Witchfinder General 666 "Passi Di Danza Su Una Lama Di Rasoio" (aka. "Death Carries a Cane") of 1973 certainly isn't one of the many essential Italian Gialli from the time. However, Maurizio Pradeaux' film is still a creepy and stylish little film that my fellow Giallo/Italian Horror fans should enjoy. The Italian Giallo has brought forth many masterpieces; and while this film isn't one of them, it is nonetheless very enjoyable. This is not least due to the ravishing and wonderfully charismatic genre-beauty Nieves Navarro, who blessed quite a bunch of notable Gialli with her presence.Overall, "Passi Di Danza...", which shares some features with Luciano Ercoli's "La Morte Accarezza a Mezzanotte" ("Death Walks at Midnight", 1972) is rather routine stuff. The when beautiful Kitty (Nieves Navarro) is looking through coin operated binoculars at a tourist observation point, she becomes witness to the brutal knifing murder of a girl. At first, the cops laugh her report off; when they actually discover the murder victim, they suspect Kitty's boyfriend Alberto (Robert Hoffmann). Bodies pile up as whoever could give hints for solving the crime ends up murdered...As mentioned above, "Passi Di Danza..." is rather routine stuff, which, in case of a Giallo, isn't a bad thing. The murders are stylish and brutal (though not too spectacular by brutal Giallo-standards), the music is eerie and hypnotic (though nothing special by the high Giallo-standards), and the camera work and settings are stylish and elegant (though, again, nothing spectacular by Giallo-standards). Nieves Navarro (who is credited as Susan Scott) is, once again, great. The ravishing Miss Navarro is once again given several opportunities to take her clothes off, and makes a protagonist that is both very sexy and likable. The blonde Anuska Borova, who seems never to have appeared in any other films, is almost equally sexy in her double role. Robert Hoffmann is good enough in the male lead. The rest of the cast includes regular leading man Simòn Andreu, who appeared alongside Nieves Navarro on several other occasions including Luciano Ercoli's three Gialli ("Forbidden Fotos of a Lady Above Suspicion", "Death Walks With High Heels" and "Death Walks at Midnight") and regular creepy-man Luciano Rossi, who appeared as a super-creep in all sub-genres of Italian Cult-cinema. Overall, "Passi Di Danza..." may not be offering anything new or particularly overwhelming, but it's a formula Giallo that offers style, suspense, sleaze and brutality, and that my fellow fans of the genre should enjoy.I recommend tracking down the Italian version, since the English dubbing is abysmal. My rating: 6.5/10

Prof-Hieronymos-Grost While waiting for the arrival of her boyfriend at an observation point, Kitty (Susan Scott) a keen photographer peers through a tourist telescope and manages to catch sight of the brutal murder of a woman through the window of a nearby house. She is unable to get a good view of the killer's face though and when her boyfriend Alberto Morosini(Robert Hoffman) arrives out of breath and limping, she tells Alberto of her ordeal. Alberto drives her to the police, who tell her they have no news of any killings locally. In the following days even the newspapers have no account of any murder, the police don't seem to have interest until they finally discover the body of the victim and then when some of the witnesses who seen the killer flee, are brutally slain, the police devoid of any leads and led by Inspector Merughi call in the limping Alberto as they believe the killer is a cripple with a cane, Alberto's name is released to the press and soon even Kitty begins to suspect Alberto.It has to be said that Death Carries a Cane is low on thrills, but it does contain some violent murders and a nice gimmick for the killer, in that he uses his cane to hold down his victim before slashing their throats with a razor blade and in grand Giallo tradition the killer is replete with Black Hat/Gloves/Coat, the killers motive however is not revealed until the finale and we the viewer are not given much of a clue as who his identity and we only ever seen his hand or his frame in silhouette. The film itself lacks any kind of visual style, the colourless film stock is grainy which gives the impression of drabness, the locations for the most part are uninspired. There's also a back story of impotent composer Marco(Simon Andreu)and his ambitious reporter girlfriend and the seeming connection to the murderer of a girls ballet school, but even Giallo regulars Scott, Hoffman and Andreu fail to liven it up and Scott's obligatory nude scene seems like the fulfilment of a contractual obligation and less to do with the plot. Roberto Pregadio's score is generic and fails to liven up even the few moments of suspense, having said that it still held my interest and contained some nice kills but nothing spectacular. For Giallo completists only.

The_Void Released during the height of Giallo's popularity, Death Carries a Cane is a sadly lackadaisical film. It seems as though everyone involved couldn't really be bothered, with the sole intention of creating another popular film on the mind of the director and scriptwriters. The acting is mundane, the plot is highly derivative, the scene settings are very bare and the character's motivations range from unlikely to completely ridiculous, and more often than not are an obvious attempt at furthering the plot. The film seems to be taking Dario Argento's masterpiece 'The Bird With the Crystal Plumage' as its main inspiration, as the plot centres on someone who witnesses part of a murder and endeavours to solve the case. The plot follows Kitty; a young woman that, while looking through an observation point, spies a murder happening in a house across the street. After doubting her story, the police do nothing; but then the murders continue, and Kitty's boyfriend ends up noticing that all of the murder victims were a part of a ballet group.Stylish murders are an important part of the Giallo, so it's lucky that director Maurizio Pradeaux decided to do a good job with this area of the film. The murders are rather tame compared to other genre films, but the director makes them stylish, and shots of things such as the killer hiding under a bed or on the backseat of a car are good, and the cane/razor blade murder weapon combo features well. The film benefits from a strong Giallo cast, including most notably; Luciano Ercoli's spouse, Susan Scott. Scott is largely wasted, however, as her role doesn't allow her strong screen-presence to shine through and she left only with the task of providing some nice nude shots. She is joined by her Ercoli Giallo co-star Simón Andreu as well as prolific Italian horror star, Robert Hoffman. The plot doesn't flow too well, as the murders are the only standout parts of the film, and much of the build up/aftermath to them isn't interesting, especially as the police investigation is mostly lacklustre and redundant. Overall, Death Carries a Cane isn't a particularly bad Giallo; but it's not a very good one either, and Giallo fans can feel free to skip it.

hamburger TORMENTOR is your typical early 70s giallo. You got your funky 70s tunes, out-of-place comedy, nude women, and a black-gloved assailant bloodily slicing his victims with a razor. The opening scene with the two guys fighting over the telescope-thingie is a riot...notice how much that one guy resembles Jackie Martling of the Howard Stern show? OK, but I'd rather be watching DEEP RED.