coffeemug Bad acting (philippe Caubere acts like Michel Constantin on a bad day...), cheap violence and torture (did they really need to glorify the act of drilling a hole through a kneecap, are we supposed to enjoy this?), no plot - just mean bad guys (if this was part of providing young audiences with role models I believe the director should be sued, these models are not going to give any good ideas to youngsters... ).There are much better contemporary French films around, this was just a pathetic "kill bill" try à la française, and even so, it misses the point.If you want good french stuff with suspense, violence, tough guys and a fine plot, look for "MR 73" or "36 quai des orfèvres"

baston-2 I love french films, especially crime thrillers, and films of this type. Dobermann by far and away is the best film of this type that i have ever seen. I bought Paris Lockdown hoping for more of what i'd seen and loved in Dobermann. I was left feeling let down by Paris Lockdown. I just didn't 'get it' at all - i don't actually know what they were trying to achieve with this film. Any chance of really showing and fleshing out the characters and story seems to have fallen by the wayside - which is a shame because it could have easily been a classic. The only decent character and acting was done by Benoit and Tomer. I don't know really... i'm pretty open minded but i'd have a hard time recommending this. This will probably sit on the shelf, or in the loft, for a long time now.

GUENOT PHILIPPE "Truands" is a movie I love because it destroys all the clichés gangster movies usually give us. Rise and fall of thugs, features where violence keeps close to romance,and where main characters are nevertheless sympathetic for the audience. And when they die, the same audience suffer in the inside. See "Scarface", for example...With "Truands", except some scenes where there are dialogs taken from "Scarface" - such as "You think you can f...me?!!!" "Nobody f...me!!!"..., everything is different from other pictures. There is no trace of sympathetic character. And of course no humor at all. Nothing to do with Tarantino. Every one is Absolutely nasty at possible. Every one. It's disgusting. If you wait for some moral or ethic, you'll puke all over the joint...No emotion either. Debauchery, treason and slaughter. Baths of blood all over the movie. Bullets, buck shots 00, riot guns, M 16....All the details for "Truands". In summary the real underworld.The character played by Benoit Magimel is absolutely out of his usual ones. Angel face Magimel is here a ruthless murderer, a professional killer. He and his buddy Olivier Marchall played a duo of killers which reminds me some American classic...----------BEWARE SPOILERS-------------------------And there is no end. Life goes on for the nasty ones.But I love that.It changes.

amaurydb I just don't understand... Where is the story, where are the characters ? Well, this is a strange movie. I'm still wondering whether is was good or not... This could have been a classic but the characters are so flat: They all live for the same things (i.e. drugs, alcohol, money and Hungarian whores) they get doing some "business". None of the characters seems to have something unique or original. The story is really completing this. Whith no-personality-characters you get a no-personality-story or just a no-thing. On the other hand if you really haven't got anything to do today. Just go. There is a lot of dumb mafia guys shootin' and drinking all film long. Really interesting ;-) Fortunately I didn't pay for the cinema so I can't regret it !