Coventry Who better than Hal Needham, notorious stunt driver and director of many good ol' boy car chase movies like "Smokey and the Bandit" and "Cannonball Run", could direct this modest but worthwhile TV-thriller with numerous crashes and exploding vehicles? The resemblance with Steven Spielberg's phenomenal "Duel" is unmistakable, but that doesn't necessarily makes this film a blatant rip-off. Both films center on a psychopath who, seemingly without much of a motive, uses his/her vehicle as a deadly murder weapon. In "Duel" it's a filthy old truck in the middle of nowhere, whereas in "Death Car on the Freeway" it's a Dodge van on the traffic-infested highways of California during rush hour (which is probably why he occasionally has to switch license plates and re-paint). William Wood's scenario also hints that the murderous van driver does have a motive, in fact. He exclusively targets attractive women alone in a car, so that must make him a misogynic and underdeveloped pig that can't stand that women grow stronger and more independent nowadays. So, symbolically, the person on his tail is a rather timid and initially insecure female journalist who just liberated herself from her self-centered husband and doesn't get taken seriously by her management, or the TV Company's management. The "freeway-incidents" are tense and spectacular, in spite of the obvious budget restrictions, which is a good thing because the rest of the film is overly talkative and somewhat dull. The crashing cars burst into flames illogically fast, if you ask me, but that only makes it more exciting. Although it's "just" a TV-movie, "Death Car on the Freeway" stars a fairly impressive number of familiar names, like Peter Graves, George Hamilton and Robert F. Lyons. Horror and cult fanatics should particularly keep an eye open for a brief appearance by Sid Haig.

artpf A woman is badly shaken when she is run off the freeway and nearly killed by a crazy van-driver. Her story is not taken too seriously by TV or the police - until another woman is killed in similar circumstances, also by a dark van. The police seem to have no leads, so a TV reporter starts investigating the similarities between the cases. As the deaths mount, she takes hazard-driving lessons. When she finally locates the driver's whereabouts, he's missing, but chases her onto the freeway.This movie has some loud music. It's no a horrible movie, but it's directed like a TV movie which takes something away from the film. The print I saw was so bleached out the color was nearly gone and sometimes it seemed like I was watching a b&W movie.The verdict: 6.

Bandit1974 Or so the killer in Death Car On The Freeway Was Called.I have a soft spot for good car chase movies and this one was as good as it gets. Directed by Hal Needham (ex stuntman who brought us Smokey And The Bandit and all of Burt Reynolds subsequent smash em up movies) this movie is dated in many ways.First of all, the movie has some definite you go girl I am female hear me roar undertones. The movie came out in 1979 and the feminist movement was in full swing. There isn't anything wrong with it, but because it is so obvious it dates the movie.Secondly, if you have ever seen an episode of CHiP's you should have an idea of what the stunts in this movie look like. Spectacular, if you ask me. The stunts are real (not CGI) performed by real stunt men, risking their lives not over paid actors sitting in front of a blue screen.Okay, so the acting is a little cheesy. The movie is over acted to say the least. Made for TV movies rarely satisfy on the same level as a big screen picture, but then again you don't have to pay for them. This one fires on all cylinders. But, perhaps that is because I have a taste for the tackiness that only the 70's could offer.The plot? A psycho in a van decides that women have over stepped their boundaries and begins stalking and killing them on the highways of California. Shelly Hack is a television news reporter willing to risk everything including her career and life following the story.We never see the killers face, just his hands and feet. When the movie ends we never learn who the killer is. Just who he could be. I think the movie does a good job of implying that it could be anyone. The movie also has a message that still holds true today. Automobile manufacturers advertise their products in a completely reckless fashion. In their commercials they show their cars being driven in a way that will either land you in court or in the hospital.This is one of my favorite movies of all time, probably because it reminds me of my childhood (I was 5 when it first aired). I would classify it as a guilty pleasure.

stevenfallonnyc Look at that title, that plot and that cast, and what do you get? Definitely a 70's TV-movie. And it's really not a bad one at that. For car fans there's a lot of cool old cars to look at and some decent crashes. It definitely borrows from "Duel" (one of the immensely overrated Spielberg's only decent films) but manages to come up with a fresh take on it. The best thing about this movie is that the action is for real, back in the days when movie-making was real blood and sweat, instead of the computer crap we see today. When these cars crash, you can see where if something went wrong, there would have been more trouble on the set. But that's real movie making, not drawing cartoons on a computer.This movie definitely has the odd tricks and turns a lot of tv-movies did from the day, and still sometimes do. But given the era and the plot, that only adds to the fun. Definitely a good choice if you can find this one.