Woodyanders Cyborg Garth A7 (a fine performance by Michael Rennie) goes back in time to 1966 in order to prevent scientist Professor Sigmund Marx (well played by Edward Franz) from presenting a breakthrough discovery to the world that will bring about mass thought control in the bleak future of 2087. Director Franklin Adreon relates the engrossing story at a steady pace, maintains a likeable earnest tone, and stages the exciting action scenes with skill and flair. Arthur C. Pierce's compact script neatly prefigures the Terminator series with its compelling premise concerning people from the future traveling to the past in an attempt to save mankind. The solid acting by the able cast keeps this movie humming: Karen Steele as the perky and helpful Dr. Sharon Mason, Wendell Corey as a crusty sheriff, Warren Stevens as the dashing Dr. Carl Zellar, Harry Carey Jr. as pesky reporter Jay C, Adam Roarke as the eager Deputy Dan, and Chubby Johnson as the rascally Uncle Pete. Paul Dunlap's robust score does the rousing trick. A fun little flick.

oscar-35 *Spoiler/plot- Cyborg 2087, 1966. In th distant future of 2087, two scientists develop a time traveling device with a cyborg. The cyborg is supposed to go back in time and prevent a scientist from perfecting his new 'telepathy'. In the future time, a dictatorship government uses this telepathy to control it's citizenry and abuse their rights.*Special Stars- Michael Rennie, Karen Steele, Wendell Cory, Warren, Stevens, Eduard Franz, Harry Carey Jr.*Theme- Justice in any time is important enough to preserve.*Trivia/location/goofs- One of the last film appearance of Michael Rennie. Supposedly the idea for many later sci-fi films: Terminator, Outer Limits, Twilight Zone, Time Cop, and etc.*Emotion- I wanted to like this film for it's premise. Even though it's a time travel and cyborg film, this one is very crudely done with little production values. It suffers from total unbelievability and bad screen elements. The necessary sci-fi 'suspension of believability' never occurs and screen things are unintentionally laughable. The plot is essentially a 'chase' film' between the future bad guys police robots chasing the good guy cyborg in 1966. This film had high hopes but is essentially a waste of good film plot ideas and your time. And you can't go back in a time machine to get it again...A waste of your time & attention.

pro_crustes Yesterday, I saw the last of the three "Rings" movies. Ho-hum. CGI is great. So is a good book. CGI of a good book is, however, just eye-candy. "Cyborg" is movie that, lacking money and computer graphics, was forced to tell a story. Michael Rennie (you know him as "Klaatu") is a man/machine from the future, come back to correct a few mistakes. His "high" tech looks a bit like your grand-dad's ham radio did about the same time this movie was made, but so what? Garth (Rennie) isn't here to show us ray guns or cell phones. (Who knows? Maybe his gizmos are all camouflaged to resemble '60s-era devices.) What he is here for is to undo the damage of some bad decisions (many of which will remind you of "The Terminator's" SkyNet, but you decide yourself if there's a connection).Alas for Garth, if he succeeds, it may have dire consequences for him personally. That fact gives him a poignant nobility that many films, then and now, could use, but lack. Time-travel stories often rely on that kind of wrinkle for their drama, and I think that's an inherent weakness of the time-travel sub-genre: they all tend to ask the same question. Still, this one asks it well and Rennie's skillful performance leaves you exquisitely uncertain of just what the Right Thing to Do would be, in such a situation as his character finds himself.Yeah, "Rings" was great. But so was this, and they don't make 'em like this one anymore

kmj-2 Often dismissed as a "quickie" movie using a great deal of television elements, "Cyborg 2087" is a prime example of what Hollywood was trying to do between the late fifties and mid-sixties: get people (especially the kids) away from the television set and back into the movie theaters. This film tried (sometimes successfully) to combine two popular genres of t.v. at the time; westerns and science fiction. Half-human robots, having a "shoot out" in a western town using ray guns to rescue the girl (played by a former "Mouseketeer", no less). Listen for the Paul Dunlap soundtrack, which should be familiar -- it was used for several t.v. shows, movies, and even Hanna Barbara cartoons! Also, check out the "hip lingo" used by the teens.The sad part is to see classically-trained actor Michael Rennie trying to make a living wearing a silver spacesuit after being typecast as a "sci-fi guy" in "The Day The Earth Stood Still".