Deceiver

1998 "There are two sides to every lie."
Deceiver
6.4| 1h46m| R| en| More Info
Released: 30 January 1998 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

The gruesome death of a prostitute brings suspicion on one of her clients, James Wayland, a brilliant, self-destructive and epileptic heir to a textile fortune. So detectives Braxton and Kennesaw take Wayland in for questioning, thinking they can break the man. But despite his troubles, Wayland is a master of manipulation, and during the interrogation, he begins to turn the tables on the investigators, forcing them to reveal their own sinister sides.

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Reviews

NateWatchesCoolMovies Deceiver is classic 90's noir, with a dash of trashiness and a unique cast all suited to the bottom feeding material. It trips along in the same gutter as stuff like Basic Instinct, another film that is simultaneously aware and smugly indifferent to the fact that it's scummy stuff. Almost every character is a reprehensible, unlikable piece of work, save for one surprise cameo. I may have just put you off the film, and to many who don't see this type of thing as your cup of tea, please avoid it. But to those like me who appreciate a nice bit of grimy fun, well this is your ticket. Tim Roth plays Wailand, a wealthy and arrogent young heir to a textile mill. He is under suspicion for the brutal murder of a prostitute (Renee Zellweger) who was found in a park, cut in half. The two detectives who are tasked with hassling him seem almost as dodgy as he is, and when you look at the edgy character actors who play them it's easy to see why. Detective Braxton (Chris Penn) is buried in gambling debt, owing a tidy sum to nasty loan shark Mook (Ellen Burstyn). Detective Kennesaw (An explosive Michael Rooker) is a rage fuelled whacko who is furious at his wife (Rosanna Arquette) for having affairs on him. Wailand has both the cunning nature to see this weaknesses in both of them, and the money to do something about it. This makes the detective's job very hard, being stymied by their quarry every step of the way. Wailand also has mental issues including blackouts and strange episodes of personality alteration that Roth takes full advantage of in the scenery chewing department. It's pseudo psychological mumbo jumbo that the actors play straight faced for a thriller that's quite the endearing little flick. Rooker stands out with his trademark volatility that will put anyone's nerves up to defcon 4. Roth has a ratty, evil looking face. Nothing against the dude, he just looks like he'd slit your throat in your sleep for a dollar. He's great as suspicious characters, and has fun here being the wild card. Penn is his usual huff and puff self. Character actor Michael Parks has an awesome cameo as a psychiatrist with a monologue that almost lets the film wade out of cheese territory. Great cast, great flick.
merklekranz Loaded with fine actors, I expected much more from "Deceiver" than was delivered. The plot is extremely contrived and manipulative. The many flashbacks only add to the confusion. Believability flies out the window and with the ending becomes unbearable and downright ridiculous. I would strongly advise anyone who likes their movie plots to be based on something that is at least possible to avoid "Deceiver" because you will be very frustrated. Maybe I am just not hip enough to get it, but my suspicion is that many others were totally confused by the story line and especially by the ending. Blurring the line between reality and lies simply does not work because the entire movie made no sense. - MERK
birck I'm giving this film a 6 stars because of the quality of acting and production right up to the last seven or eight minutes. It's a cat-and-mouse game between an elitist suspect and two proletarian cops, and at any given time, who is winning is determined by who can surprise whom with unexpected knowledge of his adversary's private life.As long as that is happening, the film is fine. Suspension of Disbelief was finally broken, close to the end, by one BIG script problem (spoiler coming): The suspect, a caucasian and an American citizen, supposedly dies during a police interrogation. But there's no autopsy. No autopsy? I DON'T THINK SO, GUYS! The dead character and his family may not be on good terms, but I think they would want to know why he died, and they got big bucks to swing it. So it's one of those films that works great right up to-but not including-the end, where it falls apart.
Philip Van der Veken It isn't too hard to understand why this movie wasn't a great success at the box office. Most people expect to see an average Hollywood version of a cop movie and they will be very disappointed when seeing this one. No, it isn't about the good cop chasing the bad guys, making a beautiful little hole in the forehead of everyone that doesn't obey the law. This movie is much more subtle and probably a lot harder to understand for a lot of people.In fact, the whole movie is created around only three actors. But not just three actors, we are talking about Chris Penn, Tim Roth and Michael Rooker, who all did an excellent job. Trust me, never have I been more fascinated by three men in a darkened room, pushing each other to their mental and physical limits.This is how the story goes: A prostitute has been murdered and there is one suspect. He's an extremely intelligent, epileptic alcoholic who is able to deceive everybody, even the polygraph. His investigators try to make him confess the murder by playing little mind games, only to see that he outsmarts them time after time.The dialogs are fascinating, the use of flashbacks very interesting. Add some tense interrogation scenes with a lot of psychological war fare and a huge plot twist at the end of the movie and you know you have something special. I guess those psychological games will not be understood by everybody, but you'll love it if you are intelligent enough to understand them. I know I did and I give this movie an 8/10.