Ian Hinton A well balanced film, reflecting the reality of emigration for Spaniards. A light drama with touches of intelligent humour. A joy to watch, learn and have an occasional laugh. As a brit living in Spain for many years, it's wonderful to see how Spanish movies have evolved so well from the old "españoladas" (the local derogatory label for Spanish slapstick films), to intelligent and excellent quality jobs like this one. This was my second "adventure" with Carlos Iglesias, after watching his extremely humanistic "Ispansi" (Spanish refugees in Russia during the Spanish Civil War). I'm now looking forward to watching his latest production "¿Cómo está el Franco?".

ma-cortes Carlos Iglesias's first big-screen full-length movie as filmmaker, "Un Franco, Catorce Pesetas" (Crossing Borders, 2006), was a hit among viewers . Marcos (Javier Gutierrez) and Martin (Carlos Iglesias) are two good workers in the Spain of the 60's , but without job . In Spain there's no job , there's no cash , and there's no option for the poor people but to emigrate to a foreign country and attempting to encounter work . The two friends say goodbye their families and go abroad . There takes place the problems to adapt into Switzerland ; but later on , they discover a new and agreeable life . This interesting film is full of humor , drama , touching scenes and good feeling . It is a simple , dramatic and humorous portrait of a time when the Spanish had to go other countries in order to encounter a work . Carlos Iglesias's first big-screen full-length movie as director, "Un Franco, Catorce Pesetas", was a success among spectators, as well as a hit smash in the various film festivals it took part in . The movie plot about the life of Spanish immigrants in Switzerland in the late 1960s is based on his parents' as well as his own experience as an immigrant and adequately showing us how was the life of that time . Actors are frankly magnificent with a first-rate acting for whole cast . Sensational Carlos Iglesias along with the wife played Nieve De Medina and Isabel Blanco as Hanna , among others . Moving and stirring musical score by Mario De Benito . Colorful cinematography by Tote Trenas who shows splendidly the ambient by that time . The story has wide relation with Ispansi!" (literally 'Spaniards!' in Russian, 2010) , his second movie as director that deals with children in Russia and there repeat most actors as Nieve de Medina , Isabel Blanco , Eloísa Vargas , Isabelle Stoffel and of course Carlos Iglesias . The motion picture was very well directed by Carlos Iglesias . He's a good actor and filmmaker . Having attended Madrid's Royal School for Dramatic Art, in the 1980s Carlos Iglesias played mainly in both classic and contemporary theatrical plays . Among others, in 1982 he played a part in Carlo Goldoni's "Arlequín, Servidor dos Amos", under Ángel Gutiérrez's direction and, with the same director, in Chejov's "Polinka". He worked in 1983 under director Balaguer in Lauro Olmo's play "Pablo Iglesias"; in Valle-Inclán's "Los Cuernos de Don Friolera" ; in 1987 in Federico García Lorca's "El Público" ; in 1990-91 in Jean Genet's "Ella",; and in 1992 in Valle-Inclán's "Las galas del Difunto", , among many other theater venues .From the early 90s onwards, Carlos Iglesias opted mainly for television shows of all different kinds: drama productions (in José Ramón Larraz's "Goya"; in Mario Camus's "La Forja De Un Rebelde"; in Luis García Berlanga's "Blasco Ibáñez"); TV series (in Vicente Escrivá's "Éste es mi barrio" and "Manos a Obra"; also in "Siete Vidas" and "Cuéntame Cómo Pasó" ; and as main actor in various TV shows, such as "Esta Noche Cruzamos el Mississippi". For the big screen, he was cast for Pedro Costa's movie "El Caso Almería" (1983); for Jaime Camino's "Dragón Rapide" (1986); or Pedro Pinzola's "Siempre Felices" (1991). Recently, he has acted as Sancho Panza in Manuel Gutiérrez Aragón's "El Caballero don Quijote" (2002) and in José Luis Garci's "Ninette" (2005), alongside Elsa Pataky. Rating ¨Un Franco 14 Pesetas¨ : 7'5 , worthwhile watching , essential and indispensable seeing for Spanish cinema buffs .

jotix100 Spain in the 1950s and 1960s was still a poor country. Like Italians, Portuguese, in other less industrialized European nations, Spaniards that couldn't make a decent living in their own country emigrated to Germany, Switzerland, and France, where there were more possibilities for them. The idea was for the head of a family to go, start working, save as much as he could to send it back home.Martin and Pilar, a young couple, have to live with his parents in the basement apartment in the building where the older man is the super. Pilar, who had her eye in a new building in the outskirts of the city has given a deposit for the apartment she thinks is her salvation from living with the in-laws. Imagine Martin's surprise when he learns she has spent their savings for the down payment for an apartment and he has just been laid off.Marcos, one of Martin's friend, also unemployed, tells him about his intention of emigrating to Switzerland. He has heard mechanics are needed for the Swiss factories. Without no working permission the two embark in the adventure of their lives. They must leave family behind and enter Switzerland without work permits; both men are lucky not to be sent back home. The small town they decide to try their luck has a small factory where they eventually land jobs.Martin and Marcos are not prepared for the shock they receive in a country that proves to be as different from theirs like day and night. They land jobs, eventually. They have settled in a small pension in town where Hannah, the woman who runs the place doesn't understand her guests. The result result in funny situations where the Spaniards' more affable character prove to be a winning card for them. Loneliness proves to be hard for the men as their spouses are so far. Martin has an involvement with the kind Hannah.Pilar, who has decided on her own to go to Switzerland to join her husband, has spent a year's worth of remittances from Martin in the apartment that she supposedly has bought, but in reality she was duped from an unscrupulous building agent. When Pilar arrives, she senses how her husband has been having an affair, but nothing much comes out of it when they find an apartment of their own. Their life takes a nice rhythm in their new adopted country. Years go by, and after Martin's father's death, they decide to go back home, a sad mistake for the whole family.Carlos Iglesias, who wrote, directed, and starred in this film, is someone new to us. His nostalgic look at what appears to be a biographic picture, has some great moments that reflect a bygone Spain, a poor country during the years where the action takes place. The film is a hymn to those men that went to make a living, living family and friends behind. It's clear Mr. Iglesias knows what he is talking about and what comes out in the film is a loving tribute to those men who sacrificed it all in order to help their impoverished families.The director, who plays Martin, has some good moments in the film, especially the beginning of his life in the new country. Javier Gutierrez is also quite appealing as Marcos. Nieves DeMedina, is seen as Pilar, in a touching performance. Isabel Blanco, who plays Hannah, was a surprise."Un franco, 14 pesetas" proves the point that for some emigrants that try to go back home find it almost impossible to adapt themselves to a pace and an atmosphere in the old country that seems alien to them now, as it's the case with Martin's son who can't adapt himself to the Spanish ways. These people have invested a lot of their lives in a new culture and adapted with a lot of effort, so going back is not exactly easy for most of them. Leaving comforts for an uncertain life back home is not something most of these families would even consider.

pinkchica It was my first Spanish movie and I had no idea what to expect, but I'm so glad I chose it in the end, I found it so much more interesting and entertaining than the other movies i'm used to. I am definitely going to see if I can find some more of Carlos Iglesias - I absolutely loved him.A wonderful movie, beautifully filmed, with light yet very effective humour. The actors are simply perfect, the story flows at the right pace, and you enjoy the movie from beginning to end. Offers a great contrast between the lives of the Spanish and the swiss in the 1960's. A Spanish must-see.