FightingWesterner Cattleman Robert Ryan comes to town to settle score with a nearby landowner (and romantic rival), only to have the showdown interrupted by renegade Cavalry officer Burl Ives and his gang of psychotic outlaws, who've been cornered by the Army after stealing a shipment of gold, forcing Ryan to protect the town in the face of a complete takeover.Day Of The Outlaw (great title!) is a stark, atmospheric western-noir, with crackling dialog and a whole lot of tension between Ryan, principled thief Ives, and his men, who are like a bunch of caged animals waiting to strike and who have become an increased sexual threat to the handful of women in town.Burl Ives, in a rare villainous role (complete with evil painted eyebrows!), gives an entertaining, icy cold performance, while David Nelson appears as the youngest and most troubled member of the gang. Contrast this with his brother Ricky's performance in Rio Bravo the same year. Third-billed Tina Louise is wasted in a somewhat pointless role that seems to diminish as the film goes along.The snowy climax is excellent.

TheLittleSongbird From veteran director Andre De Toth comes an underrated and mighty fine winter western. It is a little too short perhaps and there are parts that could have been better paced, but these are minor problems really because Day of the Outlaw is actually very good. For one thing, it is strikingly photographed in stark black and white, and the snowy landscapes are nothing less than magnificent. The score is also a really nice touch, dramatic, beautiful and dramatic, and Day of the Outlaw is also well scripted, nuanced and powerful yet with an essence of bitterness. And in terms of effective scenes the climatic gunfight in the snow is quite remarkable to say the least. The story is evocative and engrossing, the direction is excellent and the acting is adept with Robert Ryan rugged and heroic, Burl Ives brilliant as ever and Tina Louise both alluring and appealing. Overall, underrated with a lot to recommend it. 8/10 Bethany Cox

Spikeopath Cowboys and ranchers must stick together when a gang of outlaws ride into town intent on causing trouble and abusing the town. Even tho their leader, ex army Captain, Jack Bruhn has them under some sort of control, salvation may have to come from the moody Blaise Starrett, who has his own secret agenda to deal with.Day Of The Outlaw {poor title not befitting the quality of the film} is directed by André De Toth {Ramrod, Crime Wave & House of Wax} and stars Robert Ryan, Burl Ives & Tina Louise. Adapted from the novel written by Lee E. Wells, it's a film that is crying out to be seen by more people, especially those with an aversion to Westerns. For although grounded in Western tradition, it comes across more as a moody Noir piece, the atmosphere throughout hangs heavy like a weighted burden, with this tiny tin pot town in the snowy swept mountains photographed starkly by Russell Harlan. This is some out of the way place that nobody but its small inhabitants care about, and even those that do are probably doing so more out of ill judged loyalty to having not tasted something else before.Robert Ryan was a terrific actor, often only mentioned when talk turns to famous pictures like The Wild Bunch & The Dirty Dozen, but it's with performances like here, or The Set-Up & Crossfire, that he really puts a depth and critical layers to his talent. Burl Ives is also great, his weary and scarred Bruhn is almost in empathy with Starrett and the townsfolk, so much so, we are never quite sure just how this picture will end. Tina Louise rounds out the leads, and apart from being an incredibly sexy woman, she does some great facial acting here, one sequence as the outlaws demand dances with the ladies is laden with a vile undercurrent, with Louise perfectly portraying the threat with acting gravitas. With astute directing and acting to match the almost sombre soaked story, Day Of The Outlaw comes highly recommended to fans of atmospheric enveloped cinema. 9/10

dbdumonteil This is an excellent western by Andre de Toth. It is mainly remembered for its final thirty minutes,an extraordinary ride in the snow ,where the director makes the best of black and white pictures while he's filming all the tired horses ...Hell freezes over.But the first hour is absorbing as well with its depiction of an one-horse town lost in the snow,a dead end where one never really knows which ones are prisoners and which ones are guards .The "ball ",during which the four women are really having a bad time (particularly Tina Louise)is one of the most violent scenes ever filmed in a western .And all they are doing is dancing.It has to be seen to be believed! Robert Ryan is ,as always,excellent ,as a tired blasé man who just wants to live in peace.