Leofwine_draca DEATH OCCURED LAST NIGHT is a low-key Italian mix of crime thriller and giallo, although, sad to say, it fails as a film in both genres. The story is about a woman with the mind of a child who is abducted and forced to work in a brothel before something even more horrendous befalls her. Her father notes her disappearance and goes on a hunt to find her, becoming increasingly unhinged as he does so. Meanwhile, the stolid police team mechnically conduct the slowest investigation ever. And slow is the word here; although the film is well shot by Duccio Tessari, the amount of incident it contains is very low and there are only one or two shocking moments. It picks up in the last ten minutes but before then it's all so cold, lifeless, and, well, a little bit boring. It's a pity, as the photography is fine and Frank Wolff makes for a decent cop protagonist; this is one of those films that needed a lot more 'oomph' for it to work.

BA_Harrison 25 year old Donatella Berzaghi (Gillian Bray) is a total babe and a nymphomaniac to boot, but also has the mind of a three year old. Of course, there are some people who see her disability as a bonus and are willing to pay to do bad things to her, which is why she is abducted and put to work in a brothel.When distraught widower Amanzio Berzaghi (Raf Vallone) realises that his precious daughter is missing, he goes to the police, who begin a city-wide search for the young woman. After the girl turns up dead, having been burnt alive, Amanzio begins his own investigation, determined to make those responsible pay for what they have done.Although labelled as a giallo by some, probably because of its typically giallo-esque title, Death Occurred Last Night is more of a poliziotteschi, with the focus on the detective work carried out by cops Duca Lamberti (Frank Wolff) and Mascaranti (Gabriele Tinti). There's a lot of dialogue and little in the way of action, meaning that the film does tend to drag a lot of the time. Director Duccio Tessari sees fit to include some gratuitous female nudity to spice things up a little, and the climax is satisfyingly brutal, but on the whole this is a fairly mundane feature, with not a leather-gloved maniac brandishing an open razor to be found.4.5 out of 10, rounded up to 5 for the hilariously bad likeness of a suspect drawn by an interviewee at the police station, which the police sketch artist uses to create a portrait that is almost as bad.

Bezenby Frank Wolff puts in a great performance here as a world weary cop in Milan assigned to a missing person's case where a middle aged man keeps referring to his little girl, who turns out to be a six foot tall nymphomaniac with the mind of a three year old! That's pretty sick seeing as all evidence points to her being sent to work as a prostitute.Wolff is one of these cops that isn't afraid to plant stuff on people, blackmail men who frequent hookers, or have his men slap pimps around. He's also very likable as for every bust he makes, he feels the weight of every crime that goes unpunished, so he winds down at night while playing the guitar, treating his sinusitis, and banging his wife. During the day he and his subordinates start visiting whore houses in order to track down the missing girl which leads him to befriending hooker with a heart Herrero, who might be the key to the whole case. For a change its Herrero and Wolff's missus are the one who become sort-of friends, leading to all sorts of philosophising and what not. Another plot thread concerns that of the missing girl's father. A man who just wanted to look after his daughter, what becomes of a man who's only reason for living is missing, and what is he going to do to those responsible, as he highly suspects that one of his neighbours is the kidnapper. The 'identity of the kidnapper' plot I guess has this film being marked as a giallo, whereas other say it's a euro-crime film. Who gives a crap? It's a good film. Not much by way of gore, or nudity, but the ending was certainly violent enough and the film also has characters that actually display feelings for a change. Duccio Tessari also directed Tony Arzenta and the two films share that highly-stylised look, and in this film Tessari includes a lot of hand held footage, and a lot of scenes where the dialogue is drowned out by external noise. You know what this film reminded me of? A Touch of Frost. I mean that as a good thing – Wolff does that thing Frost does where he constantly berates his subordinates ("Get a haircut").

mogweezer101 SPOILER WARNING - There is information in this post which may upset you if you have not seen the movie. If this troubles you = Please do not read on.. SPOILERS AHEAD...I couldn't agree more with the user aboves comments. This is a first rate giallo directed with clinical precision by Duccio Tessari. Raf Vallone's performance as the troubled father is incredibly moving. The plot isn't really typical of a giallo; A retired parent (Vallone) investigates the disappearance of his retarded daughter, last seen at home. As he searches for clues, so do the police, headed by the police commissioner (excellently played by American actor Frank Wolff, in one of his last roles). Both parties follow their own different lines of investigation meeting up in the final reel for the inevitable bloody conclusion.Aside from innumerable Italo-Westerns, Tessari only directed one other pure giallo 'Una Farfalla con Le Ali Insanguinate' (The Bloodstained Butterfly). Also a fine example of the genre and his talents, but it's nowhere near as well executed as 'La Morte...'. Whilst 'Butterfly' looks great and really does deliver the giallo goods the performances always seemed quite lacking to me. In 'La Morte..' it's the performances that hold it all together, rather than the other way around.If anyone has the chance to re-release this film (The Death Occurred Last Night) Please do! It was available in Italy on the CHV label during the 80's and 90's, sadly, now it is almost impossible to find in any format. 'The Bloodstained Butterfly' is readily available (in Italian language only) on DVD.