Dark Moon Rising

2009 "Love is a six letter word - "HORROR""
3.9| 2h4m| R| en| More Info
Released: 10 October 2009 Released
Producted By: Flick Investments Group
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.darkmoonrisingmovie.com/
Synopsis

Small-town girl meets mysterious drifter boy, they fall in love. Only in this case, the boy brings with him a family curse and unimaginable horror that rains hell upon the small town

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torstensonjohn Slated between fantasy/sci-fi/moderately horror this film lays an egg in pretty much all counts. It's a laughable love story between a woman and a man/wolf, a father and son curse and eventual showdown. The screenplay is mediocre at best with a lot of cussing in the dialogue. I was shocked well known actor Chris Mulkey and actress/singer Maria Conchita Alonso signed on for this. Alonso's character as Sherriff is poorly acted and makes no real sense for her being there. Throw in Sid Haig who is known for non-conforming roles and he was fun to see. The music score was slightly misplaced in some scenes but not overly bad. Now the actual werewolves creature is poorly designed, contrasting in how they transform is laughable. No true CGI involvement. I give it a 4 based on scenery alone.
Leofwine_draca The first thing you notice while watching DARK MOON RISING, a would-be werewolf-themed horror film made on a very low budget, is that it's an open rip-off of TWILIGHT that favours romance over horror content. It's a trailer trash-style film that features rubbish lead actors and poor writing throughout. The horror content is virtually nil and the direction is bad with lots of close-up shots and little varying to break up the tedium. Only the virtue of various slumming-it stars keeps it watchable: in support we get THE RUNNING MAN'S Maria Conchita Alonso as the town sheriff; Max Ryan as a heavy; Billy Drago as his usual sinister character; Sid Haig in a one-scene cameo; plus a minor role for the reliable interesting Chris Mulkey, who appeared in FIRST BLOOD. A shame it's such a dud.
JoeB131 This movie was a dull mess of a movie, and the reason why might be in the opening credits. Nearly every actor in the film apparently has a "co-producer" credit. So the movie wasn't entirely clear on who the protagonist was, and thus there was no real focus to the story.The plot is that a drifter comes into town and seduces the daughter of a local rancher. Said rancher has the hots for the Sheriff played by Maria Conchita, who apparently hasn't worked on her English all that much since she was in "The Running Man". She investigating a series of murders and animal mutilations. Of course, the real villain is the drifter's father... Scooby Doo would have figured this out about half an hour before our characters would have.Sid Haig and Billy Drago. Can't have a cheap horror movie without them, regardless of how unimportant there characters are to the actual plot. Not surprisingly, they got "Co-Producer" credits, too. Just so they could have something else to put in their IMDb entries.
Tanuccoon Dark Moon Rising / Wolf Moon is a love story... no, it's a story of a reluctant werewolf... no, it's a story of two families coming together... Well, it's a lot of things and not all of them pleasant. First and foremost it's the story of a girl with a single father who happens to fall for the bad boy werewolf drifter and could've ended happily at just that if not for the father's dislike/distrust for the new boyfriend and the fact that the boy's psychopath werewolf father is trying to track him down for a family reunion.For what it is, the film is decently acted and the story is moderately compelling. The big bad daddy wolf is a genuine monster and regales us with moderate gore, besides being a somewhat likable villain. The boy and girl are passable actors allowing their scenes to outshine their limited talent. The girl's father and the sheriff feel like something ripped out of a low budget Syfy Original (is there any other kind?) but they're not bad beyond possibly being somewhat derivative. The real flaw, through and through, are the horrendous special effects. The transformations are hokey, corny, and completely devoid of any real passion; the costumes are, well, just so obviously costumes that it ruins any thrill. Compared even to the presumably smaller budgeted Werewolf: The Devil's Hound, the special effects in DMR are flat out lousy and inexcusable especially considering the rest of the movie which is pleasant if not good. It's a shame that they decided to completely shunt the werewolf angle in a werewolf movie but, after all, this film is probably more of a teeny romance than anything else.