion for these mutilated women. The London fashion model scenes were a pleasant comic respite from the atrocities and it was interesting to see how Waris integrated these two worlds. Although the film has some loose ends and flaws, nothing will make you appreciate your life as a free woman until you see this film. At the very least, you might be inspired to never complain about such trivial matters as the economy, not having a boyfriend or husband or how badly you thought you were treated as a child. At the best, you will be inspired to use the fire in your life to help those who suffer needlessly in the world.

jotix100 A young Somali girl is at the center of this film, based on a real story. Waris, a young shepherdess, lives with her nomad family tending to the herd, camping everywhere in an inhospitable landscape. The family is dominated by a matriarch, as we seldom see the father. Waris, who is a teenager as this tale begins, is horrified when she is sold to an older man with three wives. The only solution is to run away from that situation. The best thing is to find her grandmother in Mogadishu, a trek that will take her days across the arid countryside.In flashbacks we get to know Waris best kept secret. She had the indignity of having been circumcised at the tender age of three by an older woman, who performs the ritual that mutilates women's vaginae, rendering her unable to feel, or have any pleasure during intercourse. In fact, the barbaric act kills a lot young girls who bleed to death by the way they are cut. Through ignorance this practice is done in a lot of countries. Waris is not the only one, but she had the courage to speak publicly about it and create an outrage as she presented her case in the United Nations.Waris Dirie ended up in London as a teenager brought to work at the Somali embassy as a maid. When war broke in her native country, she had to fend for herself. Through a kind soul, who took pity on her, Waris was able to make something out of herself. A lucky break came in the way of a photographer that realized her potential and she rose to the ranks of super model because of her beauty and talent, which in a way, plays as a Cinderella story in comparison to the hard life she endured as a child.Directed by Sherry Horman, the film has two narratives. Waris' life in Africa, and her meteoric ascent into becoming a fashion model. The best part of the film is the first one because it is more realistic, with a clear message about a fact that has been played in the press from time to time, but whose practice continue to maim young females throughout the world by men hating women and subjecting them to a barbaric procedure that kills a large number of young females, as was the case of two of Waris' sisters. The London part of the story is more artificial, when compared with the more real African narrative.Soraya Omar-Scego, the young actress that plays Waris is quite compelling in her determination to leave behind family to look for a better life. Liya Kebede is the adult Waris. A ravishing beauty, no doubt, a successful model herself, she seems credible. Wonderful Sally Hawkins is seen as Marilyn, the English woman who befriended Waris and took her under her wing. Timothy Spall, Juliet Stevenson, Craig Parkinson, Meera Syal, are seen in supporting roles.

cacademia I found this movie to be a handful of stereotypes and clichés about women and womanliness. In effect, aside from a few powerful scenes, the rest of the movie seemed like a never-ending ad for some big fashion firm or an incomprehensible promotion for some anorexic and beautiful actor. If the movie had stopped right at the edge of our Western-world obscenities about fashion, beauty canons and femininity, I could have considered it just an OK movie. But the plot, although real, is unrealistic, and the frames and shots, not to mention the story, are absolutely superficial. The movie probably wants to convey us its rightful disgust for excision practices, yet it prompted my disgust by treating its own main character as mere merchandise, in accordance with some of our Western-world values. I didn't watch the end of the movie because I found insulting the 2/3rds of it. I hope the end makes up for the long and superficial beginning, although I very much doubt it.

Dr Jacques COULARDEAU An emotional trip of a woman from the desert of Somalia to the United Nations. I will not follow that road which is detailed and marked by exploitation, scarification, mutilation, alienation, rejection, and all other words in that line rhyming with immigration. The film is dealing with one day in the life of an Africa woman that changed that very life into an ordeal. It is called excision and it is performed at the age of three. Beside the direct death rate, and even the indirect death rate (later when pregnant and wanting to deliver the baby) those who survived are made psychologically inferior and dependent. They are not able to control their lives and to develop the energies that would transform the whole African continent. A tradition coming from Black Africa that was later integrated by Islam when it arrived, though Islam was careful not to spread the practice in the population that did not have that tradition, particularly the Arabs. It is nothing but the survival of an enslaving sexual practice that has to disappear from this earth as fast as possible. Yet we are far from it. Excision, and I will say like all other sexual mutilation, is a crime against humanity, including in the US where 95 per cent of males are circumcised. They have even invented a word for natural: uncircumcised and uncut, which is the barbaric bigotry of some turned into lexical tyranny.Dr Jacques COULARDEAU, University Paris 1 Pantheon Sorbonne, University Paris 8 Saint Denis, University Paris 12 Créteil, CEGID