romanorum1 The beginning of this documentary is devoid of credits. We see dolphins swimming and leaping in the open water and sea birds diving directly into the ocean to snatch a fish. The narrator (Pierce Brosnan) says, "This is a world of constant jeopardy, an endless cycle of birth, death, and renewal." Powerful waves crash into the rocky coast, where the sea lions return to give birth, but unwary seals become prey to predators (the black and white colored killer whales) in the shallows at high tide. Then again, the whales themselves risk being stranded there.More marine life is seen before the view shifts to the coral reefs, "a narrow band of sun-fed life only found in the shallows of the tropical seas." The skeletons of coral polyps – the smallest and most fragile of organisms – form the reef. The darkness is feeding time for some; the night-feeders with built-in sensors have no need of light. Fascinating and colorful sea creatures abound further below the ocean surface, but unfortunately most are not identified. There are poisonous jellyfish and manta rays. Just before the halfway mark of the film the scene moves to the Arctic (polar bears) and also Antarctic (penguins). In the Antarctic the temperature is seventy degrees below zero (-70°F) and the winds exceed one hundred miles per hour. The penguins gather speed in the cold waters before jumping out and landing on sheet ice. Meanwhile in the far north the polar bears search for nesting seals hidden in ice caves situated just below the surface. Thirty-ton gray whales travel six thousand miles to feed in the polar seas. After six hours of jostling, killer whales separate one unfortunate gray calf from its mother and move in when it is thoroughly exhausted. From the surface of the ocean we next enter a subterranean world, the deepest underwater area on the planet and where surface light does not penetrate. Seven miles deep (the Marianas Trench), it is a mystery world of perpetual night. It is a sparsely explored netherworld of odd life forms (again unidentified). The only light emanates from the undersea creatures themselves. Light is used as a lure to attract prey or as a decoy to confuse them. Poisonous hydrogen sulfide gas and boiling water spew forth in some areas. Yet, even near those settings some life forms exist. At film's end we hear that there are only a few thousand blue whales left on earth. The blue whales are earth's largest creatures by far.The narration is limited and the orchestral music appropriate. If you like nature documentaries, you will enjoy this one, although there are several lulls.

freakfire-1 I did not expect much from this film. I saw "March of the Penguins" and was bored to death of the mundane view of penguins doing almost nothing. But this one was much more diverse, and at times funny and entertaining. So I actually kind of liked it to an extent.The views of the kills were nice. The Killer Whales playing with their food and flipping them up in the air was crazy. The Killer Whales and the baby Blue Whale was also kind of neat. And don't forget the polar bears and their experiences fishing.Many of the strange exotic creatures in the deep sea were awesome. What about the fish with those razor sharp teeth. And I can't forget the exotic creature that lit up like a Christmas tree.Despite all this good stuff, sometimes it was slow and no interesting. But it keeps up enough of a pace to make it interesting. "C+"

Marcin Kukuczka "So far we have only touched the surface (...) the greatest experience of nature on screen" proclaimed the leaflets advertising the documentary. Since such films on big screen in cinema are a rarity, as a matter of fact, not many people felt encouraged to see DEEP BLUE. Perhaps, we are too much addicted to action films and all fictions possible. In this way, many of us have forgotten that it is also possible to admire real nature on screen. I also must admit that I am not a fan of such documentaries. What usually bores me in them are the number of sophisticated terms provided to the viewer, which makes it all too scientific. Nevertheless, I went to see DEEP BLUE for the sake of images that addressed my curiosity. And I do not regret! It was wonderful throughout. The film is, foremost, a stunning image which pays tribute to the variety of life, mostly the life under the waters.First of all, it is important to mention that the documentary is not very long and serves a useful purpose not being a too detailed insight into some facts of life in the ocean. Besides, the film is really visually stunning. You see the underwater world as if you were there. All kinds of fishes of various shapes and colors are a feast for the eyes. You see the entire joy and freedom of their lives as well as the necessity to defend themselves from deadly dangers. The atmosphere is great and the "action" is very involving. Moreover, the philharmonic orchestral music in the background makes the experience even more unforgettable. The most impressive moment for me was when the journey to the deep began and the pictures we could see were fewer and fewer due to darkness. How unbelievable it is how much the sunlight provides to the earth. These creatures that have never seen the light look completely different, as if not from this world. Some of them surprised me totally. Yet, they also have the desire to live... There are also other wonderful moments showing life on the ground, particularly the polar bear and penguins. This is filmed with great commitment, indeed.DEEP BLUE is not a film for everyone. Some people may not find anything special in it. Perhaps, that is why the cinemas in Poland had it for only 10 up to 15 days while other films are being showed for two months or even longer. Yet, I would recommend DEEP BLUE to anyone who can still admire the variety of beauties on "the planet of life" that the earth, not unintentionally, is. But remember to see it on the big screen. The film is foremost an experience of image!

Carlos deVillalvilla Liked "Winged Migration" and "Microcosmos," "Deep Blue" is a big-screen nature documentary patiently filmed over a period of years. As "Winged Migration" concentrated on the creatures of the air, so "Deep Blue" focuses on creatures of the sea. Reminding us how little we have explored the liquid space of our own oceans, the images here can be beautiful and graceful (dolphins playing in the surf), humorous (a mass of crabs laying eggs on the sand) as well as grim and deadly (killer whales attacking and eating seal pups). The moments of beauty are poignant indeed, and "Deep Blue" has it's share of "wow" moments. It divides itself into various themes; the shallows, the shoreline, the open seas, the polar seas, and the deep. The latter is shot near the deepest places on earth, and several creatures never before photographed are displayed in all their bioluminescent glory. The penguins shooting out of the ocean like biological missiles is quite amazing, and the feeding frenzy of the sharks is terrifying. Michael Gambon's narration is rarely intrusive, but it isn't as informative as I would have liked; they could have used some graphics to at least give you an idea of what creatures you were seeing, or where the shots were located. Still, this is a beautiful film, much of which was filmed for the "Blue Planet" BBC series. It looks frightfully gorgeous on the big screen, although parents should be warned that the seal pup death scenes can be terrifying to younger or more sensitive viewers.