mark.waltz That's how William Powell's Emory Slade describes his reputation as a temperamental former star who becomes a Hollywood talent scout when 20th Century Fox plans a film version of the 1931 Broadway musical revue "The Band Wagon" (and which MGM later added a story and more of its songs to). Only a few of the Dietz and Schwartz songs are heard here before Fred Astaire and Cyd Charisse danced in the dark, and the storyline here is much darker, too.Powell plays an actor with many personal demons, very much unlike his most famous character of Nick Charles, and even darker than his Broadway mogul, Florenz Ziegfeld. Here, Powell is promoter, not producer, that role being given to the equally legendary Adolph Menjou, while Jean Hersholt (of the Oscar's Humanitarian Award) plays himself as the representative of the Motion Picture Aid Society determined to help the down on his luck but stubborn Powell.As for Betsy Drake as the young ingénue chosen for the lead in the musical, she is certainly lovely, but lacking in superstar magnetism. She is a fine singer and dancer, but I can't believe anybody would buy her as the next Judy Garland or Betty Grable (Cary Grant, maybe, but he married her...) The musical numbers are cut down to two separate segment "auditions"-one live ("New Sun in the Sky"), the other a filmed screen-test that is shown at the Chinese Grauman's where Drake sings and dances the title song and a bit of "I Love Louisa".As a musical, I recommend "The Band Wagon" far more than this, but this is a unique credit in Powell's career, one of his darker dramatic parts, and highly recommended for that. Mark Stevens seems out of place here as Drake's love interest, but there is an amusing cameo by future "Caged" matron Hope Emerson as Powell's gruff landlady.

donofthedial This looks like it was meant to be a June Have film...one that she turned down.Dreadful film. Only worth watching for William Powell and people like Adolph Menjou. Mark Stevens - not so hot. Betsy Drake. The worst. Can't act sing or dance. Whines well. Magnificent cleavage, though. Yeah, right. You could play Scrabble on her 'chest'. No way any guy was going to wait two years for her. That dancing! Snakes on a plane.Really, Bill Powell is the only reason to see the film, except to see how badly a play can be transfered to film in one case such as this - badly vs THE BANDWAGON just a few years later which is a masterpiece.

stepale-1 To the person, I think her name was Blanche, who complained in her first sentence posted here that "Dancing in the Dark" was shot in black and white, I think she might want to get her television checked--the version broadcast on the Fox Movie Channel was in Technicolor. Also, I did not think Betsy Drake was that bad. Neither did Cary Grant. He was married to her at the time--and for the ten years after the movie was released. Ms. Drake's singing, on the other hand, was not so good. She was dubbed with someone else's voice, and it looked like they used a double for her in the dancing scenes as well. Betsy Drake is still among the living, by the way. She is now in London having given up acting to become a writer and a psychologist. Cary Grant left Ms. Drake for Sophia Loren, who, as it happened, would not marry him. She preferred Carlo Ponti.

jotix100 It must the be the saddest thing in the world to have had it all and suddenly see oneself in circumstances below what one once new. This is the case for Emery Slade, the famous luminary of Hollywood we encounter eking out a life while trying to hold to his dignity. In another medium, the change would perhaps not have been the disgrace it presents this forgotten man, but in the fantasy world of the movies, Emery is a has been and his former nasty self stands in the way as others, more generous people, want to help him come out of poverty.Irving Reis, presents us a haughty Emery Slade, a man that is easily hated, as he prepares to redeem himself and make amends of his former life. By the kindness of Jean Hersholt, the famous humanitarian of Hollywood, he is connected to the head of the 20th Century Fox studio, who engages him as a talent scout that is sent to New York to audition possible candidates for the female lead of the upcoming "Brigadoon".Emery is assigned young Bill Davis, who immediately dislikes Slade and his methods. Davis wonders who could have given a job to this man that has no clue as to what has to be done. At the same time, he wants to introduce his former girlfriend, Julie, an aspiring actress and singer, to Slade. Well, he needed not to worry, as Slade meets the young woman on his own and falls under her spell. They both discover how much alike they are. Needless to say, Slade changes for the better in an about face that's hard to believe, but one roots for him and the young Julie.William Powell plays Emery Slade with bravado. He makes us see why this man is so much hated, until he comes to his senses. Mark Stevens is good as the studio handler. Betsy Drake has good chances as the young Julie Clarke. Adolph Menjou plays the studio head.While not one of the best William Powell's vehicles, the film is mildly pleasant. It offers tamed fun whenever Mr. Powell is around.