Michael A. Martinez At first glance, DAY OF THE COBRA is a spiritual remake of Castellari's genre-defining HIGH CRIME. Both take place in Genoa, both star Franco Nero as a tough-as-nail law enforcement character fighting drug dealers, both feature a kid getting nailed by a car, and a henchman being shot in the groin from below.Unfortunately this film just doesn't have the same energy going for it. Everything feels markedly smaller and cheaper and the plot goes a bit too far out to be believable with plenty of silly dialog. It also contains some surprisingly poor performances and far too many instances of Enzo alluding to his other, better films. Nero's real life son Carlo acts in the film (as himself basically) but his subplot seems overall unconnected and just strange.What the film does have are a few exciting foot chase scenes and a silly fistfight between Nero and a transsexual. The main theme song is silly but very hummably infectious and the whole movie moves at a brisk, though casual pace. Sybil Danning provides some welcome if brief nudity, and we learn here that she actually wears high heels in bed. Also worth mentioning is the excellent supporting "dream team" cast of legendary Italian stuntmen such as Rocco Lerro, Massimo Vanni, Angelo Ragusa, and Romano Puppo all allowed to display their respective talents as various henchmen.Overall though the film is just too pedestrian and mediocre. Probably the least of Castellari/Nero teamings though still a cut above most of the pack of later Eurocrime movies.

Witchfinder General 666 Being a Poliziotteschi-buff and a great fan both of director Enzo G. Castellari and leading man Franco Nero, I still only had mediocre expectations for "Il Giorno Del Cobra" aka. "Cobra Day" of 1980. And while "Cobra Day" is certainly no masterpiece of Italian Crime cinema I have to say that my expectations were slightly surpassed, as this is a very entertaining film. Unfortunately, I have not yet had the pleasure to see the two foregoing Poliziotteschi from the director/leading man team Castellari/Nero, "High Crime" (aka. "La Polizia incrimine la legge assolve") of 1973, and the supposedly excellent "Street Law" ("Il Cittadino Si Ribella"/"The Citizen Rebels") of 1974, but I sure intend to. When "Cobra Day" was made in 1980, the heyday of the Italian Poliziottesco was already over, and the film does indeed not bring up anything new. Yet Franco Nero makes up for the lack of originality, and everything is delivered with style, even if some of the 'twists' are more than a bit predictable. Nero plays Larry Stanziani, an Italian private eye in San Francisco, who is sent back to his hometown Genoa by his former employer - the head of the narcotics department. Stanziani, who is nicknamed the 'Cobra', is to detect a homosexual drug dealer and murderer named Kandinski. Not only is Kandinski a ruthless criminal, however, he is also responsible for what earned Stanziani a three-year stay in prison, which makes the whole thing personal... As said before, "Cobra Day" delivers little that is new, but the good old formula is delivered stylishly. Nero fits greatly in his role of the slightly scruffy but tough and super-cool private eye. Sexy Sybil Danning makes a great female lead, and the cast furthermore includes the great late William Berger as the head of the narcotics department. The action sequences and photography are well-done and the film has a very cool and catchy theme song that proclaims: "I don't give a damn I am the Cobra". The teaming of Nero and Castellari sure has brought better films than this one (the awesome Spaghetti Western "Keoma" is just one of them), but this is not to say that "Cobra Day" is not an entertaining film itself. In case the expectations are not too high, this is a worthwhile and entertaining film, which I recommend to my fellow fans of Italian Crime flicks.

gridoon Like other Enzo Castellari - Franco Nero teamings, this is a case of a routine script directed with flair. Castellari stages plenty of energetic fistfights and chases, and Franco Nero brings some of the qualities that made him a cult favorite - his humor, his athleticism, and of course his accent (IMDB lists the language as Italian, but I think it was filmed, not dubbed, in English). The script, however, is strictly formula stuff; some of the twists I guessed (seriously, is there anyone who has watched even one Italian film before who couldn't guess the fate of Nero's innocent son?), some I did not (Sybil Danning's role turns out to be more important than it appears at first), but generally there is nothing here that you have not seen before. Except maybe for the scene where Nero fights a karate-chopping transvestite, but even something similar to this has happened at least once before - in the beginning of "Thunderball". (**)

currax "I don't give a damn, I am the Cobra." That is a terrific theme song. Too bad the rest of the movie doesn't come close to High Crime or Street Law. But Day of the Cobra has its moments. Most of these moments are courtesy of Franco Nero. This guy is fun to watch even if he's just endlessly running or descending stairs. I was pretty entertained for about the first third of the film. After that, the plot started to lose some of its sparkle. The whole father/son subplot where we cut to scenes of Nero and his son playing baseball or discussing how they'll "be together forever" just didn't seem to fit. Overall, a good film but not the best Nero/Castellari collaboration.