loulayton An enjoyable movie, entertaining and warm, about the changing relationship between two sisters, with some insightful behind-the-scenes story lines of life in Cuba. The dramatic scenery of old Havanna is beautiful, the music and dancing most enjoyable, and some excellent acting from Carlos Acosta, Charity Wakefield and Eva Birthistle. Christopher Simpson renders a thought provoking portrayal of a very interesting character. I'm sure we will be seeing a lot more of all these actors. Apparently its the first UK movie to be shot in Cuba in 55 years since "Our Man in Havanna". Don't miss this British movie, it's well worth seeing.

juliaparr2007 A few weeks ago I had the opportunity to see 'Day of the Flowers' and arrived with no idea of what to expect, the word CUBA however never fails to set up a frisson of excitement and I was not disappointed in the slightest by this super mix of Scottish and South American culture and characterisation. Indeed, in retrospect I can see that it was a perfect feisty and amusing match,the acting was sensitive,credible and each part played with skill which reeled the audience in to the story perfectly. Artistic filming and some lovely detail (the horses for example?) and enough music and dance to whet my appetite - although I could have watched Carlos Acosta and the bands for a very long time given the opportunity. It was vibrant and fun - I didn't leave feeling emotionally drained; just happy! I wonder if there may be a sequel lurking in the writer's mind? Ailie should surely get back to her roots one of these days!!! jx

Christie Williamson I had a great night last night.  Braving trains, taxis and troublesome tram works MBH and I enjoyed a night at the Edinburgh Film Festival.  The Day of the Flowers is about family and friendship.  It's about love and death, truth and lies, about revolution and evolution.I'd heard about this film and the politics of getting a film about Cuba made in Cuba.  So I was thrilled to see it.If there was one thing I would have liked, it would be more Glasgow.  The film starts here with sisters Rosa and Ailie rescuing their dead father from being made into a golf trophy by their stepmother.  It's funny, and sets the Glaswegian perspective through which we are shown Cuba. There are certain factors which make the film work for me.  And it really does.The flowersIn other reviews, Rosa has been described as "a headstrong idealist".  And that much they've managed to get right.  I like headstrong idealists.  I like seeing them on my cinema screens.  All too often they are a vehicle for people who don't want us to be headstrong idealists to tell us that headstrong idealists are naive.  This doesn't happen in The Day of the Flowers, which is refreshing.  She's beautifully played by Eva Birthistle.  The story of her relationship with her sister, and the discoveries both make about their parents offer a compelling, human story.The dancingCarlos Acosta is a star.  That's not an opinion, he just is.  A global dance sensation, this is his first big role in a feature film.  The first of many, by the looks of things.  His Tomas is a modern Cuban, who has toured the world and returned to his homeland to educate young and old.  He takes the girls (especially Rosa who needs it most) under his wing.   His performance has that thing you only know when you see it - an apparent effortlessness which can only be achieved through talent and professionalism.  I know and love a lot of the music which underpins the film and carries with it the seductive sunshine so beautifully captured.  Which brings us to - The islandCuba is beautiful.  Cuba in The Day of the Flowers is a gift to anyone who loves photography and the moving image.  Sunshine seems to flood the sky. We are shown the difference between the big corporate hotels and the Cuba that Cubans live in.  Visually stunning, the island also has a rich culture and a history of political independence which really matters.  This isn't a film about politics, but the fact that things are different in Cuba is plain to see, as well as the benefits and costs of that difference.  I know I said I wanted more Glasgow, but 80-90 per cent of this film is in Cuba.  And I wanted a lot more Cuba.In the end, film is a way of telling a story.  And stories are about people.  And what this film is about is that moment when you're not entirely sure of yourself or your situation, and you're not entirely sure if you should or you shouldn't, but you ask someone if they'd like to dance with you.  And they do.  And because you did, you never have to wish you had or regret you hadn't.If you haven't, and you can, see this film.  You won't regret it.

qwertynorris One of the selections from the Edinburgh Film Festival's 'best of the fest' which you hope was based on initial ticket sales & not critical response - otherwise you would worry about the quality of this years output. Whilst it's nice to see a Cuban backdrop in a narrative drama, it doesn't really compensate for some shockingly bad writing & uninspired direction - which is particularly evident in having all the characters constantly think out loud (the first 10 minutes in this regard are absolutely appalling). The performances too are largely unconvincing, with Eva Birthistle (very good in Loach's 'Ae Fond Kiss') struggling immensely with a hugely unsympathetic idiot of a protagonist, whose every solution to a problem seems to solely involve walking out of a scene that lapses more than 2 minutes. Still, her turn is award-worthy compared to the amateurish showings by her supposed sister & her constant kilt-wearing cypher of a friend. Well intended it might be, but it can thank the Cuban cast & the work done by the unit directors to lift it above the tragic threshold.