JohnHowardReid It's a surprise to find this movie was filmed in Los Angeles because L.A. looks quite unfamiliar here. But this movie is full of surprises, not the least of which is finding that the story is actually an earlier version of "The Car" (1977). I suppose José Ferrer will go down in history as an actor who played characters with gross physical deformities. In this film, he is confined to a wheelchair. But he still looks pretty chipper and his voice is as beautifully resonant as ever. John Ericson has borne the years well too, but Sue Lyon is definitely looking older. She delivers a very convincing performance, however, and enjoys some great make-up effects. Director Charles Band knows how to fill his wide anamorphic screen effectively. True, it's a "B" film and has some of the characteristics of the genre including jump cuts and lots of actuality film-work, but it also displays some spectacular action sequences (which are reprized at the climax). All in all, it's an effective movie, despite its far-fetched and incredible story. Even on its own level, the story really doesn't work, but there are a few good shocks and plenty of spills. Fortunately, the performances seem both natural and convincing. Photography, sets and other credits are effective.

Jonathon Dabell Crash! from independent film director Charles Band is an energetic but almost totally nonsensical entry in the possessed vehicle stakes. It even throws some wild and woolly occult magic into its jumbled brew, just to tangle its disparate elements a little further. One thing it does have going for it is the presence of horror veterans José Ferrer, John Carradine and Reggie Nalder, although only Ferrer gets any meaningful screen time. Sue Lyon is here too, though seeing her in a cheapjack genre film like this seems dispiriting after the early promise she showed in Lolita and Night Of The Iguana.Pretty young lady Kim Denne (Lyon) buys a curious trinket from a flea market. Later it becomes evident the trinket is a Hittite charm which can give its owner strange powers. Kim is married to the much older Marc (Ferrer), a bitter and twisted wheelchair-bound professor who holds his young wife responsible for his condition. Theirs is a totally broken relationship, and it's no surprise when Marc sets his ferocious Doberman upon Kim while she is driving, hoping to kill her and make it look like an accident. Kim survives this attempt on her life but comes out of it a disfigured amnesiac. While the police and doctors try to ascertain who she is and what has happened to her, Marc learns of her survival and tries to kill her again. Using her newly-acquired powers, Kim summons her car to come to her rescue. The driverless vehicles tears across the miles, destroying everything in its path as it races to its mistress's aid.Crash! is a complete muddle of a movie. It throws in everything but the kitchen sink yet, crucially, fails to tie it all together with any real sense of logic or narrative flow. There's nothing particularly frightening in it, despite efforts to make Lyon look creepy and otherworldly with her scarred face and orange-glowing eyes. The car is certainly not scary at all. It roams, rams, wrecks, smashes and destroys everything it comes into contact with… but the overwhelming impression is more of a Hal Needham/Burt Reynolds-style demolition derby than an ominous chiller in the tradition of Duel. Plus, of course, there's the gaping plot hole that the car is under the control of Lyon, one of the film's supposed 'good' characters. If evil Ferrer was the one guiding the killer automobile, things might make more sense. But in order to save her own life it is actually Lyon who causes the death of countless innocents. How are we meant to empathise with her when she's responsible for the death of half the road-users in the county?!? A strange, senseless and largely unsuccessful film, Crash! does not shine brightly in the possessed vehicle canon.

cllangkjaer I got this movie from a good friend of mine. I have been on the look out for it for years, this is a pretty rare title, so I was very fortune that he fund it for me in Germany, on a Frensh Secam VHS tape. This French Languages version is unfortunately edit down. The entire dream sequence in the beginning of the movie is cut, but one cool thing is, this version is in widescreen. A few years later on I got the English UK VHS version, as far as I know, this this version is uncut. With both editions the picture is a little dusty, but the sound is OK. I have been a big fan of Charlie Band for more than 10 years now and Crash! was one of the very last of he's films to make my collection complete. I have been reading reviews about this movie before I finally got my hands on it and I must say, I was not disappointed. I think this is a great film, I just love the music in it, absolutely wonderful, mind you, this is a really strange film, even for Charlie. If you are a fan of Empire/Full Moon or just like 1970's horror, this is worth a look. I remember Crash! was on the release list some years ago, but never got out on DVD or laser disc. I emailed Charlie about this two years ago and he told me that he would love to re-release it to DVD, but unfortunately he did not own the rights anymore. This film is hard to come by, but as another IMDb user wrote, you can order it from Germany. This version should be in widescreen too, with German Languages. I have not jet seen this DVD, so I can not comment on the quality. Anyway hope you find this little gem, and enjoy it as much as I.

rixrex This combination of occult-horror and speeding car chase film somewhat effectively merges two of the more popular genres of the 1970s. I saw this back in 1977 when it first came out on a hunch that it might be fun, and it was the only horror flick playing at the time. As I remember, Jose Ferrer is an invalid with a younger wife, and she wanted to get rid of him, and visa versa. Somehow an occult figurine with evil spirits within comes into play and takes control of a Camaro/Firebird speedster, and goes around wrecking other cars and offing folks without a dent of it's own. Obviously a Charles Band low budget take on other slicker studio occult horror such as THE CAR. It's a good example of the Charles Band exploitation style and I remember it being fast-paced and fun, without any real memorable moments, but a nice way to spend a couple of hours, and made before Band started to become a bit pretentious. However, I have not yet been able to find a copy of it in any format anywhere yet! Any ideas out there?