Red-Barracuda
A Nazi war criminal on the run after the end of World War II, assumes an Australian scientist's identity and sets up shop in England where he develops germ warfare experiments which he and his masters hope will return the Nazi regime to prominence. His plans are complicated though when he develops feelings for his pretty lab assistant.This British dramatic thriller was made very close to the end of the war, so its story revolving around an ex concentration camp commander who was notorious for carrying out sadistic experiments on inmates is one which must have been touching on a grim subject which was extremely recent at the time. The Nazi is played by Mervyn Johns who was familiar to me from the brilliant Ealing anthology horror film Dead of Night (1945) and he is once again very good in a character who is not presented as one dimensionally evil as you might expect. His feelings for his lab assistant bring out the humanity within him, which most probably is his downfall ultimately too. The story perhaps could have had more suspense in it and it is also maybe slightly over-long but I thought it was definitely an interesting one nevertheless. It ends on a blackly ironic ending, which finished things off on an appropriate note.
malcolmgsw
If in 1949 you were casting for a German leading part whom would you chose if it were not a German actor?Maybe Anton Walbrook or Curt Jurgens but not Mervyn Johns.It is bad enough that this escaped German POW has a Welsh accent,but he then kills an Australian doctor but still has the same voice.At a dance he meets the commander of the POW camp from where he escaped but is still not recognised.He is helped throughout by this Nazi cell which somehow exists in London despite the war having been over for 4 years.At ever twist and turn the illogicality of the plot hits you squarely in the face.The ending of course is pure irony.However at 99 minutes the film is far too long for one to give it the benefit of the doubt.Little wonder that it has not been shown on TV here.
classicsoncall
The title of this film didn't come up when I typed in "Counterblast", so I used actor Robert Beatty's name who's listed at the top of the credits for this surprisingly effective mystery story. I'm not sure why he's got top billing because Mervyn Johns appears to do all the heavy lifting in his role as Dr. Bruckner, the 'Beast of Ravensbruck'. As an escaped Nazi war criminal, Bruckner assumes the identity of Australian microbiologist Dr.Richard Forrester after killing him in his London hotel room. Bruckner's mission is to develop a germ warfare concoction that can eventually be used to secure Nazi victory.For a Nazi on the lam, a couple of things puzzled me. Why for example, in his haste to leave the hotel after killing Forrester, did he stop to pay his room bill? And what conceivable purpose could there have been to lugging around a set of golf clubs other than to arouse the suspicion of his new lab assistant Rankin (Beatty)? Finally, for a world class bacteriologist himself, Bruckner should have been slick enough not to get tripped up on that little detail about his preferred lab chemical being exclusively German made.But I guess none of that really matters because the overall story is a fairly intriguing one, with Mervyn Johns donning a sinister countenance in direct contrast to the character of Bob Cratchit from my favorite version of "Scrooge", the 1951 Christmas classic. Uncharacteristically, this Nazi softens up enough over the course of the story to fall for his lab helper (Nova Pilbeam) and mingle with the aristocrats of British high society. You almost get to the point of liking the guy, but come on, he's a Nazi. So it's fittingly ironic that Bruckner meets his end in a manner suited to his profession - one could say it was a gas.
junk-monkey
A good solid piece of British movie making of its period. No classic but watchable. In the hands of a director like Hitchcock, and there are some very Hitchcockian themes here, this material would have made a minor classic. The former Concentration camp doctor's comeuppance (he is gassed in the hold of a ship being fumigated) is wonderfully ironic.The DVD watched was part of a 50 movie boxset from Mill Creek called Nightmare Worlds and the transfer is far from good. The image was fuzzy and broke up from time to time towards the end, and, somehow, presumably to save space on the disc, the frame had been cropped on all four sides. This was especially apparent during the opening credits and in a scene on a train where the evil Doctor and a padre are seated facing each other in a carriage having a conversation - all we see is their noses peeping out from the sides of the frame.