csteidler Death from a Distance features a murder at a planetarium. As most of the film's action takes place in the one large room, it's probably a good thing that the room contains a large telescope and a ceiling painted with stars, a setting unique enough to remain somewhat viewable for 70 minutes. The lead characters are not as unique—Russell Hopton is the police detective investigating, Lola Lane the girl reporter getting in his way. Hopton and Lane do their best to put some life into their roles, but the bits of witty banter they are given are somewhat few and far between.The other characters fare little better. Most lively is Lee Kohlmar as Professor Einfeld, who is supposedly one of the three greatest scientists in the world and is therefore rather unkempt and absent-minded but ultimately sharp enough to aid in solving the mystery. There are, of course, also a dumb assistant detective, a couple of scientists with shady pasts, and a curator. (By the way, Einfeld also speaks in a European accent and has a messy shock of hair. Ein-what?)The murder device is cleverly conceived, I have to say. However, the detective work and the uncovering of clues are all somewhat hazy. Ultimately, Death from a Distance lacks snap, but the mystery is at least deep enough to keep us watching until the end.

kidboots Lola Lane was a very versatile actress. She was one of the Lane sisters and came to films in the first rush of early sound musicals. Unfortunately the next year musicals were out but Lola stayed and started her acting apprenticeship in programmers. Before she was "discovered" again as one of the "Four Daughters" (1939)(the wise- cracking one) she had spent the 30s building up a respectable career in films like "Death From a Distance", in which she played sassy reporter Kay Palmer (curiously devoid of much make-up). I, also like another reviewer, felt the plot was too complicated. A renowned scientist, Professor Ernst Einfield (Lee Kohlmar) an eccentric genius, is delivering a lecture to a select audience at the Forest Park Planetarium (props were borrowed from the set of "The Invisible Ray"). A gunshot is heard in the darkness and when the lights go on, Dr. Stone, a drugs manufacturer, is found dead. At first no one can agree where the shot was fired from but it is decided it had come from the back of the room."OK sister -what's your name" - "If I'm your sister, you know it already"!!! Kay Palmer (Lola Lane), a reporter who is covering the lecture, goes rushing from the room hoping to get a scoop. Because of an altercation with Detective Mallory (Russell Hopton), when she is finally able to phone in her story, she blasts the police's (and Mallory's) inefficiency. There are many suspects - Langsdale (Wheeler Oakman) was the doctor's personal secretary but he confesses he has been in prison for assault and was only released a week ago. Ahmed (John Davidson) a suspicious type who claims he didn't know Dr. Stone but in reality came there to kill him. There is also John Gray (George Marion Snr, who was quite good as the trusting father in Greta Garbo's "Anna Christie" (1930)) a watchman who has been employed there over 10 years."Well, well, well, together again. It must be old home - icide week". Meanwhile relations between the press and the police are at an all time low. There have been a few editorials by Kay ridiculing the police. When she finds out that Professor Einfield is going to go into a trance and name the killer, she gets a front page story, realising only too late that the killer will also read it. The film is wrapped up in a novel way. Einfield is found murdered - only he isn't!!! When everyone is out of the room Mallory explains to Kay (they are now friends) that the hoax was done to shake up the real killer. Later on, to everyone's amazement, walking out of the darkness, the "corpse" makes a surprise re-appearance. The killer then breaks down and confesses ("it's lies, it's all lies I tell you") -his histrionics at the end are all explained.There is quite a lot of witty dialogue going back and forth between Kay and Mallory.

wes-connors "A murder is committed at the Forest Park Planetarium during a lecture by the celebrated Astronomer, Professor Ernst Einfeld (Lee Kohlmar). The fatal shot is fired in semi-darkness while a distinguished audience observes the stars projected on the dome above them. A hardboiled homicide detective (Russell Hopton) trades verbal jabs with a wisecracking gal reporter (Lola Lane) as they attempt to unravel the mysterious killing," according to the DVD sleeve's synopsis. In a very dull manner.The "gal reporter" character played by Lola Lane was, in part, writer Jerry Siegel's inspiration for Superman's Girl Friend, "Lois Lane"; however, Ms. Lane's later "Torchy Blane" characterization is a more accurate reference point. Perhaps, "Death from a Distance is most notable as featuring the penultimate performance of George F. Marion (as Jim Gray), who so memorably played the father of Pauline Lord (1921), Blanche Sweet (1923), and Greta Garbo (1930) in Eugene O'Neill's "Anna Christie".*** Death from a Distance (9/17/35) Frank Strayer ~ Russell Hopton, Lola Lane, George F. Marion

Ralph Michael Stein Marred on a DVD transfer by a poor soundtrack that makes some dialogue unintelligible, "Death from a Distance" is a 1935 B crime story that has some good acting along with the inevitable cliches that reflect the times.A doctor is shot to death during a planetarium lecture. The killer is in the room and the audience is there when the cops arrive, a wisecracking homicide lieutenant in charge. A pretty gal reporter tangles with the cop and her investigative skills are equal to her blatant flirting.In 71 minutes the story moves by small leaps and not great bounds to a clever uncovering of the killer. Some potted astronomical theory is central to solving the case.Every stereotype from that era is present: smart detective and dumb as dishwater detective, hardboiled city room editor and ambitious female reporter, gentle Viennese scientist and the "Hindu," a man with a past. And there's more.This movie won't make either the AMC or TCM channels, not in a century of retrospectives. It's available for as little as $5.99 and as a glance backwards into the time when the Hollywood studio giants co-existed with producers of second-rate features, "Death from a Distance" is a minor treat. But it's a treat nonetheless.6/10 (for its genre and period).